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HISTORY

Working titles included Hot Rod Inferno and Inferno Road, as noted in a 9 Aug 1968 DV brief, which announced that principal photography would begin on 16 Sep 1968. Some filming took place in Pinecrest, CA.
       The 1 Nov 1968 LAT noted that Jerry Styner and Guy Hemric co-wrote a song titled “Love Me More,” and Styner planned to sing it onscreen. The song possibly appeared in a saloon sequence mentioned in the 30 Oct 1968 DV, which stated that a rock and roll trio, The Talent and the Tempers, would serve as Styner’s backing band. Members of the trio were guitarist Walt Schulze, Jr., drummer Clay Carter, and bassist Freddie Byrd.
       The film opened on 9 Apr 1969 in Los Angeles, CA, and in mid-Jun 1969 New York City.
       Larry Barton was listed as a cast member in a 17 Oct 1968 DV “Film Castings” report. ...

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Working titles included Hot Rod Inferno and Inferno Road, as noted in a 9 Aug 1968 DV brief, which announced that principal photography would begin on 16 Sep 1968. Some filming took place in Pinecrest, CA.
       The 1 Nov 1968 LAT noted that Jerry Styner and Guy Hemric co-wrote a song titled “Love Me More,” and Styner planned to sing it onscreen. The song possibly appeared in a saloon sequence mentioned in the 30 Oct 1968 DV, which stated that a rock and roll trio, The Talent and the Tempers, would serve as Styner’s backing band. Members of the trio were guitarist Walt Schulze, Jr., drummer Clay Carter, and bassist Freddie Byrd.
       The film opened on 9 Apr 1969 in Los Angeles, CA, and in mid-Jun 1969 New York City.
       Larry Barton was listed as a cast member in a 17 Oct 1968 DV “Film Castings” report.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Aug 1968
p. 15
Daily Variety
17 Oct 1968
p. 4
Daily Variety
30 Oct 1968
p. 10
Daily Variety
18 Mar 1969
p. 3
Daily Variety
15 Apr 1969
p. 6
Los Angeles Times
1 Nov 1968
Section F, p. 22
Los Angeles Times
5 Apr 1969
Section B, p. 8
Los Angeles Times
11 Apr 1969
Section G, p. 24
New York Times
19 Jun 1969
p. 40
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Paul Sylos
Art dir
FILM EDITOR
Fred Feitshans Jr.
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Mus score
Mus score
Mus dir
Mus supv
SOUND
VISUAL EFFECTS
Spec eff
Background projection
PRODUCTION MISC
Prod mgr
Scr supv
Stunt coordinator
Constr supv
SOURCES
SONGS
"The Devil's 8," music and lyrics by Mike Curb and Guy Hemric.
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
Hot Rod Inferno
Inferno Road
The Inferno Road
Release Date:
9 April 1969
Premiere Information:
Los Angeles opening: 9 Apr 1969; New York opening: week of 19 Jun 1969
Production Date:
began 16 Sep 1968
Copyright Info
Claimant
Date
Copyright Number
American International Pictures
19 March 1969
LP36701
Physical Properties:
Sound
Color
Pathé
Duration(in mins):
97
Country:
United States
Language:
English
PCA No:
22102
SYNOPSIS

Hoping to destroy the corrupt power structure of a southern state, Federal agent Ray Faulkner poses as a road gang convict, engineers the escape of a group of hardened chain-gang criminals, and persuades them to work on the side of the law by promising them paroles. After training the men in high-speed driving and hurling lighted bombs at pinpoint targets, Faulkner prepares to move against a statewide moonshine syndicate. One of Faulkner's convicts, Frank Davis (a former driver for the syndicate), is at first hostile to the idea, but he becomes an eager convert when Faulkner reveals that the mob murdered his brother. Also assisting Faulkner is young Stewart Martin, a Federal agent on his first assignment. Once ready, the team of eight starts intercepting the moonshiners' delivery cars until the syndicate leader, Burl, is forced to give Faulkner and his men a share of the illegal whiskey operation and let them make the deliveries. But Burl pulls a double-cross by arranging for Faulkner and Martin to be ambushed by crooked police while making a moonshine run, and Martin is shot down from a police helicopter. By now, however, Sonny, one of Faulkner's men, has learned the location of Burl's stills and "the devil's eight" attack with their specially equipped cars and carefully timed explosives. During the battle, Burl tries to escape by using his mistress Cissy (who was once Davis's girl friend) as a hostage, but Faulkner succeeds in apprehending him. Cissy is reunited with a reformed Davis, and as Burl is being led away to face trial, Faulkner becomes confident that the power structure will soon ...

More Less

Hoping to destroy the corrupt power structure of a southern state, Federal agent Ray Faulkner poses as a road gang convict, engineers the escape of a group of hardened chain-gang criminals, and persuades them to work on the side of the law by promising them paroles. After training the men in high-speed driving and hurling lighted bombs at pinpoint targets, Faulkner prepares to move against a statewide moonshine syndicate. One of Faulkner's convicts, Frank Davis (a former driver for the syndicate), is at first hostile to the idea, but he becomes an eager convert when Faulkner reveals that the mob murdered his brother. Also assisting Faulkner is young Stewart Martin, a Federal agent on his first assignment. Once ready, the team of eight starts intercepting the moonshiners' delivery cars until the syndicate leader, Burl, is forced to give Faulkner and his men a share of the illegal whiskey operation and let them make the deliveries. But Burl pulls a double-cross by arranging for Faulkner and Martin to be ambushed by crooked police while making a moonshine run, and Martin is shot down from a police helicopter. By now, however, Sonny, one of Faulkner's men, has learned the location of Burl's stills and "the devil's eight" attack with their specially equipped cars and carefully timed explosives. During the battle, Burl tries to escape by using his mistress Cissy (who was once Davis's girl friend) as a hostage, but Faulkner succeeds in apprehending him. Cissy is reunited with a reformed Davis, and as Burl is being led away to face trial, Faulkner becomes confident that the power structure will soon crumble.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.