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HISTORY

The working title for the film was Wylie. Var announced it as an upcoming Universal Pictures production on 6 Dec 1967. Terence Stamp was attached to play the title character, “Wylie,” and television director Alex Segal was brought on to direct, as stated in the 8 Feb 1968 DV. However, the following month, a news brief in the 4 Mar 1968 DV announced that Stamp had left the project due to scheduling conflicts. Michael Sarrazin was cast in his place.
       A production chart in the 19 Apr 1968 DV noted that principal photography began 16 Apr 1968 in San Francisco, CA. Eight days of location shooting took place in various San Francisco locations, including the North Beach neighborhood, a Pacific Heights mansion owned by Safeway chief Robert Magowan, and the neighboring city of Sausalito, CA, as stated in the 4 Jun 1969 DV review. The remainder of shooting was to be completed at the Universal Pictures studio lot in Universal City, CA, according to the 18 Apr 1968 DV.
       On 24 Apr 1968, DV reported that Alex Segal was forced to leave the project due to a back injury. David Lowell Rich was brought on to replace him. The 17 Jun 1968 DV claimed that Rich had agreed to take over on condition that existing footage be scrapped. Universal agreed, although $100,000 had already been spent on the production.
       The Humane Society reportedly nixed two scenes that were due to be filmed. A 24 Apr 1968 DV brief noted that “one ...

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The working title for the film was Wylie. Var announced it as an upcoming Universal Pictures production on 6 Dec 1967. Terence Stamp was attached to play the title character, “Wylie,” and television director Alex Segal was brought on to direct, as stated in the 8 Feb 1968 DV. However, the following month, a news brief in the 4 Mar 1968 DV announced that Stamp had left the project due to scheduling conflicts. Michael Sarrazin was cast in his place.
       A production chart in the 19 Apr 1968 DV noted that principal photography began 16 Apr 1968 in San Francisco, CA. Eight days of location shooting took place in various San Francisco locations, including the North Beach neighborhood, a Pacific Heights mansion owned by Safeway chief Robert Magowan, and the neighboring city of Sausalito, CA, as stated in the 4 Jun 1969 DV review. The remainder of shooting was to be completed at the Universal Pictures studio lot in Universal City, CA, according to the 18 Apr 1968 DV.
       On 24 Apr 1968, DV reported that Alex Segal was forced to leave the project due to a back injury. David Lowell Rich was brought on to replace him. The 17 Jun 1968 DV claimed that Rich had agreed to take over on condition that existing footage be scrapped. Universal agreed, although $100,000 had already been spent on the production.
       The Humane Society reportedly nixed two scenes that were due to be filmed. A 24 Apr 1968 DV brief noted that “one scene called for a feline to be electrocuted in a hair dryer, and another shot for kittens to be killed by Michael Sarrazin.” Filmmakers were said to have made “the largest casting call for cats” in Hollywood, when they searched for 50 feline performers, as stated in the 11 Jun 1968 LAT.
       Principal photography wound in mid-Jun 1968, according to a 17 Jun 1968 DV brief. However, David Lowell Rich and producer Bernard Schwartz planned to return to San Francisco for helicopter footage, and, in Los Angeles, to shoot additional special effects footage involving cats.
       A title change to Eye of the Cat was announced in the 22 Jan 1969 DV. The film was released several months later, on 13 Jun 1969, in Detroit, MI. Regional openings also took place that night in Amarillo and El Paso, TX, according to advertisements in the Amarillo Globe-Times and El Paso Herald-Post. The film opened the following week, on 18 Jun 1969, in New York City, and on 3 Sep 1969 in Los Angeles, CA. Critical reception was largely negative.
       Paul Baxley, Julie Johnson, Sharon Harvey, Judy Cassmore, Candy McCoy, and Ray Neapolitan were listed as cast members in DV casting notices published in May and Jun 1968.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Amarillo Globe-Times [Amarillo, TX]
13 Jun 1969
p. 30
Daily Variety
8 Feb 1968
p. 1
Daily Variety
12 Feb 1968
p. 7
Daily Variety
4 Mar 1968
p. 2
Daily Variety
18 Apr 1968
p. 10
Daily Variety
19 Apr 1968
p. 14
Daily Variety
24 Apr 1968
p. 2
Daily Variety
24 Apr 1968
p. 7
Daily Variety
2 May 1968
p. 4
Daily Variety
23 May 1968
p. 1
Daily Variety
13 Jun 1968
p. 4
Daily Variety
17 Jun 1968
p. 2
Daily Variety
22 Jan 1969
p. 3
Daily Variety
4 Jun 1969
p. 3, 10
El Paso Herald-Post [El Paso, TX]
13 Jun 1969
p. 14
Los Angeles Times
24 Apr 1968
Section D, p. 12
Los Angeles Times
11 Jun 1968
Section F, p. 17
Los Angeles Times
26 Aug 1969
Section D, p. 16
Los Angeles Times
4 Sep 1969
Section F, p. 15
New York Times
19 Jun 1969
---
Variety
6 Dec 1967
p. 7
Variety
10 Jan 1968
p. 3
Variety
22 May 1968
p. 28
Variety
18 Jun 1969
p. 13
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTORS
FILM EDITOR
SET DECORATORS
John McCarthy
Set dec
Set dec
COSTUMES
Cost
MUSIC
Mus supv
MAKEUP
Makeup
Hairstyles
PRODUCTION MISC
Unit prod mgr
Cat trainer
Main titles
Main titles
DETAILS
Alternate Title:
Wylie
Release Date:
13 June 1969
Premiere Information:
Detroit, MI, opening: 13 Jun 1969; New York opening: 18 Jun 1969; Los Angeles opening: 3 Sep 1969
Production Date:
16 Apr--mid Jun 1968
Copyright Info
Claimant
Date
Copyright Number
Joseph M. Schenck Enterprises
2 August 1970
LP38883
Physical Properties:
Sound
Westrex
Color
Technicolor
Duration(in mins):
102
Country:
United States
Language:
English
PCA No:
21874
SYNOPSIS

