The Bronze Bride (1917)

58 mins | Drama | 2 April 1917

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HISTORY

Universal bought His Mother's People for its Bluebird line, the 23 September 1916 Motion Picture News reported. The author's name was variously given as H. R. Burky, J. R. Burky, J. R. Burkey, and John Burkey. A couple of sources referred to His Mother's People as either a novel or short story, but no such published work could be found.
       The 10 February 1917 Motion Picture News reported that director Henry McRae and a company of actors were filming His Mother's People—"the temporary title"— at Elizabeth Lake in northern Los Angeles County, "where all necessary exteriors scenes can be made." Despite its Southern California location, Lake Elizabeth's high altitude provided the film with "a semi-winter atmosphere," according to the 3 March 1917 issue of the same magazine. Some filming was done in or around San Bernardino, CA, the 24 February 1917 Motion Picture News added. The 3 March 1917 Motography noted that McRae was completing His Mother's People.
       According to the 17 March 1917 Moving Picture Weekly (Universal's house publication), the studio's costume department provided Claire McDowell with Indian garb "correct in every detail" for her role in what was now being called The Bronze Bride. Her outfit was "made of supple deerskin, fringed in the traditional manner, with beads, belt of leopard skin, headband, and moccasins embroidered with dyed porcupine quills—all complete. The costume is the real thing, not a mere property room imitation." A full summary of the film, illustrated by several photographs, appeared in the 31 March 1917 issue of the studio magazine.
       In the ...

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Universal bought His Mother's People for its Bluebird line, the 23 September 1916 Motion Picture News reported. The author's name was variously given as H. R. Burky, J. R. Burky, J. R. Burkey, and John Burkey. A couple of sources referred to His Mother's People as either a novel or short story, but no such published work could be found.
       The 10 February 1917 Motion Picture News reported that director Henry McRae and a company of actors were filming His Mother's People—"the temporary title"— at Elizabeth Lake in northern Los Angeles County, "where all necessary exteriors scenes can be made." Despite its Southern California location, Lake Elizabeth's high altitude provided the film with "a semi-winter atmosphere," according to the 3 March 1917 issue of the same magazine. Some filming was done in or around San Bernardino, CA, the 24 February 1917 Motion Picture News added. The 3 March 1917 Motography noted that McRae was completing His Mother's People.
       According to the 17 March 1917 Moving Picture Weekly (Universal's house publication), the studio's costume department provided Claire McDowell with Indian garb "correct in every detail" for her role in what was now being called The Bronze Bride. Her outfit was "made of supple deerskin, fringed in the traditional manner, with beads, belt of leopard skin, headband, and moccasins embroidered with dyed porcupine quills—all complete. The costume is the real thing, not a mere property room imitation." A full summary of the film, illustrated by several photographs, appeared in the 31 March 1917 issue of the studio magazine.
       In the 7 April 1917 Moving Picture World, reviewer Robert C. McElravy wrote, "Consistent development, picturesque locations and some admirable acting at the close by a clever juvenile name Frankie Lee do much to lift this production above the ordinary....[C]redit must be given to the small boy for putting a decided punch into the story at just the right moment. His recognition of his mother, when she is surrounded by a circle of hard-hearted social dictators, save the situation and brings a happy solution to the problem." An item in the 24 March 1917 Moving Picture Weekly described how McRae got that "star" performance out of the little boy, Frankie Lee." "At the end of the picture [his mother] is restored to him, but she is wearing the garb of civilization and he does not recognize her. At last he takes out the stuffed rabbit which has been his favorite toy, and this leads him to realize that the strange woman is really his mother. Then he throws his arms around her neck and hugs her. 'Hug her tight!' cried Director McRae. 'That's right. Eat her up! Bite her ear!' Frankie literally obeyed, and poor Miss McDowell gave a shriek of pain. Fortunately, shrieks do not register on the screen, and McRae assured her that great realism had been added in the picture."
       Wid's praised the early exterior scenes, but felt the film should have been at least a reel shorter.
       Although the film's official release date was 2 April 1917, the 27 March 1917 Dispatch of Moline, IL, announced that The Bronze Bride was opening that day at the city's American Theater. It opened two days later in Chicago, according to the 29 March 1917 Chicago Tribune.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune [Chicago, IL]
29 Mar 1917
p. 11
The Dispatch [Moline, IL]
27 Mar 1917
p. 13
Exhibitors Trade Review
31 Mar 1917
p. 1182
La Crosse Tribune [La Crosse, WI]
13 Apr 1917
p. 5
Motion Picture News
23 Sep 1917
p. 1848
Motion Picture News
10 Feb 1917
p. 879
Motion Picture News
24 Feb 1917
p. 1215
Motion Picture News
3 Mar 1917
p. 1384
Motion Picture News
7 Apr 1917
p. 2192
Motography
3 Mar 1917
p. 466
Motography
7 Apr 1917
p. 752
Motography
14 Apr 1917
p. 800
Moving Picture Weekly
17 Mar 1917
p. 4, 19
Moving Picture Weekly
24 Mar 1917
p. 27, 38
Moving Picture World
23 Sep 1917
p. 1954
Moving Picture World
31 Mar 1917
pp. 20-21
Moving Picture World
7 Apr 1917
p. 113, 153
Wid's
29 Mar 1917
p. 199
DETAILS
Alternate Title:
His Mother's People
Release Date:
2 April 1917
Premiere Information:
Moline, IL, opening: 27 March 1917; Chicago, IL, opening: 29 March 1917; La Crosse, WI, opening: 13 April 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Universal Film Mfg. Co.
21 March 1917
LP10428
Physical Properties:
Silent
Black and White
Duration(in mins):
58
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Disgusted with his son Harvey's attitude since his return from college, wealthy William Ogden turns the boy out to make his own way in the world. The drunken Harvey stumbles to the railroad station, hands the ticket agent a wad of bills, and asks for a ticket to as far as the money will take him. He finally lands at Elk Head in the Canadian North Woods, where he goes into business with Joe Dubois, a hunter and trapper who is just as broke as he is. One day, he meets Chief Black Lynx, an Indian who comes to the settlement to trade skins for wares, and with the chief are his son White Feather, who hates all white people, and daughter A-Che-Chee, who is immediately taken with Harvey. Later, while Harvey is trapping, his leg is caught in a steel trap, and A-Che-Chee rescues him. A-Che-Chee takes Harvey to her cabin, where she dresses his wound. When her father and brother discover Harvey there, they insist upon an immediate marriage. Harvey protests, but finally agrees in order to maintain the good will of the Indians, but thinking the marriage is not legally binding. Three years pass and Harvey is content with his wife and child until receiving a letter from his father. Drawn back to civilization, Harvey steals away with his son one night, leaving his wife behind. Upon discovering their flight, A-Che-Chee is overcome with grief, but Joe persuades her to follow her husband and try to win him back. He takes her to the home of his rich aunt and uncle, the Carters, who compassionately coach her in the ways of white society. Making her debut ...

