Rebecca of Sunnybrook Farm (1917)

Drama | 22 September 1917

Full page view
HISTORY

Some exteriors were filmed in Pleasanton, a town east of Oakland in Northern California.
       This film was re-issued in June of 1920. According to modern sources, ZaSu Pitts had an uncredited small appearance in the film. It was remade in 1932 by Fox, directed by Alfred Santell, and loosely remade in 1938 by Twentieth Century-Fox, directed by Allan Dwan and starring Shirley Temple.
       According to the Jul 1923 Picture-Play, Fair Week (1924, see entry) was also filmed in Pleasanton. ...

More Less

Some exteriors were filmed in Pleasanton, a town east of Oakland in Northern California.
       This film was re-issued in June of 1920. According to modern sources, ZaSu Pitts had an uncredited small appearance in the film. It was remade in 1932 by Fox, directed by Alfred Santell, and loosely remade in 1938 by Twentieth Century-Fox, directed by Allan Dwan and starring Shirley Temple.
       According to the Jul 1923 Picture-Play, Fair Week (1924, see entry) was also filmed in Pleasanton.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
Jul 1923
p. 67, 92
Motion Picture News
22 Sep 1917
p. 2035
Motion Picture News
20 Oct 1917
p. 16
Motog
4 Aug 1917
p. 246
Motog
11 Aug 1917
p. 303
NYDM
27 Jan 1917
p. 52
NYDM
15 Sep 1917
p. 18
Variety
7 Sep 1917
p. 34
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel Rebecca of Sunnybrook Farm by Kate Douglas Wiggin (New York, 1903) and the play Rebecca of Sunnybrook Farm by Kate Douglas Wiggin and Charlotte Thompson (New York, 3 Oct 1910).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
22 September 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Artcraft Pictures Corp.
4 September 1917
LP11348
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Rebecca Randall is adopted by her stern maiden aunts, Emma Jane Perkins and Miranda Sawyer, to relieve her mother, who has six other children to rear. Rebecca's girlish antics severely try her cranky old aunts, who finally pack her off to boarding school. She returns a young lady and wins the heart of Adam Ladd, an upstanding young man. Rebecca's happiness is clouded when Aunt Miranda passes away, but as the months pass, sunshine returns to her life when the mortgage is paid on her mother's farm and she marries ...

More Less

Rebecca Randall is adopted by her stern maiden aunts, Emma Jane Perkins and Miranda Sawyer, to relieve her mother, who has six other children to rear. Rebecca's girlish antics severely try her cranky old aunts, who finally pack her off to boarding school. She returns a young lady and wins the heart of Adam Ladd, an upstanding young man. Rebecca's happiness is clouded when Aunt Miranda passes away, but as the months pass, sunshine returns to her life when the mortgage is paid on her mother's farm and she marries Adam.

Less

GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

High Noon

NYT articles from spring 1949 indicate that producer Stanley Kramer's company Screen Plays Corp. was to produce the film and that Mark Robson, who had directed earlier ... >>

The Killers

The opening title cards read: "Mark Hellinger Productions, Inc. presents Ernest Hemingway's The Killers. " The Killers was the fourth Hemingway work to be adapted ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: Warner ... >>

Singin' in the Rain

According to a 5 Feb 1951 HR news item, Carleton Carpenter was to co-star in the film with Gene Kelly and Debbie Reynolds, and a 19 Mar ... >>

Gone with the Wind

[ Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.