Uncle Tom's Cabin
(1928)
112 or 141 mins | Melodrama | 2 September 1928
Director:
Harry A. PollardWriter:
Edward J. MontagneCinematographers:
Charles Stumar, Jacob KullEditors:
Gilmore Walker, Daniel Mandell, Ted Kent , Byron RobinsonProduction Designers:
W. R. Smith, Joseph Wright , Charles D. HallProduction Company:
Universal Pictures Corp.According to the 2 Jan 1927 FD, filming began in late 1926. The item noted that the film company had just returned to the studio "after a location trip of eight weeks in the old South." Director Harry Pollard hoped to be finished in two months. After the film was released, a 29 Dec 1928 [Baltimore, MD] Afro-American article stated that black stage actor Charles Gilpin had originally been cast in the film "but was mysteriously relieved of his work shortly after he had started to work."
According to reviews, when this film opened in New York, its 141 min. running time was split with an intermission.
Composer-conductor Hugo Riesenfeld compiled and composed incidental music to play for the initial silent roadshow engagements of the film, and the sheet music for this score was published in 1928 by Robbins Music Corp. (New York). A separate thematic cue sheet was compiled by James C. Bradford for less ambitious presentations. The recorded Movietone score for the general release version was compiled by Erno Rapee.
A Var news story in Sep 1952 reported that the film was released illegally in 1950 in a sound version in which a narrator read the original titles. The perpetrator, Howard G. Underwood of Pine Grove, KY, removed the original Universal credits and substituted credits which read, "Howard G. Underwood presents Uncle Tom's Cabin. Produced by Howard G. Underwood, Copyrighted 1950." Universal sued for damages, an injunction against exhibition, seizure of prints and destruction of prints and negatives. In Sep 1952, a U.S. Marshal in Lexington, KY seized and impounded three prints of the ...
According to the 2 Jan 1927 FD, filming began in late 1926. The item noted that the film company had just returned to the studio "after a location trip of eight weeks in the old South." Director Harry Pollard hoped to be finished in two months. After the film was released, a 29 Dec 1928 [Baltimore, MD] Afro-American article stated that black stage actor Charles Gilpin had originally been cast in the film "but was mysteriously relieved of his work shortly after he had started to work."
According to reviews, when this film opened in New York, its 141 min. running time was split with an intermission.
Composer-conductor Hugo Riesenfeld compiled and composed incidental music to play for the initial silent roadshow engagements of the film, and the sheet music for this score was published in 1928 by Robbins Music Corp. (New York). A separate thematic cue sheet was compiled by James C. Bradford for less ambitious presentations. The recorded Movietone score for the general release version was compiled by Erno Rapee.
A Var news story in Sep 1952 reported that the film was released illegally in 1950 in a sound version in which a narrator read the original titles. The perpetrator, Howard G. Underwood of Pine Grove, KY, removed the original Universal credits and substituted credits which read, "Howard G. Underwood presents Uncle Tom's Cabin. Produced by Howard G. Underwood, Copyrighted 1950." Universal sued for damages, an injunction against exhibition, seizure of prints and destruction of prints and negatives. In Sep 1952, a U.S. Marshal in Lexington, KY seized and impounded three prints of the film from Underwood's garage, in accordance with a court order.
Var noted, "Strange aspect of the case is that the film has been showning in hundreds of theatres and drive-ins and has been doing tremendous biz, often outgrossing many present-day pictures." According to an audio transcription at NYSA, the 1950 version opened with the following statement: "Please do not form an opinion of this great motion picture from the opening scenes. Remain here in this theatre during its complete showing. We assure you you will be rewarded by its greatness."
In 1958, Universal rereleased a version of Uncle Tom's Cabin incorporating the general release Movietone musical score compiled by Erno Rapee and an introductory sequence starring Raymond Massey as Abraham Lincoln. According to the Var review of the released film, Massey is seen visiting Litchfield, CT, Harriet Beecher Stowe's birthplace, where he speaks about "the 100-year-old propaganda novel and prepares the audience to accept the 'overemphatic' screen acting of the silent era." Massey also provided a voice-over narration throughout the film.
