The Trail to Yesterday (1918)

Western | 6 May 1918

Full page view
HISTORY

Most of the film's exterior scenes were shot in Arivaca, AZ.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. ...

More Less

Most of the film's exterior scenes were shot in Arivaca, AZ.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
11 May 1918
p. 1813, 1848
Motion Picture News
11 May 1918
p. 2817
Moving Picture World
11 May 1918
p. 900
Moving Picture World
25 Jan 1919
p. 563
NYDM
18 May 1918
p. 705
Variety
10 May 1918
p. 42
Wid's
12 May 1918
p. 27, 28
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
All-Star Series
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel The Trail to Yesterday by Charles Alden Seltzer (New York, 1913).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
6 May 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
29 April 1918
LP12349
Physical Properties:
Silent
Black and White
Length(in reels):
5-6
Country:
United States
SYNOPSIS

Unjustly accused of murdering his father, Ned Keegles flees to the West, where he becomes known as "Dakota." During a fierce storm, Sheila Langford, who has come West to visit the Double R Ranch, requests the shelter of Dakota's cabin, but when the cowpuncher learns that her father is the man who accused him of murder, he forces her to marry him in order to gain revenge. Sheila then meets her father, David Langford, who soon afterwards presents Dakota with a contract to kill Ben Doubler, a kindly old man who has refused to sell Langford his valuable property. After Langford's foreman, Jack Duncan, shoots Ben, Langford again accuses Dakota of murder, but Sheila discovers the truth and confronts her father. Dakota arrives in time to save her from Langford's wrath and then forces the villain to sign a paper clearing Dakota of the earlier charge. Dakota then offers Sheila her freedom, but she refuses to accept ...

More Less

Unjustly accused of murdering his father, Ned Keegles flees to the West, where he becomes known as "Dakota." During a fierce storm, Sheila Langford, who has come West to visit the Double R Ranch, requests the shelter of Dakota's cabin, but when the cowpuncher learns that her father is the man who accused him of murder, he forces her to marry him in order to gain revenge. Sheila then meets her father, David Langford, who soon afterwards presents Dakota with a contract to kill Ben Doubler, a kindly old man who has refused to sell Langford his valuable property. After Langford's foreman, Jack Duncan, shoots Ben, Langford again accuses Dakota of murder, but Sheila discovers the truth and confronts her father. Dakota arrives in time to save her from Langford's wrath and then forces the villain to sign a paper clearing Dakota of the earlier charge. Dakota then offers Sheila her freedom, but she refuses to accept it.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.