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HISTORY

According to an item in the 31 May 1919 Exhibitors Herald and Motography, screen rights to Stewart Edward White’s 1916 novel, The Leopard Woman (first published in Saturday Evening Post), were currently owned by Great Authors’ Pictures, Inc. Over a year later, the 1 Jul 1920 Wid’s Daily indicated that rights had transferred to J. Parker Read, Jr., Productions, who planned to film a screen adaptation over the course of twelve weeks, with Louise Glaum and House Peters in the lead roles.
       On 3 Jul 1920, Camera announced that production manager Lincoln Hart had initiated work on the film. Location shooting in Palm Springs, CA, began two weeks later, according to items in the 17 Jul 1920 Camera and 19 Jul 1920 Wid’s Daily. By 31 Jul 1920, filming was being done at Thomas H. Ince Studios in Culver City, CA, as noted in that day’s Motion Picture News. An estimated production budget of $200,000 was cited in the 21 Aug 1920 Exhibitors Herald, which also announced a 12 Sep 1920 release date.
       The 28 Aug 1920 Motion Picture News stated that The Leopard Woman was set to be the “first contribution” to Associated Producers, Inc.’s program. However, the post-production period was extended, and Associated Producers rearranged its distribution schedule so that this film was no longer its first release, as reported in the 25 Sep 1920 Motion Picture News. Theatrical release likely occurred sometime in Oct 1920. In Los Angeles, CA, the film opened the week of 6 Nov ...

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According to an item in the 31 May 1919 Exhibitors Herald and Motography, screen rights to Stewart Edward White’s 1916 novel, The Leopard Woman (first published in Saturday Evening Post), were currently owned by Great Authors’ Pictures, Inc. Over a year later, the 1 Jul 1920 Wid’s Daily indicated that rights had transferred to J. Parker Read, Jr., Productions, who planned to film a screen adaptation over the course of twelve weeks, with Louise Glaum and House Peters in the lead roles.
       On 3 Jul 1920, Camera announced that production manager Lincoln Hart had initiated work on the film. Location shooting in Palm Springs, CA, began two weeks later, according to items in the 17 Jul 1920 Camera and 19 Jul 1920 Wid’s Daily. By 31 Jul 1920, filming was being done at Thomas H. Ince Studios in Culver City, CA, as noted in that day’s Motion Picture News. An estimated production budget of $200,000 was cited in the 21 Aug 1920 Exhibitors Herald, which also announced a 12 Sep 1920 release date.
       The 28 Aug 1920 Motion Picture News stated that The Leopard Woman was set to be the “first contribution” to Associated Producers, Inc.’s program. However, the post-production period was extended, and Associated Producers rearranged its distribution schedule so that this film was no longer its first release, as reported in the 25 Sep 1920 Motion Picture News. Theatrical release likely occurred sometime in Oct 1920. In Los Angeles, CA, the film opened the week of 6 Nov 1920 at Tally’s Broadway Theatre, according to that day’s Camera, which called the picture “tommyrot” in a negative review. When Stewart Edward White first viewed the final film at Ince Studios in Culver City, CA, it struck him as quite different from his novel, according to a Nov 1920 Photoplay article. He was quoted as saying, “My book was 436 pages long. I devoted two pages to the Leopard Woman’s past and four hundred thirty-four to her present. While they’ve given four and three-fourths reels to her past to one-half a reel to her present. But then, I don’t say I’m right. It’s certainly a wonderful picture.”
       An item in the 2 Oct 1920 Moving Picture World indicated that co-scenarist H. Tipton Steck wrote the continuity and titles for this picture. The 14 Aug 1920 Exhibitors Herald listed Bhogwan Singh as a cast member, and the 28 Aug 1920 Motion Picture News claimed that Hadji Tahar performed a whirling dervish act in the film. Various contemporary news items claimed that the cast included "several hundred Africans, Egyptians and others."
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
3 Jul 1920
p. 6
Camera
17 Jul 1920
p. 5
Camera
18 Sep 1920
p. 11
Camera
6 Nov 1920
p. 14
Camera
13 Nov 1920
p. 5
Exhibitors Herald
14 Aug 1920
p. 116
Exhibitors Herald
21 Aug 1920
p. 77
Exhibitors Herald
28 Aug 1920
p. 85
Exhibitors Herald and Motography
31 May 1919
p. 32
Exhibitors Trade Review
16 Oct 1920
p. 2090
Motion Picture
Oct 1920
p. 78
Motion Picture News
31 Jul 1920
p. 969
Motion Picture News
21 Aug 1920
p. 1535
Motion Picture News
28 Aug 1920
p. 1720
Motion Picture News
25 Sep 1920
p. 2239, 2439
Motion Picture News
16 Oct 1920
p. 3038, 3085
Moving Picture World
1 Feb 1920
---
Moving Picture World
17 Jul 1920
p. 331
Moving Picture World
24 Jul 1920
p. 447
Moving Picture World
2 Oct 1920
p. 66
Moving Picture World
9 Oct 1920
p. 836
Photoplay
Oct 1920
p. 52
Photoplay
Nov 1920
p. 99
Photoplay
Dec 1920
p. 107
Quincy Herald [Quincy, IL]
2 Nov 1920
p. 9
Variety
8 Oct 1920
p. 42
Wid's Daily
27 May 1919
---
Wid's Daily
1 Jul 1920
---
Wid's Daily
19 Jul 1920
p. 2
Wid's Daily
22 Aug 1920
p. 5
Wid's Daily
5 Sep 1920
---
Wid's Daily
20 Sep 1920
p. 1
Wid's Daily
26 Sep 1920
p. 24
Wid's Daily
17 Oct 1920
p. 11
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PHOTOGRAPHY
ART DIRECTORS
Tech dir
Tech dir
F. J. van Halle
Art titles
Art titles
Art titles
FILM EDITOR
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the novel The Leopard Woman by Stewart Edward White (New York, 1916).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
October 1920
Premiere Information:
Los Angeles opening: week of 6 Nov 1920
Production Date:
Jul--late Aug or Sep 1920
Copyright Info
Claimant
Date
Copyright Number
J. Parker Read, Jr.
25 September 1920
LP15583
Physical Properties:
Silent
Black and White
Length(in feet):
6,253
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

