Good Times (1967)

91 mins | Comedy | 12 April 1967

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HISTORY

Although recording artists Cher and Sonny Bono (popularly known as Sonny & Cher) had previously appeared as themselves in the 1965 beach party film Wild on the Beach (1965, see entry), the 3 Mar 1966 DV announced that the duo had finalized a deal with Steve Broidy’s Motion Pictures International (MPI) for their first starring vehicle, Bang Bang. According to a 13 Apr 1966 DV article, they also received interest from Warner Bros. Pictures and Metro-Goldwyn-Mayer’s (MGM) Joe Pasternak, but both studios demanded control of the album rights, which would conflict with the singers’ existing contracts with Atlantic and Imperial Records. The deal represented Broidy’s first independent production after leaving his presidential post at Allied Artists, and the 11 May 1966 DV alleged that he financed the entire picture on his own. The 3 Aug 1966 Var revealed that the budget grew from $350,000 to $900,000 over the course of development.
       Although Var stated that David H. Vowell, Marvin Worth, and Bono co-wrote the script, this was not corroborated by other contemporary sources. Tony Barrett and Nicholas Hyams receive final screenplay and story credit.
       Shortly before the start of principal photography, the 24 Mar 1966 DV listed a title change to Good Times. Shooting was underway on 28 Mar 1966 at the Africa, U.S.A. theme park in Redwood Shores, CA, but was briefly stalled three days later when DV reported that Bono had injured his back. While the 13 Apr 1966 DV stated that some filming took place at the couple’s home in the Encino area of ...

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Although recording artists Cher and Sonny Bono (popularly known as Sonny & Cher) had previously appeared as themselves in the 1965 beach party film Wild on the Beach (1965, see entry), the 3 Mar 1966 DV announced that the duo had finalized a deal with Steve Broidy’s Motion Pictures International (MPI) for their first starring vehicle, Bang Bang. According to a 13 Apr 1966 DV article, they also received interest from Warner Bros. Pictures and Metro-Goldwyn-Mayer’s (MGM) Joe Pasternak, but both studios demanded control of the album rights, which would conflict with the singers’ existing contracts with Atlantic and Imperial Records. The deal represented Broidy’s first independent production after leaving his presidential post at Allied Artists, and the 11 May 1966 DV alleged that he financed the entire picture on his own. The 3 Aug 1966 Var revealed that the budget grew from $350,000 to $900,000 over the course of development.
       Although Var stated that David H. Vowell, Marvin Worth, and Bono co-wrote the script, this was not corroborated by other contemporary sources. Tony Barrett and Nicholas Hyams receive final screenplay and story credit.
       Shortly before the start of principal photography, the 24 Mar 1966 DV listed a title change to Good Times. Shooting was underway on 28 Mar 1966 at the Africa, U.S.A. theme park in Redwood Shores, CA, but was briefly stalled three days later when DV reported that Bono had injured his back. While the 13 Apr 1966 DV stated that some filming took place at the couple’s home in the Encino area of Los Angeles, CA, the remainder of shooting was completed at the Paramount Pictures studios. The 6 May 1966 edition indicated that the production schedule had been extended and was likely to wrap the following day. Five days later, Broidy told DV that he intended to open the picture that summer even though production still necessitated ten days of pick-up shots. According to the 20 Apr 1966 DV, Bono had already completed composition of the seven songs to be featured on the soundtrack.
       Release was significantly stalled, however, as the 8 Jul 1966 and 1 Aug 1966 DV reported updates about Broidy’s ongoing pursuit of a distribution deal with ABC-Paramount Records, which considered leasing the property to MGM. A few months later, the 28 Oct 1966 issue announced that Columbia Pictures had acquired the film for worldwide exhibition.
       According to items in the 24 Aug 1966 Var and 7 Mar 1967 and 13 Apr 1967 DV, Sonny & Cher engaged in several public appearances to promote the film, including a seven-week music tour of Europe and an 11 Apr 1967 world premiere event at the Paramount Theatre in Austin, TX. Regular screenings began there the following day, and the duo continued their tour of six other Texas cities. The 19 Apr 1967 Var stated that they were also scheduled to attend screenings at twenty-five of the fifty theaters debuting the picture in Chicago, IL, two days later. The Los Angeles, CA, engagement began 24 May 1967, and 2 Aug 1967 in New York City.
       Good Times was not a box-office success, and director William Friedkin told the 25 Jul 1967 DV that he attributed much of its failure to the lengthy delay in its release.
       A 28 Mar 1966 DV item stated that playwright William Inge was interested in making a cameo appearance, but his participation could not be confirmed. The “Film Castings” column in the 19 Apr 1966 DV also included the following actors among the supporting cast: Debra Adasko, Rita Damico, Rene Jarmon, Teri Jiminez, Anita Mann, Marianna Pelora, Diane Stuart, Gina Trikonis, Mario Gahia, Joann Miya, Judy Von Wormer, Tony Barberio, Fred Curt, Bill Dvorak, Don Rehg, Ian Bruce, Tom Cahill, and Carlton Johnson.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Mar 1966
p. 3
Daily Variety
24 Mar 1966
p. 6
Daily Variety
28 Mar 1966
p. 2
Daily Variety
28 Mar 1966
p. 14
Daily Variety
31 Mar 1966
p. 3
Daily Variety
13 Apr 1966
p. 2
Daily Variety
19 Apr 1966
p. 10
Daily Variety
20 Apr 1966
p. 6
Daily Variety
6 May 1966
p. 6
Daily Variety
11 May 1966
p. 2
Daily Variety
8 Jul 1966
p. 2
Daily Variety
1 Aug 1966
p. 2
Daily Variety
28 Oct 1966
p. 1
Daily Variety
7 Mar 1967
p. 6
Daily Variety
13 Mar 1967
p. 4
Daily Variety
31 Mar 1967
p. 9
Daily Variety
19 Apr 1967
p. 109
Daily Variety
25 Jul 1967
p. 11
Los Angeles Times
18 May 1967
Section D, p. 13
Los Angeles Times
26 May 1967
Section E, p. 9
New York Times
3 Aug 1967
p. 26
Variety
3 Aug 1966
p. 53
Variety
24 Aug 1966
p. 55
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Steve Broidy Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
Sp cons on mus numbers
ART DIRECTORS
Art dir
Art dir
FILM EDITORS
Film ed
Asst film ed
Negative cutter
SET DECORATOR
Set dec
COSTUMES
MUSIC
Mus comp & cond
SOUND
Sd rec
Sd eff
Sd eff
Sd eff
VISUAL EFFECTS
Spec eff
process photog
DANCE
Choreog
MAKEUP
Hairstyles
PRODUCTION MISC
Prod mgr
Scr supv
Animals trained by
Animals trained by
SOURCES
SONGS
"I Got You Babe," "It's the Little Things," "Good Times," "Trust Me," "Don't Talk to Strangers," "I'm Gonna Love You," "Just a Name," music and lyrics by Sonny Bono; sung by Sonny & Cher.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Bang Bang
Release Date:
12 April 1967
Premiere Information:
Austin premiere: 11 Apr 1967; Austin opening: 12 Apr 1967; Los Angeles opening: 24 May 1967; New York opening: 2 Aug 1967
Production Date:
28 Mar--7 May 1966
Copyright Info
Claimant
Date
Copyright Number
Motion Pictures International
1 May 1967
LP34412
Physical Properties:
Sound
Westrex
Color
De Luxe
Duration(in mins):
91
Country:
United States
Language:
English
SYNOPSIS

