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HISTORY

Filming was underway as of early Apr 1920, according to the 10 Apr 1920 Exhibitors Herald, which noted filmmaker and lead actress Nazimova (a.k.a. Alla Nazimova) had recently suffered a cold, halting production for at least a week. A month later, the 15 May 1920 Motion Picture News stated that a “Garden of Dreams” sequence was filmed that week on elaborate sets built at the Metro Pictures Corp. studio lot in Hollywood, CA. The 22 May 1920 issue of Camera announced that filming was “nearing completion,” and the 10 Jul 1920 Moving Picture World later reported that Nazimova, who, in addition to starring in the picture, served as titles writer, set decorator, and editor, was currently at work in the cutting room. In an interview published in the Sep 1920 Picture-Play, Nazimova indicated that she’d also dabbled in co-directing, continuity, and composing music, on unnamed projects. She earned a reported $2,000 daily salary, at least during production, and her personal secretary, Peggy Hagar, was a fixture on set.
       An 11 Oct 1920 theatrical release was initially scheduled, according to a listing in the 24 Jul 1920 Motion Picture News. However, the release date was pushed to 6 Dec 1920, as noted in various contemporary sources including the 21 Nov 1920 Wid’s Daily. A 5 Dec 1920 opening at New York City’s Capitol Theatre was advertised in two days earlier in Var. The picture was met with largely negative reviews, especially those published in the 5 Dec 1920 Wid’s Daily, 10 Dec 1920 Var, 11 Dec 1920 ...

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Filming was underway as of early Apr 1920, according to the 10 Apr 1920 Exhibitors Herald, which noted filmmaker and lead actress Nazimova (a.k.a. Alla Nazimova) had recently suffered a cold, halting production for at least a week. A month later, the 15 May 1920 Motion Picture News stated that a “Garden of Dreams” sequence was filmed that week on elaborate sets built at the Metro Pictures Corp. studio lot in Hollywood, CA. The 22 May 1920 issue of Camera announced that filming was “nearing completion,” and the 10 Jul 1920 Moving Picture World later reported that Nazimova, who, in addition to starring in the picture, served as titles writer, set decorator, and editor, was currently at work in the cutting room. In an interview published in the Sep 1920 Picture-Play, Nazimova indicated that she’d also dabbled in co-directing, continuity, and composing music, on unnamed projects. She earned a reported $2,000 daily salary, at least during production, and her personal secretary, Peggy Hagar, was a fixture on set.
       An 11 Oct 1920 theatrical release was initially scheduled, according to a listing in the 24 Jul 1920 Motion Picture News. However, the release date was pushed to 6 Dec 1920, as noted in various contemporary sources including the 21 Nov 1920 Wid’s Daily. A 5 Dec 1920 opening at New York City’s Capitol Theatre was advertised in two days earlier in Var. The picture was met with largely negative reviews, especially those published in the 5 Dec 1920 Wid’s Daily, 10 Dec 1920 Var, 11 Dec 1920 Motion Picture News, and Feb 1921 Photo-Play Journal.
       The 11 Jul 1920 [Buffalo, NY] Buffalo Times identified Buffalo native Gustave Luedemann as a cast member.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Buffalo Times [Buffalo, NY]
11 Jul 1920
p. 19
Camera
22 May 1920
p. 6
Exhibitors Herald
10 Apr 1920
p. 77
Exhibitors Herald
12 Jun 1920
p. 85
Exhibitors Trade Review
11 Dec 1920
p. 110
Motion Picture Magazine
Oct 1920
pp. 30-31, 107
Motion Picture News
15 May 1920
p. 4198
Motion Picture News
24 Jul 1920
p. 832
Motion Picture News
11 Dec 1920
p. 4458
Motion Picture News
11 Dec 1920
p. 4503
Moving Picture World
10 Jul 1920
p. 197
Moving Picture World
10 Jul 1920
p. 216
Moving Picture World
11 Dec 1920
p. 912
New-York Tribune
7 Dec 1920
p. 8
Photo-Play Journal
Feb 1921
p. 41
Picture-Play
Sep 1920
pp. 27-30
Variety
3 Dec 1920
p. 31
Variety
10 Dec 1920
p. 35
Variety
10 Dec 1920
p. 37
Wid's Daily
19 Jun 1920
p. 1
Wid's Daily
5 Dec 1920
p. 13
Wid's Daily
7 Dec 1920
p. 2
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Ray C. Smallwood
Dir
WRITERS
Nazimova
Titles
PHOTOGRAPHY
FILM EDITOR
Nazimova
Ed
SET DECORATOR
Nazimova
Set dec
SOURCES
LITERARY
Based on the play L'Homme riche by Jean Jose Frappa and Henry Dupuy-Mazuel (Paris, Jun 1914).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
6 December 1920
Premiere Information:
New York opening: 5 Dec 1920 at Capitol Theatre
Production Date:
Mar or Apr--May 1920
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
22 November 1920
LP15826
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Princess Triloff, an emigrée from Czarist Russia, escapes to America where she becomes a patron of the arts. She falls in love with the verses of impoverished poet Owen Carey and becomes his anonymous benefactor. When Owen inherits a fortune from his rich Uncle Krakerfeller, he assumes his uncle's identity and confers his own upon an impoverished friend, Frank Manners. At a resort, Owen meets the princess and falls in love with her, but is chagrined to discover that she is enamored with Manners. The princess finally discovers Owen's real identity and the two fall in love. However, when a later will rescinds Owen's inheritance, he becomes intimidated by the princess's wealth and skulks away to his garret. The princess follows him and they are happily reunited in poverty when she discovers that her fortune has been confiscated in the ...

More Less

Princess Triloff, an emigrée from Czarist Russia, escapes to America where she becomes a patron of the arts. She falls in love with the verses of impoverished poet Owen Carey and becomes his anonymous benefactor. When Owen inherits a fortune from his rich Uncle Krakerfeller, he assumes his uncle's identity and confers his own upon an impoverished friend, Frank Manners. At a resort, Owen meets the princess and falls in love with her, but is chagrined to discover that she is enamored with Manners. The princess finally discovers Owen's real identity and the two fall in love. However, when a later will rescinds Owen's inheritance, he becomes intimidated by the princess's wealth and skulks away to his garret. The princess follows him and they are happily reunited in poverty when she discovers that her fortune has been confiscated in the revolution.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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