Showdown (1963)

79 mins | Western | 1 May 1963

Director:

R. G. Springsteen

Producer:

Gordon Kay

Cinematographer:

Ellis W. Carter

Editor:

Jerome Thoms

Production Designers:

Alexander Golitzen, Alfred Sweeney

Production Company:

Universal Pictures
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HISTORY

In news items published in the 16 Mar 1962 DV and LAT, the picture was announced as actor Audie Murphy’s next project, set up at Universal-International. Ric Hardman was said to be working on the screenplay, based on his own story. In Nov 1962, the working title, The Iron Collar, was changed to Showdown, as stated in a 21 Nov 1962 DV brief.
       Principal photography began on 5 Sep 1962, according to a DV production chart published two days later. An item in the 30 Aug 1962 LAT noted that filming was set to take place in Lone Pine, CA. William Henry and William Phipps were identified as cast members in the 1 Oct 1962 DV.
       Theatrical release occurred in Toronto, Canada, in mid-Mar 1963. The U.S. release began with a 1 May 1963 opening in Denver, CO. Regional openings took place around the same time in Boston, MA, and Providence, RI, according to box-office listings in the 8 May 1963 DV. An unfavorable review in the 3 Apr 1963 Var lamented that color photography would have added interest to the “routine” picture. ...

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In news items published in the 16 Mar 1962 DV and LAT, the picture was announced as actor Audie Murphy’s next project, set up at Universal-International. Ric Hardman was said to be working on the screenplay, based on his own story. In Nov 1962, the working title, The Iron Collar, was changed to Showdown, as stated in a 21 Nov 1962 DV brief.
       Principal photography began on 5 Sep 1962, according to a DV production chart published two days later. An item in the 30 Aug 1962 LAT noted that filming was set to take place in Lone Pine, CA. William Henry and William Phipps were identified as cast members in the 1 Oct 1962 DV.
       Theatrical release occurred in Toronto, Canada, in mid-Mar 1963. The U.S. release began with a 1 May 1963 opening in Denver, CO. Regional openings took place around the same time in Boston, MA, and Providence, RI, according to box-office listings in the 8 May 1963 DV. An unfavorable review in the 3 Apr 1963 Var lamented that color photography would have added interest to the “routine” picture.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
16 Mar 1962
p. 3
Daily Variety
19 Apr 1962
p. 3
Daily Variety
7 Sep 1962
p. 9
Daily Variety
10 Sep 1962
p. 7
Daily Variety
1 Oct 1962
p. 4
Daily Variety
21 Nov 1962
p. 11
Los Angeles Times
16 Mar 1962
Section C, p. 15
Los Angeles Times
30 Aug 1962
Section C, p. 6
Los Angeles Times
5 May 1963
Section L, p. 1, 7
Variety
20 Mar 1963
p. 9
Variety
3 Apr 1963
p. 16
Variety
8 May 1963
p. 15
Variety
8 May 1963
p. 17
Variety
8 May 1963
p. 19
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Prod
In charge of prod
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Hans J. Salter
Mus
VISUAL EFFECTS
Main titles
MAKEUP
Makeup
Hairstyles
PRODUCTION MISC
Bob Larson
Unit prod mgr
Asst to the prod
Scr supv
DETAILS
Alternate Title:
The Iron Collar
Release Date:
1 May 1963
Premiere Information:
Toronto opening: week of 20 Mar 1963; Denver, Colorado, opening: 1 May 1963
Production Date:
began 5 Sep 1962
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures
1 June 1963
LP32703
Physical Properties:
Sound
Westrex
Black and White
Duration(in mins):
79
Country:
United States
Language:
English
SYNOPSIS

Chris Foster and Bert Pickett, shackled to a post after a brawl in the Mexican border town of Adonde, escape along with the other prisoners, outlaws led by Lavalle. Taking with them $12,000 worth of stolen securities, Chris and Bert flee the town, but Lavalle soon finds the two men. Chris is held hostage while Bert is sent to town to convert the securities into cash. Instead, he gives the securities to his former girl friend, Estelle, who is now a dancehall girl, and he returns empty-handed. Enraged, Lavalle allows Chris to go after Estelle and recover the money. Estelle, who reveals that Bert's gambling had reduced her to poverty, reluctantly turns the money over to Chris but follows him to Lavalle. In an attempt to save both his partner and Estelle as they arrive, Bert is killed by Lavalle. Chris and Estelle ride away unharmed; Lavalle tracks them back to Adonde, where Chris finally kills the outlaw, returns the securities, and looks forward to a new life with ...

More Less

Chris Foster and Bert Pickett, shackled to a post after a brawl in the Mexican border town of Adonde, escape along with the other prisoners, outlaws led by Lavalle. Taking with them $12,000 worth of stolen securities, Chris and Bert flee the town, but Lavalle soon finds the two men. Chris is held hostage while Bert is sent to town to convert the securities into cash. Instead, he gives the securities to his former girl friend, Estelle, who is now a dancehall girl, and he returns empty-handed. Enraged, Lavalle allows Chris to go after Estelle and recover the money. Estelle, who reveals that Bert's gambling had reduced her to poverty, reluctantly turns the money over to Chris but follows him to Lavalle. In an attempt to save both his partner and Estelle as they arrive, Bert is killed by Lavalle. Chris and Estelle ride away unharmed; Lavalle tracks them back to Adonde, where Chris finally kills the outlaw, returns the securities, and looks forward to a new life with Estelle.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.