Hold On! (1966)

85 mins | Comedy | 30 March 1966

Director:

Arthur Lubin

Writer:

James B. Gordon

Producer:

Sam Katzman

Cinematographer:

Paul C. Vogel

Production Designers:

George W. Davis, Eddie Imazu

Production Company:

Four Leaf Productions
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HISTORY

The 19 Jul 1965 DV announced the arrival of English pop band Herman’s Hermits at Metro-Goldwyn-Mayer (MGM) Studios in Culver City, CA, for their appearance in When the Boys Meet the Girls (1965, see entry). Reporter Army Archerd suggested that the studio’s invasion by a mob of frantic teenaged fans may have been a publicity stunt. MGM and producer Sam Katzman were planning to star the band in the provisionally-titled There’s No Place Like Space within the next several months.
       Principal photography began 22 Sep 1965, as noted two days later in a DV production chart. The 28 Sep 1965 LAT mentioned Connie Francis and Harve Presnell as co-stars, although it may have been a misprint; both had starred in When the Boys Meet the Girls. Hortense Petra, Katzman’s wife, was cast as “a society matron,” according to the 20 Sep 1965 DV. Other cast members included Cindy Malone (21 Sep 1965 DV); Patti Moore and Ben Frommer (5 Oct 1965 DV); Dawn Michaels and Terri-Lynne Wilson (8 Oct 1965 DV); and Linda Carroll (12 Oct 1965 DV). The 24 Sep 1964 issue noted that dialogue coach Vincent Chase was hired to “subdue” singer Peter “Herman” Noone’s Birmingham, England, accent. Noone was actually from Manchester, England. The Hermits were housed in the same Beverly Hills, CA, mansion used by their countrymen, the Beatles, during their recent visit to Southern California. A news item in the 11 Oct 1965 DV stated that the band interrupted ...