After an unsuccessful attempt on his life, John Culbertson, a British secret agent, leads a safari from Bajuma, on the edge of the African desert, to the kingdom of M'tela. Also on route to that savage kingdom and bound by oath to prevent Culbertson from reaching it, is Madame, a secret agent of a rival government. Madame and her safari meet up with the Englishman's party in the desert where she is forced to accept his aid because her men are exhausted and dehydrated. Although she fulfills her promise to delay Culbertson by feigning illness, "the Leopard Woman," as she is called, unwittingly falls in love with him. After they make love, Culbertson scorns her and she orders Chaké, her servant, to kill him, but when the attempt fails, she is relieved. Culbertson's progress is delayed further when he loses his sight because of overexposure to the sun. Madame smashes his bottle of medicine in the hope of forcing his return to Bajuma, but determined to complete his mission, Culbertson forges ahead, blind, and with the help of a record player, forms an alliance between the primitive M'tela tribe and Britain. Finally choosing love over duty, Madame sends Chaké to find the British military surgeon, who restores Culbertson's vision. Thus foreign rivalry is swept aside for ...

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After an unsuccessful attempt on his life, John Culbertson, a British secret agent, leads a safari from Bajuma, on the edge of the African desert, to the kingdom of M'tela. Also on route to that savage kingdom and bound by oath to prevent Culbertson from reaching it, is Madame, a secret agent of a rival government. Madame and her safari meet up with the Englishman's party in the desert where she is forced to accept his aid because her men are exhausted and dehydrated. Although she fulfills her promise to delay Culbertson by feigning illness, "the Leopard Woman," as she is called, unwittingly falls in love with him. After they make love, Culbertson scorns her and she orders Chaké, her servant, to kill him, but when the attempt fails, she is relieved. Culbertson's progress is delayed further when he loses his sight because of overexposure to the sun. Madame smashes his bottle of medicine in the hope of forcing his return to Bajuma, but determined to complete his mission, Culbertson forges ahead, blind, and with the help of a record player, forms an alliance between the primitive M'tela tribe and Britain. Finally choosing love over duty, Madame sends Chaké to find the British military surgeon, who restores Culbertson's vision. Thus foreign rivalry is swept aside for love.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.