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HISTORY

The scenario was based on the 1916 novel The Cinema Murder by E. Phillips Oppenheim, which was serialized in Hearst’s Magazine from Dec 1916 through Jul 1917.
       George D. Baker’s recent contract with International Film Service Co. was announced in the 20 Jun 1919 Variety. Baker was signed to direct a series for Cosmopolitan Productions starring Marion Davies, for which he would receive $10,000 per film. The 25 Jun 1919 New York Clipper reported that principal photography was scheduled to begin sometime that week. As stated in the 19 Jul 1919 Motion Picture News, the film marked actor Reginald Barlow’s return to the screen following his stint in the armed services during World War I.
       Articles in the 2 Aug 1919 and 27 Dec 1919 issues of Motion Picture News noted that the production included a stage play within the film. An elaborate theater set was constructed at Biograph Studios in Bronx, NY, featuring a stage, box seats, an orchestra pit, and a “velvet drop curtain.” Eulalie Jensen was listed as a cast member. According to the 19 Jul 1919 [El Paso, TX] El Paso Herald, props and furnishings for the picture cost an estimated $500,000, and included a valuable nineteenth-century tapestry. The close of production was reported in the 2 Aug 1919 Wid’s Daily.
       The Cinema Murder was released on 14 Dec 1919, followed by openings on 15 Dec 1919 at the Prince Theatre in Houston, TX; on 7 Jan 1920 at the Orpheum Theatre in Chicago, IL; during the week of 18 ...

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The scenario was based on the 1916 novel The Cinema Murder by E. Phillips Oppenheim, which was serialized in Hearst’s Magazine from Dec 1916 through Jul 1917.
       George D. Baker’s recent contract with International Film Service Co. was announced in the 20 Jun 1919 Variety. Baker was signed to direct a series for Cosmopolitan Productions starring Marion Davies, for which he would receive $10,000 per film. The 25 Jun 1919 New York Clipper reported that principal photography was scheduled to begin sometime that week. As stated in the 19 Jul 1919 Motion Picture News, the film marked actor Reginald Barlow’s return to the screen following his stint in the armed services during World War I.
       Articles in the 2 Aug 1919 and 27 Dec 1919 issues of Motion Picture News noted that the production included a stage play within the film. An elaborate theater set was constructed at Biograph Studios in Bronx, NY, featuring a stage, box seats, an orchestra pit, and a “velvet drop curtain.” Eulalie Jensen was listed as a cast member. According to the 19 Jul 1919 [El Paso, TX] El Paso Herald, props and furnishings for the picture cost an estimated $500,000, and included a valuable nineteenth-century tapestry. The close of production was reported in the 2 Aug 1919 Wid’s Daily.
       The Cinema Murder was released on 14 Dec 1919, followed by openings on 15 Dec 1919 at the Prince Theatre in Houston, TX; on 7 Jan 1920 at the Orpheum Theatre in Chicago, IL; during the week of 18 Jan 1920 at the Rialto Theatre in New York City; and on 25 Feb 1919 at the Apollo Theatre in Los Angeles, CA.
       According to the International Federation of Film Archives (FIAF) Treasures from the Film Archives database, there is no known extant print of this film, as of 2 Dec 2020.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
21 Feb 1920
p. 8
Chicago Tribune
4 Jan 1920
p. 97
El Paso Herald [El Paso, TX]
19 Jul 1919
p. 31
Evening World [New York City]
17 Jan 1920
p. 10
Exhibitors Trade Review
24 Jan 1920
p. 813
Houston Post [Houston, TX]
15 Dec 1919
p. 6
Ithaca Journal [Ithaca, NY]
2 Jan 1920
p. 2
Motion Picture Classic
Feb 1920
p. 96
Motion Picture News
19 Jul 1919
p. 756
Motion Picture News
2 Aug 1919
p. 1106
Motion Picture News
27 Dec 1919
p. 154, 229, 273
Motion Picture News
31 Jan 1920
p. 1319
Moving Picture World
17 Jan 1920
p. 462
New York Clipper
25 Jun 1919
p. 34
Variety
14 Feb 1919
p. 51
Variety
20 Jun 1919
p. 55
Wid's Daily
2 Aug 1919
p. 1
Wid's Daily
27 Dec 1919
p. 4
Wid's Daily
29 Dec 1919
p. 2
Wid's Daily
25 Jan 1920
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITER
PHOTOGRAPHY
Hal Rosson
Cam
SOURCES
LITERARY
Based on the novel The Cinema Murder by E. Phillips Oppenheim, serialized in Hearst's Magazine (Dec 1916--Jul 1917).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
14 December 1919
Premiere Information:
Houston opening: 15 Dec 1919; Chicago opening: 7 Jan 1920; New York opening: week of 18 Jan 1920; Los Angeles opening: 25 Feb 1920
Production Date:
late Jun--late Jul 1919
Copyright Info
Claimant
Date
Copyright Number
International Film Service Co., Inc.
10 December 1919
LP14527
Physical Properties:
Silent
Black and White
Length(in feet):
5,354
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Aspiring actress Elizabeth Dalston, after rehearsing a murder scene for a movie, is fired by her director at the request of the company's Wall Street backer, Sylvanus Power. Although married, Power plans to make Elizabeth his mistress and offers the unsuspecting girl a dramatic education in England, to be followed by his building a theater for her. Traveling across England after school, Elizabeth witnesses a fight between two brothers, Philip and Douglas Romilly, which ends in Douglas' supposed death. On the steamer to America, Philip, disguised as Douglas, confides in Elizabeth that he was fighting to persuade Douglas not to leave his pregnant lover. Elizabeth believes him and in New York they fall in love. After she convinces Power to produce Philip's play, both the play and her acting are hits. When Power propositions Elizabeth and discovers her passion for Philip, he summons Scotland Yard detectives, but Douglas reappears and clears Philip. Power then graciously admits his ...

More Less

Aspiring actress Elizabeth Dalston, after rehearsing a murder scene for a movie, is fired by her director at the request of the company's Wall Street backer, Sylvanus Power. Although married, Power plans to make Elizabeth his mistress and offers the unsuspecting girl a dramatic education in England, to be followed by his building a theater for her. Traveling across England after school, Elizabeth witnesses a fight between two brothers, Philip and Douglas Romilly, which ends in Douglas' supposed death. On the steamer to America, Philip, disguised as Douglas, confides in Elizabeth that he was fighting to persuade Douglas not to leave his pregnant lover. Elizabeth believes him and in New York they fall in love. After she convinces Power to produce Philip's play, both the play and her acting are hits. When Power propositions Elizabeth and discovers her passion for Philip, he summons Scotland Yard detectives, but Douglas reappears and clears Philip. Power then graciously admits his defeat.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.