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HISTORY

The title of this film was changed from Diana Ardway . A few scenes were directed by John H. Collins, who was Viola Dana's husband, before a four week shutdown of production due to the influenza epidemic of 1918. After an illness of less than a week, Collins, cited by MPW as "probably the youngest director of note in the country," died of pneumonia in New York. Reviews and contemporary news items credit Collins as scenarist, while the synopsis included in the copyright descriptions has Collins' name crossed out and replaced by that of June ... More Less

The title of this film was changed from Diana Ardway . A few scenes were directed by John H. Collins, who was Viola Dana's husband, before a four week shutdown of production due to the influenza epidemic of 1918. After an illness of less than a week, Collins, cited by MPW as "probably the youngest director of note in the country," died of pneumonia in New York. Reviews and contemporary news items credit Collins as scenarist, while the synopsis included in the copyright descriptions has Collins' name crossed out and replaced by that of June Mathis. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
8 Mar 19
p. 1075.
ETR
15 Mar 19
p. 1137.
MPN
8 Feb 19
p. 875.
MPN
30 Mar 19
p. 13.
MPW
9 Nov 18
p. 651.
MPW
25 Jan 19
p. 515.
MPW
15 Mar 19
p. 1526.
Variety
7 Mar 19
p. 66.
Wid's
9 Mar 19
p. 3.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
All-Star Series
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
PHOTOGRAPHY
ART DIRECTOR
Tech dir
SOURCES
LITERARY
Based on the novel Diana Ardway by Van Zo Post (Philadelphia, 1913).
AUTHOR
DETAILS
Release Date:
3 March 1919
Copyright Claimant:
Metro Pictures Corp.
Copyright Date:
11 March 1919
Copyright Number:
LP13483
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Passed by NBR:
No
SYNOPSIS

Famous playwright Paul Worden takes a country bungalow to write a new work and rehearse with Marjorie Sinclair, his leading actress, who is staying nearby. When riding one day, Paul helps his neighbor, Diana Ardway, the spoiled teenage daughter of a steel magnate, when her horse gets the better of her. Diana, at first insulted by Paul's interference, develops a passionate interest in him, leading her to spy on him, provoke a hair-pulling fight with Marjorie, and destroy one of Paul's rooms after he treats her like a child. When Paul wires his brother Tad, known for his successes with women, to relieve him of Diana's attentions, she rejects Tad. Knowing that her father will return soon from Europe, Diana gives the Associated Press an announcement of her engagement to Paul and kidnaps him to make it appear that he compromised her. After her father returns, Paul, thoroughly beaten, realizes his love for her and accepts his ... +


Famous playwright Paul Worden takes a country bungalow to write a new work and rehearse with Marjorie Sinclair, his leading actress, who is staying nearby. When riding one day, Paul helps his neighbor, Diana Ardway, the spoiled teenage daughter of a steel magnate, when her horse gets the better of her. Diana, at first insulted by Paul's interference, develops a passionate interest in him, leading her to spy on him, provoke a hair-pulling fight with Marjorie, and destroy one of Paul's rooms after he treats her like a child. When Paul wires his brother Tad, known for his successes with women, to relieve him of Diana's attentions, she rejects Tad. Knowing that her father will return soon from Europe, Diana gives the Associated Press an announcement of her engagement to Paul and kidnaps him to make it appear that he compromised her. After her father returns, Paul, thoroughly beaten, realizes his love for her and accepts his fate. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.