Homicidal (1961)
87 mins | Horror | 28 June 1961
Director:
William CastleWriter:
Robb WhiteProducer:
William CastleCinematographer:
Burnett GuffeyEditor:
Edwin BryantProduction Designer:
Cary OdellProduction Company:
William Castle ProductionsHomicidal was announced as filmmaker William Castle’s next project in a 25 Aug 1960 DV news brief. Although a 14 Sep 1960 DV item noted that the title had been changed from The Haunted, the 25 Aug 1960 DV indicated that The Haunted was a separate project. Castle’s most recent picture, 13 Ghosts (1960, see entry) was said to have cost $500,000, which the budget for Homicidal was expected to exceed.
A 4 Nov 1960 DV production chart stated that principal photography began 1 Nov 1960. Location filming took place in Ventura and Solvang, CA, according to the 27 Oct 1960 and 4 Nov 1960 issues of DV.
Castle promised a gimmick to coincide with the theatrical release, as stated in a 6 Apr 1961 NYT article. The “B-movie” filmmaker had previously arranged for skeletons to fly over audiences at first-run screenings of The House on Haunted Hill (1958, see entry), and for theater seats to vibrate at showings of The Tingler (1959, see entry). For Homicidal, the gimmick turned out to be a sixty-second “fright break” five minutes before the film’s end, in which moviegoers were offered the chance to leave the theater and get full refunds if they were too scared to watch the conclusion. The 15 Jun 1961 DV noted that the gimmick backfired when some audience members connived to sit through two showings, asking for their money back at the second fright break. Henceforth, the picture’s “money back coupons” were numbered to avoid such fraud. ...
Homicidal was announced as filmmaker William Castle’s next project in a 25 Aug 1960 DV news brief. Although a 14 Sep 1960 DV item noted that the title had been changed from The Haunted, the 25 Aug 1960 DV indicated that The Haunted was a separate project. Castle’s most recent picture, 13 Ghosts (1960, see entry) was said to have cost $500,000, which the budget for Homicidal was expected to exceed.
A 4 Nov 1960 DV production chart stated that principal photography began 1 Nov 1960. Location filming took place in Ventura and Solvang, CA, according to the 27 Oct 1960 and 4 Nov 1960 issues of DV.
Castle promised a gimmick to coincide with the theatrical release, as stated in a 6 Apr 1961 NYT article. The “B-movie” filmmaker had previously arranged for skeletons to fly over audiences at first-run screenings of The House on Haunted Hill (1958, see entry), and for theater seats to vibrate at showings of The Tingler (1959, see entry). For Homicidal, the gimmick turned out to be a sixty-second “fright break” five minutes before the film’s end, in which moviegoers were offered the chance to leave the theater and get full refunds if they were too scared to watch the conclusion. The 15 Jun 1961 DV noted that the gimmick backfired when some audience members connived to sit through two showings, asking for their money back at the second fright break. Henceforth, the picture’s “money back coupons” were numbered to avoid such fraud. The 3 Aug 1961 DV stated that the gimmick was “working ‘great’” according to Castle, who said theaters were taking in an average of $20,000 weekly, and only paying out $100 in refunds.
Actress Joan Marshall, who played both a female and a male in the dual role of “Emily/Warren,” was credited under the pseudonym “Jean Arless.”
As children, Miriam Webster and her half brother, Warren, had been cared for by Helga, a kindly nurse. The old woman is now mute and paralyzed and lives in a gloomy old mansion with a companion, Emily, Warren's alleged wife. Though Helga is threatened with murder by Emily, a homicidal maniac who has already killed the local justice of the peace, she is unable to communicate her deathly fear. Miriam and her fiance, Karl, become suspicious of Emily's strange behavior and discuss the situation with Warren. Karl decides to go to the police, and Miriam and Warren return to the old mansion, which Warren enters alone. When he fails to come out, Miriam goes in and discovers the murdered body of Helga. As she backs away in terror, she is suddenly confronted by Emily wielding a knife. Miriam watches in horror as Emily tears off her wig, thus establishing Warren and Emily as one and the same. As "Emily" raises her knife to stab Miriam, Dr. Jonas arrives unexpectedly at the house, and in the ensuing scuffle the psychotic killer is shot and killed by Miriam. Later it is revealed that following a trip to Denmark, Warren had taken on the psychopathic personality of Emily but had been forced to maintain his masculine identity in order to protect his inheritance. Both the justice of the peace and Helga were slain to keep them from exposing Warren's ...
As children, Miriam Webster and her half brother, Warren, had been cared for by Helga, a kindly nurse. The old woman is now mute and paralyzed and lives in a gloomy old mansion with a companion, Emily, Warren's alleged wife. Though Helga is threatened with murder by Emily, a homicidal maniac who has already killed the local justice of the peace, she is unable to communicate her deathly fear. Miriam and her fiance, Karl, become suspicious of Emily's strange behavior and discuss the situation with Warren. Karl decides to go to the police, and Miriam and Warren return to the old mansion, which Warren enters alone. When he fails to come out, Miriam goes in and discovers the murdered body of Helga. As she backs away in terror, she is suddenly confronted by Emily wielding a knife. Miriam watches in horror as Emily tears off her wig, thus establishing Warren and Emily as one and the same. As "Emily" raises her knife to stab Miriam, Dr. Jonas arrives unexpectedly at the house, and in the ensuing scuffle the psychotic killer is shot and killed by Miriam. Later it is revealed that following a trip to Denmark, Warren had taken on the psychopathic personality of Emily but had been forced to maintain his masculine identity in order to protect his inheritance. Both the justice of the peace and Helga were slain to keep them from exposing Warren's secret.
TOP SEARCHES
Law and Order
Working titles for Law and Order were Saint Johnson and Bullet Proof . According to modern sources, W. R. Burnett's novel was based ... >>
All Quiet on the Western Front
The opening title card reads: "Carl Laemmle presents All Quiet on the Western Front by Erich Maria Remarque ." After the opening credits, the following written prologue .../I> >>
Tombstone
The film opens with archival footage of Tombstone, AZ, in the late nineteenth century, accompanied by the narration of Robert Mitchum: “1879. The Civil War is over, and the ... >>
They Live by Night
The working titles of this film were Thieves Like Us , Your Red Wagon and The Twisted Road . FD , DV ... >>
Moonlight and Pretzels
This film's working title was Shoot the Works , the title of a revue written by Heywood Broun (New York, 21 Jul 1931) which Paramount adopted for a ... >>
