She Freak (1967)

87 mins | Horror | 3 May 1967

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HISTORY

The film opened 3 May 1967 in Minneapolis, MN, as indicated by box office reports in the 17 May 1967 Var. Los Angeles, CA, openings followed on 11 Oct 1967, double-billed with The Brides of Fu Manchu (1966, see entry). A review in the 14 Oct 1967 LAT described She Freak as “a surprisingly good little picture,” but unfavorably compared it to the 1932 film, Freaks (see entry), which had a similar plot. The critic noted that producers David F. Friedman and Dan Sonney were “veteran” Southern California film distributors. Various sources claim that production took place in Bakersfield, CA.
       According to the 31 Mar 1965 Var, an independent feature titled Freaks was currently in release. Its relationship to She Freak, if any, has not been determined. ...

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The film opened 3 May 1967 in Minneapolis, MN, as indicated by box office reports in the 17 May 1967 Var. Los Angeles, CA, openings followed on 11 Oct 1967, double-billed with The Brides of Fu Manchu (1966, see entry). A review in the 14 Oct 1967 LAT described She Freak as “a surprisingly good little picture,” but unfavorably compared it to the 1932 film, Freaks (see entry), which had a similar plot. The critic noted that producers David F. Friedman and Dan Sonney were “veteran” Southern California film distributors. Various sources claim that production took place in Bakersfield, CA.
       According to the 31 Mar 1965 Var, an independent feature titled Freaks was currently in release. Its relationship to She Freak, if any, has not been determined.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
11 Oct 1967
Section C, p. 21
Los Angeles Times
14 Oct 1967
p. 16
Variety
31 Mar 1965
---
Variety
17 May 1967
p. 10
DETAILS
Alternate Titles:
Alley of Nightmares
Freaks!
Release Date:
3 May 1967
Premiere Information:
Minneapolis opening: 3 May 1967; Los Angeles opening: 11 Oct 1967
Production Date:

Physical Properties:
Sound
Color
Duration(in mins):
87
Country:
United States
Language:
English
SYNOPSIS

Jade Cochran, a cynical woman who works as a waitress in a sleazy roadside cafe, is determined to improve her lot by any means. She takes a job waiting on tables in the meal tent of a carnival that comes to town, makes the acquaintance of Pat, a stripper, and Steve St. John, the wealthy owner of the carnival's freak show, and immediately decides that she wants to marry him. But Blackie Fleming, the sadistic operator of the ferris wheel, also appeals to her. Jade marries Steve and at the same time embarks on an affair with Blackie. Steve learns of the affair, confronts Blackie, and is stabbed to death in a fight. Blackie is sent to prison, and after Jade inherits her husband's enterprise, she fires Shortie, the carnival freak who informed Steve about her affair with Blackie, despite warnings from her friend Pat, one of the carnival strippers. That night all of the freaks attack Jade and transform her into a sideshow ...

More Less

Jade Cochran, a cynical woman who works as a waitress in a sleazy roadside cafe, is determined to improve her lot by any means. She takes a job waiting on tables in the meal tent of a carnival that comes to town, makes the acquaintance of Pat, a stripper, and Steve St. John, the wealthy owner of the carnival's freak show, and immediately decides that she wants to marry him. But Blackie Fleming, the sadistic operator of the ferris wheel, also appeals to her. Jade marries Steve and at the same time embarks on an affair with Blackie. Steve learns of the affair, confronts Blackie, and is stabbed to death in a fight. Blackie is sent to prison, and after Jade inherits her husband's enterprise, she fires Shortie, the carnival freak who informed Steve about her affair with Blackie, despite warnings from her friend Pat, one of the carnival strippers. That night all of the freaks attack Jade and transform her into a sideshow attraction.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.