Start the Revolution Without Me (1970)

90 mins | Comedy | 4 February 1970

Director:

Bud Yorkin

Producer:

Bud Yorkin

Cinematographer:

Jean Tournier

Editor:

Ferris Webster

Production Designer:

François de Lamothe

Production Companies:

Norbud Films, Tandem Productions
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HISTORY

The 9 Dec 1967 LAT listed the film among the upcoming projects for Norman Lear and Bud Yorkin’s Tandem Productions, under its working title Two Times Two. As reported in the 14 Dec 1967 LAT, location shooting was planned for mid May 1968 in Czechoslovakia, Hungary, and Yugoslavia. Production had not yet started when the 23 May 1968 LAT stated that Lear and Yorkin hired Swedish actress Ewa Aulin, known for the 1968 release, Candy (see entry). The producers reportedly outbid filmmakers Richard Lester and Tony Richardson for her services. The 28 Jun 1968 LAT noted that principal photography began 18 Jul 1968 in Paris, France.
       According to the 2 Aug 1968 LAT, Two Times Two was the only U.S. production in France at that time, due to the political unrest the country had undergone the previous spring. As filming got underway in late Jul, the French government assured Lear and Yorkin of its full cooperation, including the cessation of traffic during a scene featuring the Notre Dame Cathedral. Planned locations included the Paris Opera, the Chateau de Rochefort, and the Vaux-le-Vicomte. Filming took place at the latter location in mid-Sep 1970, as noted in the 17 Sep 1968 LAT.
       The 14 Jan 1970 Var stated that the title was changed to Louie, There’s a Crowd Downstairs. Distributor Warner Bros. Pictures promised a major promotional campaign for the upcoming release, as reported in the 15 Dec 1969 DV. The 11 Feb 1970 ...

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The 9 Dec 1967 LAT listed the film among the upcoming projects for Norman Lear and Bud Yorkin’s Tandem Productions, under its working title Two Times Two. As reported in the 14 Dec 1967 LAT, location shooting was planned for mid May 1968 in Czechoslovakia, Hungary, and Yugoslavia. Production had not yet started when the 23 May 1968 LAT stated that Lear and Yorkin hired Swedish actress Ewa Aulin, known for the 1968 release, Candy (see entry). The producers reportedly outbid filmmakers Richard Lester and Tony Richardson for her services. The 28 Jun 1968 LAT noted that principal photography began 18 Jul 1968 in Paris, France.
       According to the 2 Aug 1968 LAT, Two Times Two was the only U.S. production in France at that time, due to the political unrest the country had undergone the previous spring. As filming got underway in late Jul, the French government assured Lear and Yorkin of its full cooperation, including the cessation of traffic during a scene featuring the Notre Dame Cathedral. Planned locations included the Paris Opera, the Chateau de Rochefort, and the Vaux-le-Vicomte. Filming took place at the latter location in mid-Sep 1970, as noted in the 17 Sep 1968 LAT.
       The 14 Jan 1970 Var stated that the title was changed to Louie, There’s a Crowd Downstairs. Distributor Warner Bros. Pictures promised a major promotional campaign for the upcoming release, as reported in the 15 Dec 1969 DV. The 11 Feb 1970 Var noted that advertisements featured a large screw, painted with the colors of the French flag.
       The picture opened 4 Feb 1970 in New York City under its official title, Start the Revolution Without Me. As stated in that day’s Var, the Trans-Lux East Theatre offered free admission to twins, and stars Gene Wilder and Donald Sutherland performed a noontime cake-cutting ceremony in celebration of the 200th wedding anniversary of Marie Antoinette and King Louis XVI. Reviews were mixed, and public response was tepid. However, a news item in the 19 Jun 1970 DV revealed that the film had achieved “cult” status in Los Angeles, CA, where its run was entering the tenth week. A similar phenomenon occurred in Chicago, IL. The 16 Feb 1971 DV reported that the screenplay was nominated for a Writers Guild of America (WGA) as “best comedy written directly for the screen.”
       As noted in the 9 Jul 1969 DV, the film was given an “M” rating by the Motion Picture Association of America (MPAA). The designation was changed to “GP” the following year.

