Law and Order (1970)

81 mins | Documentary | 1970

Director:

Frederick Wiseman

Producer:

Frederick Wiseman

Cinematographer:

William Brayne

Production Company:

Osti Films
Full page view
HISTORY

Filmed in Kansas City, Missouri, in 1968. First shown on NET on 2 Mar 1969. ...

More Less

Filmed in Kansas City, Missouri, in 1968. First shown on NET on 2 Mar 1969.

Less

PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Asst photog
FILM EDITORS
Associate ed
Film ed
SOUND
PRODUCTION MISC
Prod asst
Prod asst
DETAILS
Premiere Information:
Washington, D. C., showing: 7 Mar 1970
Production Date:

Physical Properties:
Sound
Black and White
gauge
16
Duration(in mins):
81
Country:
United States
SYNOPSIS

The activities of the Kansas City, Missouri, Police Department are examined. Scenes include a confrontation in which an angry landlady accuses a tenant of throwing a knife at her spouse and the attempt of a black youth to take his child away from his wife. Three policemen and black neighbors restrain a 17-year-old car thief who has wrecked three automobiles while trying to escape. While interrogating a novice prostitute, a policeman chokes her so violently that she is unable to answer his questions. After an abortive attempt to rob a clothing store, three black adolescents are arrested; one of the three is an unarmed youth who claims to be a customer. Cadets are briefed on community relations. Irritated by an officer's refusal to help him find a place to spend the night, a transient decries police brutality and the Vietnamese conflict. The police remove a vomiting drunk from the sidewalk, aid the victim of a purse snatcher, entertain a lost child at the station, and discuss the inadequacy of their salaries. The film is concluded with Richard Nixon's 1968 campaign promise to make American cities safe from ...

More Less

The activities of the Kansas City, Missouri, Police Department are examined. Scenes include a confrontation in which an angry landlady accuses a tenant of throwing a knife at her spouse and the attempt of a black youth to take his child away from his wife. Three policemen and black neighbors restrain a 17-year-old car thief who has wrecked three automobiles while trying to escape. While interrogating a novice prostitute, a policeman chokes her so violently that she is unable to answer his questions. After an abortive attempt to rob a clothing store, three black adolescents are arrested; one of the three is an unarmed youth who claims to be a customer. Cadets are briefed on community relations. Irritated by an officer's refusal to help him find a place to spend the night, a transient decries police brutality and the Vietnamese conflict. The police remove a vomiting drunk from the sidewalk, aid the victim of a purse snatcher, entertain a lost child at the station, and discuss the inadequacy of their salaries. The film is concluded with Richard Nixon's 1968 campaign promise to make American cities safe from crime.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The Best Years of Our Lives

The working titles of the film were Glory for Me and Home Again . In the opening credits, actor Fredric March's name is spelled correctly, but ... >>

Singin' in the Rain

According to a 5 Feb 1951 HR news item, Carleton Carpenter was to co-star in the film with Gene Kelly and Debbie Reynolds, and a 19 Mar ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.