The Witness for the Defense (1919)

Drama | 14 September 1919

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HISTORY

The scenario was based on the 1911 play, The Witness for the Defense by A. E. W. Mason and his 1913 novel of the same name. Motion picture rights for the play were purchased by the Famous Players-Lasky Corp. (FP-L) in November 1916, as stated in the 2 December 1916 Moving Picture World. More than two years later, the 10 January 1919 Variety announced the screen version as director George Fitzmaurice’s first assignment for FP-L.
       News items in the 14 February 1919 Wid’s Daily and the 21 February 1919 Variety reported lead actress Elsie Ferguson’s recent departure from New York City to begin location work on the picture in Miami, FL, where scenes depicting India were to be filmed. The actress’s busy schedule prevented her from taking her usual two-week vacation between assignments.

       Ferguson’s return to New York City was noted in the 22 March 1919 Motion Picture News and the 5 April 1919 Moving Picture World, which also stated that production was continuing at the FP-L studio on 56th Street. Sets included a large tent decorated with native Indian weaponry and surrounded by vegetation, an English garden, and a courtroom populated with nearly 1,000 background actors. Various sources have credited William Cameron Menzies was the art director.
       The Witness for the Defense was released on 14 September 1919 and opened that same week at the Rialto Theatre in New York City.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.
...

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The scenario was based on the 1911 play, The Witness for the Defense by A. E. W. Mason and his 1913 novel of the same name. Motion picture rights for the play were purchased by the Famous Players-Lasky Corp. (FP-L) in November 1916, as stated in the 2 December 1916 Moving Picture World. More than two years later, the 10 January 1919 Variety announced the screen version as director George Fitzmaurice’s first assignment for FP-L.
       News items in the 14 February 1919 Wid’s Daily and the 21 February 1919 Variety reported lead actress Elsie Ferguson’s recent departure from New York City to begin location work on the picture in Miami, FL, where scenes depicting India were to be filmed. The actress’s busy schedule prevented her from taking her usual two-week vacation between assignments.

       Ferguson’s return to New York City was noted in the 22 March 1919 Motion Picture News and the 5 April 1919 Moving Picture World, which also stated that production was continuing at the FP-L studio on 56th Street. Sets included a large tent decorated with native Indian weaponry and surrounded by vegetation, an English garden, and a courtroom populated with nearly 1,000 background actors. Various sources have credited William Cameron Menzies was the art director.
       The Witness for the Defense was released on 14 September 1919 and opened that same week at the Rialto Theatre in New York City.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
27 Sep 1919
p. 1479
Motion Picture News
1 Mar 1919
p. 1304
Motion Picture News
22 Mar 1919
p. 1801
Motion Picture News
27 Sep 1919
p. 2657
Motion Picture News
4 Oct 1919
p. 2874
Moving Picture World
2 Dec 1916
p. 1350
Moving Picture World
5 Apr 1919
p. 114
Moving Picture World
27 Sep 1919
p. 2027
New York Times
15 Sep 1919
p. 16
New York Times
24 Nov 1919
p. 13
Variety
10 Jan 1919
p. 50
Variety
21 Feb 1919
p. 66
Variety
19 Sep 1919
p. 54
Warren Mail [Warren, PA]
28 Aug 1919
p. 8
Wid's Daily
14 Feb 1919
---
Wid's Daily
28 Sep 1919
p. 11
DETAILS
Release Date:
14 September 1919
Premiere Information:
New York opening: week of 14 Sep 1919
Production Date:
began mid Feb 1919
Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
4 August 1919
LP14041
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Stella Derrick and Dick Hazelwood love each other, but their families insist that they make better financial matches. Stella leaves England for India to care for her invalid father, who convinces her to marry wealthy Captain Ballantyne to satisfy his own monetary needs. Stella soon learns that Ballantyne is a brutal drunkard suffering from delirium tremens. Henry Thresk, a visiting big game hunter, witnesses Ballantyne's brutality, but fails to persuade Stella to leave with him. The Ballantynes embark on a safari, where in a drunken fit, the captain kills Stella's pet bird. Her threat of revenge is overheard by a servant, and after Ballantyne is found dead, Stella is arrested and tried. Henry testifies that Ballantyne was threatened by disgruntled natives on the safari, resulting in Stella's acquittal. Afterward, she refuses Henry's demand for "payment" and returns to England. Stella marries Dick, now a member of Parliament, after confessing that she killed Ballantyne in ...

More Less

Stella Derrick and Dick Hazelwood love each other, but their families insist that they make better financial matches. Stella leaves England for India to care for her invalid father, who convinces her to marry wealthy Captain Ballantyne to satisfy his own monetary needs. Stella soon learns that Ballantyne is a brutal drunkard suffering from delirium tremens. Henry Thresk, a visiting big game hunter, witnesses Ballantyne's brutality, but fails to persuade Stella to leave with him. The Ballantynes embark on a safari, where in a drunken fit, the captain kills Stella's pet bird. Her threat of revenge is overheard by a servant, and after Ballantyne is found dead, Stella is arrested and tried. Henry testifies that Ballantyne was threatened by disgruntled natives on the safari, resulting in Stella's acquittal. Afterward, she refuses Henry's demand for "payment" and returns to England. Stella marries Dick, now a member of Parliament, after confessing that she killed Ballantyne in self-defense.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.