In San Francisco, California, wayward nephew Wylie's rendezvous with Poor Dear is interrupted by the appearance of Kassia Lancaster, his Aunt Danny's cosmetologist and confidante. Kassia informs the young man that Aunt Danny, dying of emphysema, is by day confined to a wheelchair, by night to an oxygen tent. Despite her condition, Aunt Danny has sequestered in her home a colony of cats, the heirs to her fortune. The cosmetologist suggests that Wylie, still uppermost in his aunt's affections, return home, displace the cats, and kill the old lady. Wylie's return is regarded with suspicion by his brother Luke, Aunt Danny's devoted attendant. The animals are removed from the house because of his ailurophobia, and Wylie is reinstated as sole heir. On the evening of the proposed murder the cats mysteriously reappear, causing the heir to faint. Beside his body Kassia and Luke reveal their liaison and discuss their plan to murder both nephew and aunt. Disconcerted by the cat colony, however, Kassia falls from a ladder and dies. Luke discovers Aunt Danny in a room where Wylie has placed her for safekeeping. As Luke and Aunt Danny confer, the composed Wylie enters and announces his ...

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In San Francisco, California, wayward nephew Wylie's rendezvous with Poor Dear is interrupted by the appearance of Kassia Lancaster, his Aunt Danny's cosmetologist and confidante. Kassia informs the young man that Aunt Danny, dying of emphysema, is by day confined to a wheelchair, by night to an oxygen tent. Despite her condition, Aunt Danny has sequestered in her home a colony of cats, the heirs to her fortune. The cosmetologist suggests that Wylie, still uppermost in his aunt's affections, return home, displace the cats, and kill the old lady. Wylie's return is regarded with suspicion by his brother Luke, Aunt Danny's devoted attendant. The animals are removed from the house because of his ailurophobia, and Wylie is reinstated as sole heir. On the evening of the proposed murder the cats mysteriously reappear, causing the heir to faint. Beside his body Kassia and Luke reveal their liaison and discuss their plan to murder both nephew and aunt. Disconcerted by the cat colony, however, Kassia falls from a ladder and dies. Luke discovers Aunt Danny in a room where Wylie has placed her for safekeeping. As Luke and Aunt Danny confer, the composed Wylie enters and announces his departure.

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GENRE
Genre:
Sub-genre:
Suspense


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.