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GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Jul 1969
p. 3
Daily Variety
15 Dec 1969
p. 2
Daily Variety
29 Jan 1970
p. 3
Daily Variety
19 Jun 1970
p. 2
Daily Variety
3 Sep 1970
p. 9
Daily Variety
16 Feb 1971
p. 1
Los Angeles Times
9 Dec 1967
p. 18
Los Angeles Times
14 Dec 1967
Section D, p. 21
Los Angeles Times
21 May 1968
Section D, p. 18
Los Angeles Times
28 Jun 1968
Section F, p. 20
Los Angeles Times
2 Aug 1968
Section G, p. 8
Los Angeles Times
17 Sep 1968
Section C, p. 18
Los Angeles Times
18 Sep 1969
Section D, p. 1
Los Angeles Times
22 Apr 1970
Section H, p. 1
Los Angeles Times
3 Jan 1971
Section O, p. 1, 18
Los Angeles Times
17 Jan 1971
Section Y, p. 19
New York Times
5 Feb 1970
p. 31
Variety
14 Jan 1970
p. 7
Variety
4 Feb 1970
p. 24
Variety
11 Feb 1970
p. 5
Variety
22 Jul 1970
p. 10
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCERS
Prod
Exec prod
Assoc prod
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Mus & mus dir
PRODUCTION MISC
Prod mgr
Main titles
DETAILS
Alternate Titles:
Louie, There's a Crowd Downstairs!
Two Times Two
Release Date:
4 February 1970
Premiere Information:
New York opening: 4 Feb 1970
Production Date:
began late Jul 1968
Physical Properties:
Sound
Color
Technicolor
Duration(in mins):
90
Country:
United States
Language:
English
SYNOPSIS

In 18th-century France a doctor confuses two sets of twins born to the Corsican Duke Di Sisi and to Coupé, a peasant; to ensure that each father will get at least one of his natural sons, he gives both men one baby from each set. By 1789 the Di Sisi brothers, Philippe and Pierre, have become notorious for their swordplay, and when King Louis XVI begins to fear that revolution is imminent, he sends a note asking for their help. The message is intercepted, however, by the Duke d'Escargot who, with Queen Marie Antoinette, is the chief conspirator against the throne; he invites the Di Sisis to join him in overthrowing the king, and they tentatively accept. Meanwhile, as the Di Sisis depart on a barge for Paris disguised as peasants, the simple-minded Coupé brothers, Claude and Charles, have joined Jacques Cabriolet's band of revolutionaries. When Cabriolet's men attack the barge, the Coupé brothers are mistaken for the Di Sisis and taken to the palace, while the Di Sisis are taken back to the revolutionaries' hideout and committed to an insane asylum when Cabriolet finds their behavior to be radically different. At the palace, the king asks the Coupés to assassinate the Duke d'Escargot to prevent him from marrying Princess Christina of Belgium and thus acquiring the power to conquer France; in addition, the unfaithful queen conspires with Claude, whom she still believes to be one of the Di Sisis, to kill d'Escargot so that they can rule France together. As the duke and a group of his men disguised as monks attempt unsuccessfully to assassinate the Coupés, the Di Sisi brothers escape from the asylum and rush to ...

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In 18th-century France a doctor confuses two sets of twins born to the Corsican Duke Di Sisi and to Coupé, a peasant; to ensure that each father will get at least one of his natural sons, he gives both men one baby from each set. By 1789 the Di Sisi brothers, Philippe and Pierre, have become notorious for their swordplay, and when King Louis XVI begins to fear that revolution is imminent, he sends a note asking for their help. The message is intercepted, however, by the Duke d'Escargot who, with Queen Marie Antoinette, is the chief conspirator against the throne; he invites the Di Sisis to join him in overthrowing the king, and they tentatively accept. Meanwhile, as the Di Sisis depart on a barge for Paris disguised as peasants, the simple-minded Coupé brothers, Claude and Charles, have joined Jacques Cabriolet's band of revolutionaries. When Cabriolet's men attack the barge, the Coupé brothers are mistaken for the Di Sisis and taken to the palace, while the Di Sisis are taken back to the revolutionaries' hideout and committed to an insane asylum when Cabriolet finds their behavior to be radically different. At the palace, the king asks the Coupés to assassinate the Duke d'Escargot to prevent him from marrying Princess Christina of Belgium and thus acquiring the power to conquer France; in addition, the unfaithful queen conspires with Claude, whom she still believes to be one of the Di Sisis, to kill d'Escargot so that they can rule France together. As the duke and a group of his men disguised as monks attempt unsuccessfully to assassinate the Coupés, the Di Sisi brothers escape from the asylum and rush to the palace, where great confusion results concerning the men's true identity. Cabriolet and his band march on the palace to depose the king, while the Coupé brothers hurriedly extract a reform proclamation from him; the reforms come too late, however, and the peasants attack the palace. At this point, narrator Orson Welles, in a 20th-century setting, attempts to complete the story by reading from a history book, but two look-alikes (descendants of Charles and Pierre) appear and shoot Welles; two more look-alikes (descendants of Claude and Philippe) appear, and one shoots both Charles/Pierre descendants. One of the Claude/Philippe descendants then shoots the other, and the survivor himself is shot by the "Man in the Iron Mask," who has finally been freed from the Tower by the insurgents.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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