The Main Attraction (1963)

85 mins | Drama | 1963

Director:

Daniel Petrie

Writer:

John Patrick

Producer:

John Patrick

Cinematographer:

Geoffrey Unsworth

Editor:

Geoffrey Foot

Production Designer:

Bill Hutchinson

Production Company:

Seven Arts Productions
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HISTORY

Copyright length: 87 min. Opened in London in Oct 1962; running time: 90 min. ...

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Copyright length: 87 min. Opened in London in Oct 1962; running time: 90 min.

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CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
Asst dir
1st, 2d & 3d asst dir
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Focus
ART DIRECTORS
Art dir
Bob Cartwright
Asst art dir
FILM EDITORS
Film ed
1st asst ed
2nd asst ed
SET DECORATORS
Set dresser
Scenic artist
Draughtsman
COSTUMES
Ward supv
Ward master
Ward mistress
MUSIC
Mus comp
Mus cond
SOUND
Sd mix
Dub ed
Boom op
Sd cam op
DANCE
Choreog
MAKEUP
Chief makeup
Chief hairdresser
PRODUCTION MISC
Prod supv
Prod continuity roller
Prod secy
Dial coach
Prop buyer
Stills
Casting dir
Chargehand elec
Chargehand prop
Grip
SOURCES
SONGS
"Gondoli Gondola," music and lyrics by Carosone & Nisa; "Si, Si, Si," music and Italian lyrics by Domenico Modugno, English lyrics by Abel Baer; "Amore Baciami," music by C. A. Rossi, Italian lyrics by C. C. Testoni, English lyrics by Geoffrey Parsons, John Turner and Pat Boone.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
1963
Premiere Information:
Denver, Colorado, opening: 5 Jun 1963
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Seven Arts Productions
31 December 1962
LP23744
Physical Properties:
Sound
Westrex
Color
Eastman Color
Widescreen/ratio
Metroscope
Duration(in mins):
85
Countries:
United Kingdom, United States
Language:
English
SYNOPSIS

Eddie, a cynical American drifter, loses his singing job in a dingy Italian cafe and takes up with an older woman, Gina, who invites him to join her circus ventriloquist act. Trouble develops when Eddie becomes attracted to Tessa, the bareback rider who is the sister-in-law of Ricco, the circus owner. No longer interested in his crippled wife, Elenora, Ricco becomes jealous of Eddie's attentions to Tessa. Another problem arises when Bozo, the circus clown who is Gina's ex-husband, attacks Eddie and falls on a knife as they struggle. Believing Bozo to be dead, Eddie flees. He encounters Tessa, who has also left the circus, and the two spend the night in a deserted mountain cabin, unaware that the area has been evacuated for the dynamiting of a dangerous glacier. In the resulting avalanche, Eddie saves Tessa's life and then again flees, fearing the police. But he returns to the circus and discovers that Bozo is alive, that Ricco and Elenora are reconciled, and that Tessa truly loves ...

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Eddie, a cynical American drifter, loses his singing job in a dingy Italian cafe and takes up with an older woman, Gina, who invites him to join her circus ventriloquist act. Trouble develops when Eddie becomes attracted to Tessa, the bareback rider who is the sister-in-law of Ricco, the circus owner. No longer interested in his crippled wife, Elenora, Ricco becomes jealous of Eddie's attentions to Tessa. Another problem arises when Bozo, the circus clown who is Gina's ex-husband, attacks Eddie and falls on a knife as they struggle. Believing Bozo to be dead, Eddie flees. He encounters Tessa, who has also left the circus, and the two spend the night in a deserted mountain cabin, unaware that the area has been evacuated for the dynamiting of a dangerous glacier. In the resulting avalanche, Eddie saves Tessa's life and then again flees, fearing the police. But he returns to the circus and discovers that Bozo is alive, that Ricco and Elenora are reconciled, and that Tessa truly loves him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.