Something Different (1920)

Drama | December 1920

Writer:

Kathryne Stuart

Production Designer:

Robert M. Haas

Production Company:

Realart Pictures Corp.
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HISTORY

The working title for this film was Calderon’s Prisoner, after the 1903 novel by Alice Duer Miller upon which it was based. Location shooting took place in Havana, Cuba, beginning in August 1920, according to an item in the 7 November 1920 [Bristol, TN] Bristol Herald Courier. The 29 September 1920 [Hanford, CA] Hanford Morning Journal, which referred to the film by the revised title of Something Different, announced that lead actress Constance Binney had just returned from Cuba. The actress was quoted in the Bristol Herald Courier as saying that shooting in Cuba had been confined to the early morning and evening hours due to the extreme heat. Interior filming resumed in the U.S. and was completed in November 1920. The 27 November 1920 Exhibitors Herald noted that production had shut down temporarily when actor Ward Crane suffered an illness.
       William Roselle and Hedda Hopper (referred to as Mrs. DeWolf Hopper) were named as cast members in the 30 October 1920 Exhibitors Herald.
       Theatrical release occurred in late December 1920, although the 8 January 1921 Motion Picture News listed the film as one of three January 1921 releases from Realart Pictures Corp.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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The working title for this film was Calderon’s Prisoner, after the 1903 novel by Alice Duer Miller upon which it was based. Location shooting took place in Havana, Cuba, beginning in August 1920, according to an item in the 7 November 1920 [Bristol, TN] Bristol Herald Courier. The 29 September 1920 [Hanford, CA] Hanford Morning Journal, which referred to the film by the revised title of Something Different, announced that lead actress Constance Binney had just returned from Cuba. The actress was quoted in the Bristol Herald Courier as saying that shooting in Cuba had been confined to the early morning and evening hours due to the extreme heat. Interior filming resumed in the U.S. and was completed in November 1920. The 27 November 1920 Exhibitors Herald noted that production had shut down temporarily when actor Ward Crane suffered an illness.
       William Roselle and Hedda Hopper (referred to as Mrs. DeWolf Hopper) were named as cast members in the 30 October 1920 Exhibitors Herald.
       Theatrical release occurred in late December 1920, although the 8 January 1921 Motion Picture News listed the film as one of three January 1921 releases from Realart Pictures Corp.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
Akron EveningTimes [Akron, OH]
1 Oct 1920
p. 14
Billboard
29 Jan 1921
p. 83
Bristol Herald Courier [Bristol, TN]
7 Nov 1920
p. 22
Capital Times [Madison, WI]
30 Dec 1920
p. 8
Chicago Tribune
31 Dec 1920
p. 10
Daily News-Tribune [Greenville, OH]
29 Dec 1920
p. 4
Entertainment Weekly
29 Jan 1921
p. 855
Exhibitors Herald
30 Oct 1920
p. 64
Exhibitors Herald
27 Nov 1920
p. 72
Hanford Morning Journal [Hanford, CA]
29 Sep 1920
p. 6
Idaho Evening Times [Twin Falls, ID]
20 Oct 1920
p. 4
Motion Picture News
18 Sep 1920
p. 2277
Motion Picture News
8 Jan 1921
p. 558
Motion Picture News
29 Jan 1921
p. 1083
Motion Picture News
5 Feb 1921
p. 1211
Moving Picture World
8 Jan 1921
pp. 216-17
Moving Picture World
29 Aug 1920
---
New York Times
30 Jan 1921
VI, p. 2
Variety
21 Jan 1921
p. 42
Wid's Daily
30 Jan 1921
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
R. William Neill
Dir
WRITER
PHOTOGRAPHY
Oliver Marsh
Cam
ART DIRECTOR
Robert M. Haas
Art dir
SOURCES
LITERARY
Based on the novel Calderon's Prisoner by Alice Duer Miller (New York, 1903).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Calederon's Prisoner
Release Date:
December 1920
Premiere Information:
Bristol, TN, opening: 10 Nov 1920; Madison, WI, opening: week of 30 Dec 1920
Production Date:
Aug--Nov 1920
Copyright Info
Claimant
Date
Copyright Number
Realart Pictures Corp.
11 December 1920
LP15911
Physical Properties:
Silent
Black and White
Length(in feet):
4,756
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Alicia Lea, an orphan and heiress being forced to marry for money, goes to visit her friend Rosa Vargas, who is married to a rich planter in Santiago, Cuba. Rosa's husband Don Luis Vargas is a revolutionary, hostile to the government headed by the president and his brother Don Mariano Calderon, commander of the army. When Alicia visits the fort with the Vargases, the garrison mutinies and Don Mariano's troops attack. Alicia is captured by Mariano but treated well, and, after she begs Mariano to spare Vargas's life, she is allowed to return to America. Later, in New York, Alicia meets Mariano, exiled from his country for allowing the political prisoners, including Vargas, to escape. Mariano and Alicia fall in ...

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Alicia Lea, an orphan and heiress being forced to marry for money, goes to visit her friend Rosa Vargas, who is married to a rich planter in Santiago, Cuba. Rosa's husband Don Luis Vargas is a revolutionary, hostile to the government headed by the president and his brother Don Mariano Calderon, commander of the army. When Alicia visits the fort with the Vargases, the garrison mutinies and Don Mariano's troops attack. Alicia is captured by Mariano but treated well, and, after she begs Mariano to spare Vargas's life, she is allowed to return to America. Later, in New York, Alicia meets Mariano, exiled from his country for allowing the political prisoners, including Vargas, to escape. Mariano and Alicia fall in love.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.