Mickey One (1965)

93 mins | Drama | 1965

Director:

Arthur Penn

Writer:

Alan M. Surgal

Producer:

Arthur Penn

Cinematographer:

Ghislain Cloquet

Production Designer:

George Jenkins

Production Company:

Florin-Tatira Productions
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HISTORY

Filmed on location in Chicago. ...

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Filmed on location in Chicago.

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CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Assoc prod
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
ART DIRECTORS
Prod des
Asst art dir
FILM EDITORS
Film ed
Assembly ed
Film ed
SET DECORATOR
Prop master
COSTUMES
Ward
MUSIC
Mus supv & cond
Mus comp
Mus improvisations
SOUND
Walter Goss
Sd mix
Sd eff ed
Hugh A. Robertson Jr.
Sd eff ed
MAKEUP
Makeup
PRODUCTION MISC
Asst prod mgr
Prod aid
Scr supv
Ch grip
Dial coach/casting dir
Stills
DETAILS
Premiere Information:
Chicago opening: 27 Oct 1965
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Florin-Tatira Productions
1 July 1965
LP31864
Physical Properties:
Sound
Westrex
Black and White
Duration(in mins):
93
Country:
United States
SYNOPSIS

A nightclub comedian in Detroit lives extravagantly and accumulates a number of large gambling debts. Certain that the underworld syndicate that controls his debts and the clubs where he works is going to punish him, he flees, eventually winding up on the west side of Chicago. He uses a social security card with the name Miklos Wunejeva to obtain a restaurant job hauling garbage. Wanting to resume his career, he contacts an agent, Berson, who books him at the posh Club Xanadu, owned by Ed Castle. Meanwhile, Mickey's landlady attempts to evict him and move another tenant, Jenny, into his apartment. Mickey refuses to leave, and he and Jenny fall in love. One night, they watch an artist, whom Mickey has seen around town, unveil a kinetic sculpture which goes out of control, explodes, and burns down. Mickey is wary of the Xanadu booking, fearful that Castle may know his enemies in the syndicate. Mickey is persuaded by Castle to audition for a man connected with clubs in the midwest, but, fearful that the man might be a mobster and unable to perform without an audience, Mickey cuts his performance short. Determined to contact someone in the syndicate, Mickey searches for the mob-run crap game, but he is beaten in a brawl involving costumed doormen from various clubs. After he discovers that Berson has disappeared, he decides to keep his commitment to Castle and begins his first show at the ...

More Less

A nightclub comedian in Detroit lives extravagantly and accumulates a number of large gambling debts. Certain that the underworld syndicate that controls his debts and the clubs where he works is going to punish him, he flees, eventually winding up on the west side of Chicago. He uses a social security card with the name Miklos Wunejeva to obtain a restaurant job hauling garbage. Wanting to resume his career, he contacts an agent, Berson, who books him at the posh Club Xanadu, owned by Ed Castle. Meanwhile, Mickey's landlady attempts to evict him and move another tenant, Jenny, into his apartment. Mickey refuses to leave, and he and Jenny fall in love. One night, they watch an artist, whom Mickey has seen around town, unveil a kinetic sculpture which goes out of control, explodes, and burns down. Mickey is wary of the Xanadu booking, fearful that Castle may know his enemies in the syndicate. Mickey is persuaded by Castle to audition for a man connected with clubs in the midwest, but, fearful that the man might be a mobster and unable to perform without an audience, Mickey cuts his performance short. Determined to contact someone in the syndicate, Mickey searches for the mob-run crap game, but he is beaten in a brawl involving costumed doormen from various clubs. After he discovers that Berson has disappeared, he decides to keep his commitment to Castle and begins his first show at the club.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.