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HISTORY

Although most reviews and news items credit Maxwell Karger with "personally directing" the film, Leander de Cordova was the actual production director.
       Items in the 2 Jan 1920 Var and Moving Picture World announced that actress Ina Claire had been put under contract with Metro Pictures Corp. to star in Polly with a Past, based on the 1917 play of the same name, in which Claire had also starred. The play had reportedly run for forty weeks “to record-breaking box-office receipts,” and Claire had been given the screen rights as a “gift” by stage producer David Belasco. Thus, Claire profited from Metro’s option of the play, for which the studio paid $75,000, as reported in the 6 Feb 1920 Var, which listed Claire’s salary as $50,000.
       Production was set to take place at Metro’s New York City studios on West 61st Street, off Columbus Circle, according to the 3 Jan 1920 Moving Picture World. Filming began circa Aug 1920. The 28 Aug 1920 Wid’s Daily announced that exterior shooting was being done in Long Island, NY, and the same day’s Motion Picture News reported that Claire was set to perform a dance called the “nautch,” described as a “secret dance of India.” Some location shooting took place at the private residence of I. N. Spiegelberg outside Briarcliff Manor, NY, according to a 25 Sep 1920 Motion Picture News brief. Three days later, the 28 Sep 1920 Wid’s Daily announced that filming had ended.
       Theatrical release was slated to occur the week of 6 Dec ...

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Although most reviews and news items credit Maxwell Karger with "personally directing" the film, Leander de Cordova was the actual production director.
       Items in the 2 Jan 1920 Var and Moving Picture World announced that actress Ina Claire had been put under contract with Metro Pictures Corp. to star in Polly with a Past, based on the 1917 play of the same name, in which Claire had also starred. The play had reportedly run for forty weeks “to record-breaking box-office receipts,” and Claire had been given the screen rights as a “gift” by stage producer David Belasco. Thus, Claire profited from Metro’s option of the play, for which the studio paid $75,000, as reported in the 6 Feb 1920 Var, which listed Claire’s salary as $50,000.
       Production was set to take place at Metro’s New York City studios on West 61st Street, off Columbus Circle, according to the 3 Jan 1920 Moving Picture World. Filming began circa Aug 1920. The 28 Aug 1920 Wid’s Daily announced that exterior shooting was being done in Long Island, NY, and the same day’s Motion Picture News reported that Claire was set to perform a dance called the “nautch,” described as a “secret dance of India.” Some location shooting took place at the private residence of I. N. Spiegelberg outside Briarcliff Manor, NY, according to a 25 Sep 1920 Motion Picture News brief. Three days later, the 28 Sep 1920 Wid’s Daily announced that filming had ended.
       Theatrical release was slated to occur the week of 6 Dec 1920, as noted in the 18 Dec 1920 Moving Picture World, although an 8 Jan 1921 Moving Picture World item cited a 20 Dec 1920 release date. Sometime early that month, one of the film prints caught fire during a private showing at Metro’s offices at the Longacre Building in New York City. The 11 Dec 1920 Moving Picture World reported that the projectionist’s aide had been slightly burned, and the office suffered damages that would cost an estimated $15,000-$25,000 to repair.
       The National Film Preservation Board (NFPB) included this picture on its list of Lost U.S. Silent Feature Films as of October 2019.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
10 Jan 1920
p. 3, 7
Camera
12 Jun 1920
p. 15
Exhibitors Herald
18 Dec 1920
p. 67
Exhibitors Trade Review
18 Dec 1920
p. 196
Los Angeles Times
27 Feb 1921
p. 34
Los Angeles Times
4 Mar 1921
Section III, p. 4
Motion Picture News
3 Jan 1920
p. 422
Motion Picture News
28 Aug 1920
p. 1711
Motion Picture News
25 Sep 1920
p. 2433
Motion Picture News
16 Oct 1920
p. 3034
Motion Picture News
4 Dec 1920
pp. 4259-61
Motion Picture News
18 Dec 1920
p. 4626, 4675
Motion Picture News
29 Jan 1921
p. 1026
Moving Picture World
3 Jan 1920
p. 69, 106
Moving Picture World
11 Dec 1920
p. 707
Moving Picture World
18 Dec 1920
p. 860, 915
Moving Picture World
8 Jan 1921
p. 222
Moving Picture World
29 Jan 1921
p. 588
New York Clipper
6 Jun 1917
p. 25
New York Herald
7 Jan 1921
p. 13
New York Times
14 Jan 1921
p. 17
New York Times
8 Jan 1921
p. 14
Photoplay
Mar 1920
p. 105
Photoplay
Nov 1920
---
San Francisco Chronicle
31 Dec 1920
Section 2, p. 11
San Francisco Chronicle
30 Jan 1921
p. 4
Variety
2 Jan 1920
p. 1
Variety
6 Feb 1920
---
Vogue
15 May 1920
pp. 57-59
NYDM
25 Dec 1920
p. 1274
Wid's Daily
28 Aug 1920
p. 4
Wid's Daily
28 Sep 1920
p. 2
Wid's Daily
12 Dec 1920
p. 7
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
PHOTOGRAPHY
ART DIRECTOR
L. J. Vermilyea
Art interiors
SOURCES
LITERARY
Based on the play Polly with a Past by George Middleton, Guy Bolton (New York, 6 Sep 1917).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
December 1920
Premiere Information:
New York opening: 9 Jan 1921 at the Rivoli; Los Angeles opening: 2 Mar 1921 at the Mission Theatre
Production Date:
ca. Aug--Sep 1920
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
13 December 1920
LP16O24
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Myrtle Davis is so engrossed in her self-imposed task of reforming derelicts that she cannot find the time for the attentions of Rex Van Zile, a wealthy young man devoted to her. While visiting his friends Harry Richardson and Clay Cullum, Rex meets Polly Shannon, a minister's daughter from a small Ohio town who, failing in her first attempt to locate a good position to pay her way to Paris where she hopes to study opera, has become a maid in the Cullum and Richardson household. Hearing of Rex's plight, Polly and her employers hatch a scheme to compel Myrtle to notice Rex. They decide to introduce Rex to Polly who, masquerading as a famous French woman with a dreadful past, will motivate Myrtle to marry Rex in order to save him from the vamp. After a series of complications, Rex decides that he does not love Myrtle, and Polly reveals her true past and marries ...

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Myrtle Davis is so engrossed in her self-imposed task of reforming derelicts that she cannot find the time for the attentions of Rex Van Zile, a wealthy young man devoted to her. While visiting his friends Harry Richardson and Clay Cullum, Rex meets Polly Shannon, a minister's daughter from a small Ohio town who, failing in her first attempt to locate a good position to pay her way to Paris where she hopes to study opera, has become a maid in the Cullum and Richardson household. Hearing of Rex's plight, Polly and her employers hatch a scheme to compel Myrtle to notice Rex. They decide to introduce Rex to Polly who, masquerading as a famous French woman with a dreadful past, will motivate Myrtle to marry Rex in order to save him from the vamp. After a series of complications, Rex decides that he does not love Myrtle, and Polly reveals her true past and marries Rex.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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