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HISTORY

This film was originally scheduled for release 20 Oct 1918 but was delayed because of the influenza epidemic. In some reviews, the Mario Nanni character is called Tomaso Longo. Reviewers note this as Caruso's first film. Carolina White was the operatic soprano of the Metropolitan. The film includes scenes showing the interior and exterior of the Metropolitan Opera House in New York, Caruso's dressing room there, and his home. ...

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This film was originally scheduled for release 20 Oct 1918 but was delayed because of the influenza epidemic. In some reviews, the Mario Nanni character is called Tomaso Longo. Reviewers note this as Caruso's first film. Carolina White was the operatic soprano of the Metropolitan. The film includes scenes showing the interior and exterior of the Metropolitan Opera House in New York, Caruso's dressing room there, and his home.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
23 Nov 1918
pp. 1987-89
MPN
7 Dec 1918
p. 3423
MPW
19 Oct 1918
p. 450
MPW
7 Dec 1918
p. 1119
NYDM
7 Dec 1918
p. 846
New York Times
25 Nov 1918
p. 11
PW
1 Feb 1919
p. 33
Variety
29 Nov 1918
p. 41
Wid's
1 Dec 1918
p. 18
DETAILS
Release Date:
17 November 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
28 September 1918
LP12918
Physical Properties:
Silent
Black and White
Length(in feet):
4,710
Length(in reels):
5
Country:
United States
SYNOPSIS

Mario Nanni, a poor but proud artist living in New York's Little Italy, boasts that he is the cousin of the great tenor, Cesare Carulli, in order to impress Rosa Ventura, the girl he passionately loves. Although Rosa returns Mario's affections, her father wishes her to marry Robert Bombardi, the proprietor of a fruit and vegetable stand. After attending Carulli's performance of I Pagliacci , Mario and Rosa visit a café, where Carulli fails to recognize his cousin. Later the sculptor tries to give Carulli a bust, but the tenor's secretary mistakes him for an aspiring singer and turns him away. Mario's status in Little Italy has plummetted, and even Rosa is ready to abandon him when Carulli, having learned of Mario's troubles, visits the artist's studio and loudly commissions a bronze bust from his ...

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Mario Nanni, a poor but proud artist living in New York's Little Italy, boasts that he is the cousin of the great tenor, Cesare Carulli, in order to impress Rosa Ventura, the girl he passionately loves. Although Rosa returns Mario's affections, her father wishes her to marry Robert Bombardi, the proprietor of a fruit and vegetable stand. After attending Carulli's performance of I Pagliacci , Mario and Rosa visit a café, where Carulli fails to recognize his cousin. Later the sculptor tries to give Carulli a bust, but the tenor's secretary mistakes him for an aspiring singer and turns him away. Mario's status in Little Italy has plummetted, and even Rosa is ready to abandon him when Carulli, having learned of Mario's troubles, visits the artist's studio and loudly commissions a bronze bust from his cousin.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.