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The 19 Jul 1965 DV announced the arrival of English pop band Herman’s Hermits at Metro-Goldwyn-Mayer (MGM) Studios in Culver City, CA, for their appearance in When the Boys Meet the Girls (1965, see entry). Reporter Army Archerd suggested that the studio’s invasion by a mob of frantic teenaged fans may have been a publicity stunt. MGM and producer Sam Katzman were planning to star the band in the provisionally-titled There’s No Place Like Space within the next several months.
       Principal photography began 22 Sep 1965, as noted two days later in a DV production chart. The 28 Sep 1965 LAT mentioned Connie Francis and Harve Presnell as co-stars, although it may have been a misprint; both had starred in When the Boys Meet the Girls. Hortense Petra, Katzman’s wife, was cast as “a society matron,” according to the 20 Sep 1965 DV. Other cast members included Cindy Malone (21 Sep 1965 DV); Patti Moore and Ben Frommer (5 Oct 1965 DV); Dawn Michaels and Terri-Lynne Wilson (8 Oct 1965 DV); and Linda Carroll (12 Oct 1965 DV). The 24 Sep 1964 issue noted that dialogue coach Vincent Chase was hired to “subdue” singer Peter “Herman” Noone’s Birmingham, England, accent. Noone was actually from Manchester, England. The Hermits were housed in the same Beverly Hills, CA, mansion used by their countrymen, the Beatles, during their recent visit to Southern California. A news item in the 11 Oct 1965 DV stated that the band interrupted filming for a concert in Sacramento, CA. Production was completed 14 Oct 1965, as reported in the next day’s DV. The 3 Nov 1965 edition announced the official title as Hold On! derived from one of ten songs recorded for the soundtrack.
       Hold On! opened 30 Mar 1966 in Los Angeles, CA, and on 22 Jun 1966 in New York City. Reviews were mixed: While the 10 Mar 1966 DV commended the cast and crew, the 1 Apr 1966 LAT asserted that Katzman’s “trite formula” provided a poor showcase for Herman’s Hermits. The 9 Jun 1966 LAT noted that the picture’s release was scheduled to coincide with the band’s summer tour of the U.S.
       The soundtrack album was released on MGM Records, and featured a vocal performance by co-star Shelley Febares.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 Jul 1965
p. 2
Daily Variety
20 Sep 1965
p. 2
Daily Variety
21 Sep 1965
p. 2
Daily Variety
24 Sep 1965
p. 2, 10
Daily Variety
5 Oct 1965
p. 10
Daily Variety
8 Oct 1965
p. 4
Daily Variety
11 Oct 1965
p. 6
Daily Variety
12 Oct 1965
p. 4
Daily Variety
15 Oct 1965
p. 19
Daily Variety
3 Nov 1965
p. 9
Daily Variety
10 Mar 1966
p. 3
Los Angeles Times
28 Sep 1965
Section C, p. 12
Los Angeles Times
25 Oct 1965
Section D, p. 13
Los Angeles Times
30 Mar 1966
Section C, p. 10
Los Angeles Times
31 Mar 1966
Section D, p. 16
Los Angeles Times
1 Apr 1966
Section C, p. 21
Los Angeles Times
9 Jun 1966
Section L, p. 6
New York Times
22 Jun 1966
p. 37
New York Times
23 Jun 1966
p. 29
Variety
16 Mar 1966
p. 54
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Dick Towers
Cam op
Cam asst
ART DIRECTORS
Art dir
Art dir
FILM EDITORS
Film ed
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
MUSIC
Mus score
SOUND
Rec supv
Boom op
VISUAL EFFECTS
Spec visual eff
Spec visual eff
DANCE
Choreog
MAKEUP
Makeup
Hairstyles
Hairstyles
PRODUCTION MISC
Unit prod mgr
Asst to the prod
Scr supv
Stills
Gaffer
Grip
Dial coach
SOURCES
SONGS
"Hold On!" and "A Must To Avoid," words and music by P. F. Sloan; "Leaning on the Lamppost," words and music by Noel Tay; "All the Things I Do for You Baby" and "Where Were You When I Needed You?" words and music by P. F. Sloan and Steve Barri; "Make Me Happy," "The George and Dragon," "Got a Feeling," "We Want You Herman," "Wild Love" and "Gotta Get Away," words and music by Fred Karger, Sid Wayne and Ben Wiesman; all songs sung by Herman's Hermits.
PERFORMED BY
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
There's No Place Like Space
Release Date:
30 March 1966
Premiere Information:
Los Angeles opening: 30 Mar 1966; New York opening: 22 Jun 1966
Production Date:
22 Sep--14 Oct 1965
Copyright Info
Claimant
Date
Copyright Number
Four Leaf Productions
31 December 1965
LP32079
Physical Properties:
Sound
Westrex
Color
Metrocolor
Widescreen/ratio
Panavision
Duration(in mins):
85
Country:
United States
Language:
English
SYNOPSIS

When the children of American astronauts vote to name a new spaceship after Herman's Hermits, NASA assigns scholary Edward Lindquist to follow the British singing group to ascertain if they are worthy of such recognition. Included among the thousands of screaming young girls pursuing the Hermits is Cecilie Bannister, a publicity-minded movie starlet. In Los Angeles, Herman and his group slip away from the protective Lindquist for an evening of fun at an amusement park. There Herman meets attractive Louisa Page, who invites him to a lawn party her mother is giving for charity. The affair nearly turns into a riot when the Hermits begin to sing and Cecilie and a swarm of teenagers crash through the police gates. The Hermits' concert at the Rose Bowl is such a huge success that NASA decides to name a spaceship after ...

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When the children of American astronauts vote to name a new spaceship after Herman's Hermits, NASA assigns scholary Edward Lindquist to follow the British singing group to ascertain if they are worthy of such recognition. Included among the thousands of screaming young girls pursuing the Hermits is Cecilie Bannister, a publicity-minded movie starlet. In Los Angeles, Herman and his group slip away from the protective Lindquist for an evening of fun at an amusement park. There Herman meets attractive Louisa Page, who invites him to a lawn party her mother is giving for charity. The affair nearly turns into a riot when the Hermits begin to sing and Cecilie and a swarm of teenagers crash through the police gates. The Hermits' concert at the Rose Bowl is such a huge success that NASA decides to name a spaceship after them.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.