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SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
28 Feb 1920
p. 1323
MPN
6 Mar 1920
p. 2390
MPN
20 Mar 1920
p. 2791
MPW
5 Sep 1920
---
New York Morning Telegraph
14 Mar 1920
---
New York Times
8 Mar 1920
p. 8
Variety
12 Mar 1920
p. 53
Wid's
14 Mar 1920
p. 31
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel Black Is White by George Barr McCutcheon (New York, 1914).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
22 February 1920
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Thomas H. Ince
31 December 1919
LP14693
Physical Properties:
Silent
Black and White
Length(in feet):
5,562
Length(in reels):
6
Country:
United States
SYNOPSIS

When Jim Brood's insane jealousy drives his wife Margaret to leave him, she is forced to leave her son Fred behind and go to live with her twin sister Theresa, an invalid. A wealthy baron wishes to adopt Theresa as his daughter, but Theresa dies and Margaret assumes her identity. Twenty years later, Margaret and Jim meet again. Not realizing that she is his first wife, Jim proposes to Margaret and she marries him to be near her son. Jim's jealousy reignites when he suspects Margaret of having an affair with Fred, and in a rage he shoots and wounds his son. When Margaret can no longer conceal her motherly concern for the wounded Fred, Jim discovers her true identity and the three are ...

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When Jim Brood's insane jealousy drives his wife Margaret to leave him, she is forced to leave her son Fred behind and go to live with her twin sister Theresa, an invalid. A wealthy baron wishes to adopt Theresa as his daughter, but Theresa dies and Margaret assumes her identity. Twenty years later, Margaret and Jim meet again. Not realizing that she is his first wife, Jim proposes to Margaret and she marries him to be near her son. Jim's jealousy reignites when he suspects Margaret of having an affair with Fred, and in a rage he shoots and wounds his son. When Margaret can no longer conceal her motherly concern for the wounded Fred, Jim discovers her true identity and the three are reconciled.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.