The Duke Is Tops (1938)

74 mins | Musical | 1 July 1938

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HISTORY

The Duke Is Tops was re-released in 1944 as The Bronze Venus, with Lena Horne's name appearing above the title. Recording engineer Glen Glenn's surname was misspelled "Glen" in the onscreen credits. The picture marked the motion picture debut of Horne, whom the Var reviewer called "a rather inept actress, but something to look at and hear." A modern source claims that Horne replaced Nina Mae McKinney as the female lead in the middle of filming when McKinney became ill. Modern sources also note that the film was shot on a shoestring budget in ten days, and that Horne's husband refused to let her attend the NAACP charity premiere of the film in Pittsburgh, PA because she was never paid for her work in the picture. ...

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The Duke Is Tops was re-released in 1944 as The Bronze Venus, with Lena Horne's name appearing above the title. Recording engineer Glen Glenn's surname was misspelled "Glen" in the onscreen credits. The picture marked the motion picture debut of Horne, whom the Var reviewer called "a rather inept actress, but something to look at and hear." A modern source claims that Horne replaced Nina Mae McKinney as the female lead in the middle of filming when McKinney became ill. Modern sources also note that the film was shot on a shoestring budget in ten days, and that Horne's husband refused to let her attend the NAACP charity premiere of the film in Pittsburgh, PA because she was never paid for her work in the picture.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
The Exhibitor
28 Jun 1939
p. 338
Pittsburgh Courier
18 Jun 1938
p. 20
Variety
20 Jul 1938
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
William Nolte
Dir
Herman Webber
Asst dir
PRODUCERS
Assoc prod
WRITER
Scr adpt
PHOTOGRAPHY
Photog
Henry Kruse
Photog
FILM EDITORS
Film ed
Supv film ed
SET DECORATOR
Set des
MUSIC
Mus dir
Mus arr
SOUND
Rec eng
DANCE
Ensemble numbers
PRODUCTION MISC
SOURCES
SONGS
"I Know You Remember" and "Don't Let Our Love Song Turn Into a Blues," words and music by Ben Ellison and Harvey Brooks; "Harlem is Harmony," "When You Smoke" and "Thursday Evening Swing," composers undetermined.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
The Bronze Venus
Release Date:
1 July 1938
Premiere Information:
World Premiere in Pittsburgh, PA: 15 Jul 1938
Production Date:
mid Feb 1938
Physical Properties:
Sound
Black and White
Duration(in mins):
74
Length(in feet):
6,627
Length(in reels):
8
Country:
United States
PCA No:
4215
SYNOPSIS

Duke Davis, singer Ethel Andrew's sweetheart, manager, and producer, finds himself in a dilemma when George Marshall, a New York booking agent, offers Ethel an opportunity to leave the show "Sepia Scandals," which is touring small towns, for New York City. Because Marshall has stipulated that Ethel must go without Duke, Duke anguishes over whether to encourage her departure, but he eventually consents to it when Marshall promises to launch her New York career. Ethel initially rejects Marshall's offer when she realizes that she will be separated from Duke, but when Duke tells her that he has sold their contract for a personal profit, she is heartbroken and changes her mind. Later, Ethel's friend Ella discovers that Duke, knowing that Ethel would never leave him willingly, intentionally angered her in order to force her to do what he thought was best for her. Ella agrees to keep his good motives a secret from Ethel. While Ethel's New York stint gets off to a successful start, Duke finds himself destitute and desperately seeks backing for his vaudeville show from booking agent Ed Lake. Lake, however, says that vaudeville is dead and rejects Duke's proposal. Although Duke later convinces Mr. Mason, a theater owner who had played his earlier show, to produce his new show, called "The Mobile Merry Makers," the show is a failure and Duke winds up having to support himself by working as a barker for Doc Dorando's traveling medicine show. Duke injects some much-needed showmanship into Dorando's pitch and, along with Dippy, an unemployed property man, they take to the road with their product, "Doc Dorando's Universal Elixir." A year passes and one day, while listening to ...

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Duke Davis, singer Ethel Andrew's sweetheart, manager, and producer, finds himself in a dilemma when George Marshall, a New York booking agent, offers Ethel an opportunity to leave the show "Sepia Scandals," which is touring small towns, for New York City. Because Marshall has stipulated that Ethel must go without Duke, Duke anguishes over whether to encourage her departure, but he eventually consents to it when Marshall promises to launch her New York career. Ethel initially rejects Marshall's offer when she realizes that she will be separated from Duke, but when Duke tells her that he has sold their contract for a personal profit, she is heartbroken and changes her mind. Later, Ethel's friend Ella discovers that Duke, knowing that Ethel would never leave him willingly, intentionally angered her in order to force her to do what he thought was best for her. Ella agrees to keep his good motives a secret from Ethel. While Ethel's New York stint gets off to a successful start, Duke finds himself destitute and desperately seeks backing for his vaudeville show from booking agent Ed Lake. Lake, however, says that vaudeville is dead and rejects Duke's proposal. Although Duke later convinces Mr. Mason, a theater owner who had played his earlier show, to produce his new show, called "The Mobile Merry Makers," the show is a failure and Duke winds up having to support himself by working as a barker for Doc Dorando's traveling medicine show. Duke injects some much-needed showmanship into Dorando's pitch and, along with Dippy, an unemployed property man, they take to the road with their product, "Doc Dorando's Universal Elixir." A year passes and one day, while listening to the radio, Duke hears that a show in which Ethel was appearing has flopped and he rushes to New York to be with her. Ella tells Ethel the truth about Duke, and when Duke arrives in New York, he meets with Ferdie Fenton, producer and club owner, who has been blamed for rushing Ethel's career and causing her failure. Duke soon secures permission from Fenton to create a new show and he and Ethel appear on stage together, reunited at last.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.