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HISTORY

Games was announced in the 28 Apr 1966 DV as one of Universal Pictures’ upcoming productions. According to an article in the 2 Oct 1966 NYT, producer George Edwards and director Curtis Harrington had recently been signed to a production deal with the studio following the release of their “modest science-fiction thriller” Queen of Blood (1966, see entry). Edwards and Harrington were reportedly unable to find an available script to their liking, so they co-wrote a twelve-page story treatment for Games and submitted it to Universal chief Lew Wasserman. After Gene Kearney completed the screenplay, it was sent to French actress Simone Signoret, whom Edwards and Harrington believed to be “ideally suited” for the role of “Lisa Schindler.”
       The budget was cited as “over $1 million” in a 19 Nov 1966 LAT article, but the 26 Jul 1967 Var listed a final cost of only $450,000.
       An item in the 11 May 1966 Var indicated that shooting might take place entirely in New York City, where the story is set. However, a news brief in the 16 Nov 1966 Var later announced that the entire picture would be filmed on the Universal Pictures studio lot in Universal City, CA. Principal photography began on 30 Nov 1966, as stated in a DV production chart published two days later.
       Theatrical release took place on 17 Sep 1967 at New York City’s Sutton Theater. Two months later, following the critical and commercial success of The Graduate (1967, see entry), in which Katharine Ross also appeared, Universal altered advertisements ...

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Games was announced in the 28 Apr 1966 DV as one of Universal Pictures’ upcoming productions. According to an article in the 2 Oct 1966 NYT, producer George Edwards and director Curtis Harrington had recently been signed to a production deal with the studio following the release of their “modest science-fiction thriller” Queen of Blood (1966, see entry). Edwards and Harrington were reportedly unable to find an available script to their liking, so they co-wrote a twelve-page story treatment for Games and submitted it to Universal chief Lew Wasserman. After Gene Kearney completed the screenplay, it was sent to French actress Simone Signoret, whom Edwards and Harrington believed to be “ideally suited” for the role of “Lisa Schindler.”
       The budget was cited as “over $1 million” in a 19 Nov 1966 LAT article, but the 26 Jul 1967 Var listed a final cost of only $450,000.
       An item in the 11 May 1966 Var indicated that shooting might take place entirely in New York City, where the story is set. However, a news brief in the 16 Nov 1966 Var later announced that the entire picture would be filmed on the Universal Pictures studio lot in Universal City, CA. Principal photography began on 30 Nov 1966, as stated in a DV production chart published two days later.
       Theatrical release took place on 17 Sep 1967 at New York City’s Sutton Theater. Two months later, following the critical and commercial success of The Graduate (1967, see entry), in which Katharine Ross also appeared, Universal altered advertisements for Games to include Ross’s name in top billing, just after Simone Signoret’s and before James Caan’s. When the picture opened on 25 Jan 1968 at the Plaza Theater in Los Angeles, CA, advertisements in LAT listed Katharine Ross as “the exciting new star of ‘The Graduate’!”
       For his work on the film, Curtis Harrington received the Count Dracula Society’s Ann Radcliffe Award, which honored horror pictures, as noted in the 13 Dec 1967 Var.
       The 19 Nov 1966 LAT stated that fashion designer Rudi Gernreich, writer Anaïs Nin, poet-actor Cyril Delevanti, artist Renate Druks, and actresses Rachel Rosenthal and Cameron (a.k.a. Marjorie Cameron) would appear as party guests in the film’s opening sequence.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
28 Apr 1966
p. 1
Daily Variety
18 Aug 1966
p. 3
Daily Variety
15 Sep 1966
p. 1
Daily Variety
2 Dec 1966
p. 10
Daily Variety
23 Jan 1968
p. 18
Los Angeles Times
19 Sep 1966
Section C, p. 28
Los Angeles Times
22 Sep 1966
Section C, p. 15
Los Angeles Times
4 Oct 1966
Section C, p. 15
Los Angeles Times
19 Nov 1966
p. 22
Los Angeles Times
3 Jan 1967
Section C, p. 1, 9
Los Angeles Times
26 Jan 1968
Section C, p. 5
Los Angeles Times
26 Jan 1968
Section C, p. 8
New York Times
2 Oct 1966
p. 11, 30
New York Times
18 Sep 1967
p. 80
Variety
11 May 1966
p. 22
Variety
16 Nov 1966
p. 18
Variety
26 Jul 1967
p. 11
Variety
20 Sep 1967
p. 6
Variety
13 Dec 1967
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
William A. Fraker
Dir of photog
ART DIRECTORS
FILM EDITOR
Film ed
SET DECORATORS
John McCarthy
Set dec
Set dec
MUSIC
VISUAL EFFECTS
Title des & execution
Title des & execution
MAKEUP
Makeup
Hairstyles
PRODUCTION MISC
Unit prod mgr
Visual consultant
DETAILS
Release Date:
17 September 1967
Premiere Information:
New York opening: 17 Sep 1967 at the Sutton Theater; Los Angeles opening: 25 Jan 1968
Production Date:
began 30 Nov 1966
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures
4 November 1967
LP37793
Physical Properties:
Sound
Westrex
Color
Technicolor
Widescreen/ratio
Techniscope
Duration(in mins):
100
Country:
United States
Language:
English
SYNOPSIS

Manhattan socialites Paul and Jennifer Montgomery amass a vast art collection and devise novel games. In these pursuits the couple is joined by Lisa Schindler, an aging cosmetics saleswoman and amateur medium. Among the amusements contrived by Lisa is Jennifer's seduction of adolescent delivery boy Norman Fields. Surprising the pair, Paul shoots Norman. Afterward he encases the body in plaster, adapting the corpse as an art object. When Lisa departs and Paul goes on a business trip, Jennifer is alone with the sculpture. To her horror, Norman reappears and pursues her. Terrified, she shoots and kills him. Informing his distraught wife that the first murder was a hoax, Paul commits Jennifer to a mental institution. After selling the couple's art collection, the socialite is joined by his accomplice, Lisa, who proposes a toast to the success of their scheme. Quickly quaffing the drink, Paul falls dead at Lisa's ...

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Manhattan socialites Paul and Jennifer Montgomery amass a vast art collection and devise novel games. In these pursuits the couple is joined by Lisa Schindler, an aging cosmetics saleswoman and amateur medium. Among the amusements contrived by Lisa is Jennifer's seduction of adolescent delivery boy Norman Fields. Surprising the pair, Paul shoots Norman. Afterward he encases the body in plaster, adapting the corpse as an art object. When Lisa departs and Paul goes on a business trip, Jennifer is alone with the sculpture. To her horror, Norman reappears and pursues her. Terrified, she shoots and kills him. Informing his distraught wife that the first murder was a hoax, Paul commits Jennifer to a mental institution. After selling the couple's art collection, the socialite is joined by his accomplice, Lisa, who proposes a toast to the success of their scheme. Quickly quaffing the drink, Paul falls dead at Lisa's feet.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.