Some Kind of a Nut (1969)

89 mins | Comedy | 25 September 1969

Full page view
HISTORY

On 14 Jun 1967, DV announced the teaming of producer Walter Mirisch and actor Dick Van Dyke with Garson Kanin, who planned to direct his latest original screenplay titled The One With the Fuzz, beginning the following summer. A 28 May 1968 LAT news item reported that Jessica Walter turned down the role of Van Dyke’s onscreen wife because she did not want to bleach her hair. Florence Henderson was cast instead, but was forced to bow out several months later due to scheduling conflicts when the 10 Oct 1968 DV stated that the bulk of principal photography had been postponed until Jan 1969. The 29 Apr 1967 DV later revealed that she was already committed to star in Song of Norway (1970, see entry), and had secured the leading role of “Carol Brady” in ABC’s The Brady Bunch (26 Sep 1969—8 Mar 1974). Angie Dickinson was hired in her place.
       Despite earlier reports of the delay in shooting, the 4 Oct 1968 DV indicated that the film was “already in partial production.” A 15 Jan 1969 LAT item explained that some location shooting in New York City had been completed six months earlier, during the summer of 1968, to take advantage of the weather necessary for “springtime” sequences. The production then took an extended hiatus while Van Dyke completed other film projects, and resumed on the West Coast on 6 Jan 1969, according to a 10 Jan 1969 DV production chart. The 7 Feb 1969 DV stated that ...

More Less

On 14 Jun 1967, DV announced the teaming of producer Walter Mirisch and actor Dick Van Dyke with Garson Kanin, who planned to direct his latest original screenplay titled The One With the Fuzz, beginning the following summer. A 28 May 1968 LAT news item reported that Jessica Walter turned down the role of Van Dyke’s onscreen wife because she did not want to bleach her hair. Florence Henderson was cast instead, but was forced to bow out several months later due to scheduling conflicts when the 10 Oct 1968 DV stated that the bulk of principal photography had been postponed until Jan 1969. The 29 Apr 1967 DV later revealed that she was already committed to star in Song of Norway (1970, see entry), and had secured the leading role of “Carol Brady” in ABC’s The Brady Bunch (26 Sep 1969—8 Mar 1974). Angie Dickinson was hired in her place.
       Despite earlier reports of the delay in shooting, the 4 Oct 1968 DV indicated that the film was “already in partial production.” A 15 Jan 1969 LAT item explained that some location shooting in New York City had been completed six months earlier, during the summer of 1968, to take advantage of the weather necessary for “springtime” sequences. The production then took an extended hiatus while Van Dyke completed other film projects, and resumed on the West Coast on 6 Jan 1969, according to a 10 Jan 1969 DV production chart. The 7 Feb 1969 DV stated that scenes were shot at Los Angeles, CA’s Garden Court Apartments on Hollywood Boulevard. A 2 Apr 1969 Var brief announced the completion of principal photography.
       According to a 24 Jan 1969 LAT article, Van Dyke wore a fake beard for the role, since his natural beard grew in white.
       An announcement published in the 13 Jan 1969 DV claimed that Beverly Todd had a role in the picture, while the 14 Feb 1969 edition also reported appearances by belly-dancers Kanen Ciral, Valya Granada, Tania Lemani, Desiree Patterson, and Poupee Bocar.
       On 22 Apr 1969, DV announced that the title was changed to Some Kind of a Nut. According to a 30 Jul 1969 Var Motion Picture Association of America (MPAA) ratings report, the film was designated with an “M” rating, suggested for mature audiences.
       First-run box-office listings in the 1 Oct 1969 Var indicated that the picture was due to open that day in New York City, but had already been playing in theaters in Denver, CO, and Kansas City, MO. Los Angeles showings began one week later.
       Reviews were negative, and the 23 Feb 1970 DV suggested that The Mirisch Co. had yet to earn back their investment at the box-office.