Sonny and Cher are happily married rock and roll singing stars with millions of fans. Despite their success, Sonny longs to achieve additional fame and fortune in movies, while Cher is content with their current popularity. Film tycoon Mr. Mordicus offers to launch their career in pictures, and Sonny lapses into a series of daydreams in which he envisions himself and Cher playing various stereotyped Hollywood roles. First, he is a gun-slinging Western sheriff, and Cher is a dancehall queen. Next, he becomes Tarzan living in a treehouse with Cher as his adoring mate. Finally, he conjures up a vision of himself as a tight-lipped private investigator, with Cher playing both a moll and a sultry singer. Sonny realizes that in all three fantasies, Mr. Mordicus appeared as a ridiculous-looking villain. Consequently, when Mordicus presents him with a stale old script, Sonny ignores the producer's threats and refuses the offer. Although he has not abandoned the idea of becoming a film star, Sonny decides to concentrate on his singing career with ...

More Less

Sonny and Cher are happily married rock and roll singing stars with millions of fans. Despite their success, Sonny longs to achieve additional fame and fortune in movies, while Cher is content with their current popularity. Film tycoon Mr. Mordicus offers to launch their career in pictures, and Sonny lapses into a series of daydreams in which he envisions himself and Cher playing various stereotyped Hollywood roles. First, he is a gun-slinging Western sheriff, and Cher is a dancehall queen. Next, he becomes Tarzan living in a treehouse with Cher as his adoring mate. Finally, he conjures up a vision of himself as a tight-lipped private investigator, with Cher playing both a moll and a sultry singer. Sonny realizes that in all three fantasies, Mr. Mordicus appeared as a ridiculous-looking villain. Consequently, when Mordicus presents him with a stale old script, Sonny ignores the producer's threats and refuses the offer. Although he has not abandoned the idea of becoming a film star, Sonny decides to concentrate on his singing career with Cher.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.