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Disgusted with his son Harvey's attitude since his return from college, wealthy William Ogden turns the boy out to make his own way in the world. The drunken Harvey stumbles to the railroad station, hands the ticket agent a wad of bills, and asks for a ticket to as far as the money will take him. He finally lands at Elk Head in the Canadian North Woods, where he goes into business with Joe Dubois, a hunter and trapper who is just as broke as he is. One day, he meets Chief Black Lynx, an Indian who comes to the settlement to trade skins for wares, and with the chief are his son White Feather, who hates all white people, and daughter A-Che-Chee, who is immediately taken with Harvey. Later, while Harvey is trapping, his leg is caught in a steel trap, and A-Che-Chee rescues him. A-Che-Chee takes Harvey to her cabin, where she dresses his wound. When her father and brother discover Harvey there, they insist upon an immediate marriage. Harvey protests, but finally agrees in order to maintain the good will of the Indians, but thinking the marriage is not legally binding. Three years pass and Harvey is content with his wife and child until receiving a letter from his father. Drawn back to civilization, Harvey steals away with his son one night, leaving his wife behind. Upon discovering their flight, A-Che-Chee is overcome with grief, but Joe persuades her to follow her husband and try to win him back. He takes her to the home of his rich aunt and uncle, the Carters, who compassionately coach her in the ways of white society. Making her debut at a reception given by Harvey's father, A-Che-Chee is joyously recognized by her son and remorsefully embraced by her husband, who begs her forgiveness.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.