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HISTORY

The working title of this film was Tom Brown at Harvard. Portions of this Picture were actually filmed at Harvard. Some reviews mistakenly credited the film to Essanay and Edison. This film was re-released in 1919 through state rights distributors. The film was re-made in 1926 by M-G-M, directed by Jack Conway and starring Jack Pickford. (See AFI Catalog of Feature Films, 1921-30; F2.0665.) ...

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The working title of this film was Tom Brown at Harvard. Portions of this Picture were actually filmed at Harvard. Some reviews mistakenly credited the film to Essanay and Edison. This film was re-released in 1919 through state rights distributors. The film was re-made in 1926 by M-G-M, directed by Jack Conway and starring Jack Pickford. (See AFI Catalog of Feature Films, 1921-30; F2.0665.)

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
5 Jan 1918
p. 424, 447
ETR
12 Jan 1918
p. 521
MPN
5 Jan 1918
p. 129
MPW
12 Jan 1917
pp. 184-85
MPW
19 Jan 1917
p. 378
MPW
26 Jan 1918
p. 570
NYDM
5 Jan 1918
p. 16, 21
Variety
1 Feb 1918
p. 43
Wid's
27 Dec 1917
pp. 833-34
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
WRITER
SOURCES
LITERARY
Based on the play Brown of Harvard by Rida Johnson Young (New York, 26 Feb 1906) and the novel of the same name by Johnson and Gilbert P. Coleman (New York, 1907).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Title:
Tom Brown at Harvard
Release Date:
10 January 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Selig Polyscope Co.
22 December 1917
LP11888
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
SYNOPSIS

Tom Brown, the leader of the rich set at Harvard, is engaged to Evelyn Ames, whose brother Wilton, a gambler and a coward, is secretly married to Marian Thorne. Marian, aware that Wilton often borrows money from Tom, goes to his room looking for her husband, and when Evelyn pays an unexpected visit, she assumes that Tom is having an affair and breaks their engagement. Meanwhile, Marian's brother Gerald, who is working his way through college, is appointed stroke oar on the college rowing team. On the day of the contest, Victor Colton, a professional gambler to whom Wilton is in debt, schemes to eliminate Gerald from the race so that Harvard will lose. To accomplish this, Colton sends a forged letter to him at the last moment, purporting to come from Marian and telling him of her betrayal by Tom. Gerald, in a rage, refuses to row and leaves in search of his sister. Tom, his substitute, steps in and the crew wins. Tom is then celebrated as a hero until Gerald publicly accuses him of betraying Marion. However, he is exonerated when Wilton finally garners the courage to admit his marriage to Marion, and Evelyn, ashamed at her lack of faith, begs Tom's ...

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Tom Brown, the leader of the rich set at Harvard, is engaged to Evelyn Ames, whose brother Wilton, a gambler and a coward, is secretly married to Marian Thorne. Marian, aware that Wilton often borrows money from Tom, goes to his room looking for her husband, and when Evelyn pays an unexpected visit, she assumes that Tom is having an affair and breaks their engagement. Meanwhile, Marian's brother Gerald, who is working his way through college, is appointed stroke oar on the college rowing team. On the day of the contest, Victor Colton, a professional gambler to whom Wilton is in debt, schemes to eliminate Gerald from the race so that Harvard will lose. To accomplish this, Colton sends a forged letter to him at the last moment, purporting to come from Marian and telling him of her betrayal by Tom. Gerald, in a rage, refuses to row and leaves in search of his sister. Tom, his substitute, steps in and the crew wins. Tom is then celebrated as a hero until Gerald publicly accuses him of betraying Marion. However, he is exonerated when Wilton finally garners the courage to admit his marriage to Marion, and Evelyn, ashamed at her lack of faith, begs Tom's forgiveness.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.