For information on other adaptations of Stowe's novel, please consult the entry for the World Film Corp.'s 1914 Uncle Tom's Cabin, directed by William Robert Daly and starring Sam Lucas (See Entry).
There are several typographical errors in the surviving general release main titles. Continuity writer Harvey Thew is credited as "Harvey They," and actress Aileen Manning is credited as "Aileen Mannin."
Mulattoes George and Eliza, the "beloved slaves" of neighboring Kentucky plantation owners, are about to be married when their plans are scotched by Edward Harris, George's master. Over the next years, the Shelbys, Eliza's kindly masters, incur a deepening debt to a blackguard named Haley, forcing them to surrender their slaves Tom and Harry, Eliza's young son. Eliza, overhearing the plans, escapes with Harry across the border. She is pursued by Lawyer Marks and his companion, Loker, and, although harbored by Quaker Phineas Fletcher, is extradited by dint of the new Dred Scott Decision. Returning home, they find themselves on a riverboat with Haley, Tom, and George, who had escaped from Harris' clutches and obtained work as a stoker. Haley's presence forces George into a watery escape and Marks and Loker into stealthy evasion until they can sell Harry to yet another slave owner; meanwhile, Eliza's grief drives her to near self-destruction. White northerner Augustus St. Claire and his young daughter, Eva, intervene on Tom's behalf and buy him, leaving Eliza to be sold downriver at a New Orleans slave auction. A deep friendship develops between Eva and Topsy, a scurvy black imp who becomes her servant, but the little white girl dies, soon followed by her father. Tom is then sold to Simon Legree, a villainous northerner who also buys Eliza. He brings her into his home, usurping the place of Cassie, an older mulatto slave, who jealously confides to Tom her bitter and tortuous history at the hands of Legree. The story reveals Cassie to be Eliza's mother; reunited, they try to escape, ending up in Legree's attic. Though Tom is beaten to death, their ...
Mulattoes George and Eliza, the "beloved slaves" of neighboring Kentucky plantation owners, are about to be married when their plans are scotched by Edward Harris, George's master. Over the next years, the Shelbys, Eliza's kindly masters, incur a deepening debt to a blackguard named Haley, forcing them to surrender their slaves Tom and Harry, Eliza's young son. Eliza, overhearing the plans, escapes with Harry across the border. She is pursued by Lawyer Marks and his companion, Loker, and, although harbored by Quaker Phineas Fletcher, is extradited by dint of the new Dred Scott Decision. Returning home, they find themselves on a riverboat with Haley, Tom, and George, who had escaped from Harris' clutches and obtained work as a stoker. Haley's presence forces George into a watery escape and Marks and Loker into stealthy evasion until they can sell Harry to yet another slave owner; meanwhile, Eliza's grief drives her to near self-destruction. White northerner Augustus St. Claire and his young daughter, Eva, intervene on Tom's behalf and buy him, leaving Eliza to be sold downriver at a New Orleans slave auction. A deep friendship develops between Eva and Topsy, a scurvy black imp who becomes her servant, but the little white girl dies, soon followed by her father. Tom is then sold to Simon Legree, a villainous northerner who also buys Eliza. He brings her into his home, usurping the place of Cassie, an older mulatto slave, who jealously confides to Tom her bitter and tortuous history at the hands of Legree. The story reveals Cassie to be Eliza's mother; reunited, they try to escape, ending up in Legree's attic. Though Tom is beaten to death, their whereabouts are concealed until Legree happens upon them. A fight ensues, in which Legree, drunk, hysterical, and tormented by visions of the goodly Tom, falls from the attic to his death. George, who has found and claimed little Harry, emerges from a passing band of refugees, and the long-sought reunion takes place.
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