Full page view
HISTORY

The working titles of this film were Shadowed and Miss Maitland, Private Secretary. The film had a pre-release showing in New York during the week of 18 Jul 1920. A pre-production news item noted that Tom Guige and J. P. Lockney were to be in the film, but no other mention of their participation has been located. ...

More Less

The working titles of this film were Shadowed and Miss Maitland, Private Secretary. The film had a pre-release showing in New York during the week of 18 Jul 1920. A pre-production news item noted that Tom Guige and J. P. Lockney were to be in the film, but no other mention of their participation has been located.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
31 Jul 1920
p. 946
MPN
7 Feb 1920
p. 1506
MPN
6 Mar 1920
p. 2355
MPN
3 Jul 1920
p. 119
MPN
7 Aug 1920
p. 1129
MPN
4 Sep 1920
pp. 1904-05
MPW
31 Jul 1920
p. 640
Variety
23 Jul 1920
p. 33
Wid's
25 Jul 1920
p. 21
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel Miss Maitland, Private Secretary by Geraldine Bonner (New York, 1918).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Miss Maitland, Private Secretary
Shadowed
Release Date:
15 August 1920
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Pathé Exchange, Inc.
6 August 1920
LU15408
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
SYNOPSIS

When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are ...

More Less

When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are reconciled.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.