Less

GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
14 Jun 1967
p. 1, 4
Daily Variety
29 May 1968
p. 6
Daily Variety
4 Oct 1968
p. 4
Daily Variety
10 Oct 1968
p. 16
Daily Variety
30 Oct 1968
p. 13
Daily Variety
10 Jan 1969
p. 16
Daily Variety
13 Jan 1969
p. 14
Daily Variety
7 Feb 1969
p. 2
Daily Variety
14 Feb 1969
p. 23
Daily Variety
22 Apr 1969
p. 11
Daily Variety
29 Apr 1969
p. 3
Daily Variety
23 Feb 1970
p. 11
Los Angeles Times
28 May 1968
Section C, p. 11
Los Angeles Times
15 Jan 1969
Section I, p. 10
Los Angeles Times
24 Jan 1969
Section H, p. 1, 13
Los Angeles Times
25 Sep 1969
Section G, p. 22
Los Angeles Times
7 Oct 1969
Section D, p. 1
New York Times
2 Oct 1969
p. 53
Variety
30 Oct 1968
p. 13
Variety
2 Apr 1969
p. 32
Variety
30 Jul 1969
p. 7
Variety
24 Sep 1969
p. 30
Variety
1 Oct 1969
pp. 9-10
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Garson Kanin-Walter Mirisch Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
John C. Chulay
Asst dir
Asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
Al Cline
Cam op
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
MUSIC
SOUND
VISUAL EFFECTS
Spec photog eff
Spec eff
MAKEUP
Makeup
Cherie Huffman
Hairstyles
PRODUCTION MISC
Prod supv
Prod mgr
DETAILS
Alternate Title:
The One With the Fuzz
Release Date:
25 September 1969
Premiere Information:
Denver opening: 25 Sep 1969; New York opening: 1 Oct 1969; Los Angeles opening: 8 Oct 1969
Production Date:
summer 1968; 6 Jan--late Mar or early Apr 1969
Copyright Info
Claimant
Date
Copyright Number
Mirisch--DFI--T. F. T. Productions
24 September 1969
LP38113
Physical Properties:
Sound
Color
De Luxe
Duration(in mins):
89
Country:
United States
Language:
English
SYNOPSIS

Bank teller Fred Amidon, who has three weeks before receiving the final divorce papers from his bossy wife, Rachel, is stung on the chin by a bee while having a picnic in Central Park with co-worker and new fiancée, Pamela Anders. As a result, Fred is unable to shave during a cross-country vacation trip they take. Upon his return to the office, Fred decides, despite Pamela's objections, to keep his now fully-grown beard; and when his boss orders him to shave it off, Fred, who has been a lifelong conformist, refuses. He is promply fired, but he becomes a cause célèbre for his fellow workers, who support him by growing beards and calling a sympathy strike. They are joined in the picket line by a group of hippies and a jazz band. Before long their demonstration attracts the attention of the news media and Fred becomes an overnight television celebrity. Though Rachel is impressed by her husband's newfound independence, Pamela is not, and she schemes to get rid of the beard and restore Fred's position. One night, she drugs Fred's champagne, waits for him to pass out, and enlists her two brothers to give Fred a shave. Fred wakes up when the job is only half done; he flees, attired only in shoes, socks, and undershorts; is chased through the streets; and is eventually arrested in Central Park and taken to a psychiatric ward. Rachel bails him out and effects a reconciliation before their divorce decree becomes final. Once back in his apartment, Fred shaves off his beard--he never liked it ...

More Less

Bank teller Fred Amidon, who has three weeks before receiving the final divorce papers from his bossy wife, Rachel, is stung on the chin by a bee while having a picnic in Central Park with co-worker and new fiancée, Pamela Anders. As a result, Fred is unable to shave during a cross-country vacation trip they take. Upon his return to the office, Fred decides, despite Pamela's objections, to keep his now fully-grown beard; and when his boss orders him to shave it off, Fred, who has been a lifelong conformist, refuses. He is promply fired, but he becomes a cause célèbre for his fellow workers, who support him by growing beards and calling a sympathy strike. They are joined in the picket line by a group of hippies and a jazz band. Before long their demonstration attracts the attention of the news media and Fred becomes an overnight television celebrity. Though Rachel is impressed by her husband's newfound independence, Pamela is not, and she schemes to get rid of the beard and restore Fred's position. One night, she drugs Fred's champagne, waits for him to pass out, and enlists her two brothers to give Fred a shave. Fred wakes up when the job is only half done; he flees, attired only in shoes, socks, and undershorts; is chased through the streets; and is eventually arrested in Central Park and taken to a psychiatric ward. Rachel bails him out and effects a reconciliation before their divorce decree becomes final. Once back in his apartment, Fred shaves off his beard--he never liked it anyway.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.