Return from the Ashes (1965)

107 mins | Melodrama | 13 October 1965

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HISTORY

A news item in the 26 Apr 1963 DV announced that British director J. Lee Thompson would make Return from the Ashes in Hollywood, CA, as a co-production between his Malibu Productions and Arthur P. Jacobs’s Apjac Productions. Rights to Hubert Monteilhet’s 1961 novel, Le retour des cendres, upon which the film was based, had reportedly been acquired from filmmaker Henri-Georges Clouzot, who had previously planned to make a French adaptation. An article in the 9 May 1965 NYT explained that Clouzot had initially sent the Monteilhet novel to J. Lee Thompson’s agent, with the remark that Thompson might be interested in adapting it; years earlier, the two had met and befriended each other at the Cannes Film Festival.
       Peter Fonda, Deborah Kerr, Sue Lyon, and Warren Beatty were offered roles, according to DV items published between Aug 1963 and Aug 1964. Gina Lollobrigida was initially cast as “Dr. Michele Wolf,” as announced in the 11 Nov 1964 DV. However, two months later, the 9 Jan 1965 LAT reported that Lollobrigida was suing United Artists and Mirisch Corp. for $1 million, over a “contractual controversy.” Her replacement by Ingrid Thulin was announced in the 13 Jan 1965 LAT. Filming began the following week, on 18 Jan 1965, in London, England, where the picture qualified for an Eady subsidy, the 8 Apr 1966 DV reported. The final budget was cited as $1.4 million.
       Sources conflict in crediting the actors portraying the roles of “2d detective” and “Man in the train.” ...

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A news item in the 26 Apr 1963 DV announced that British director J. Lee Thompson would make Return from the Ashes in Hollywood, CA, as a co-production between his Malibu Productions and Arthur P. Jacobs’s Apjac Productions. Rights to Hubert Monteilhet’s 1961 novel, Le retour des cendres, upon which the film was based, had reportedly been acquired from filmmaker Henri-Georges Clouzot, who had previously planned to make a French adaptation. An article in the 9 May 1965 NYT explained that Clouzot had initially sent the Monteilhet novel to J. Lee Thompson’s agent, with the remark that Thompson might be interested in adapting it; years earlier, the two had met and befriended each other at the Cannes Film Festival.
       Peter Fonda, Deborah Kerr, Sue Lyon, and Warren Beatty were offered roles, according to DV items published between Aug 1963 and Aug 1964. Gina Lollobrigida was initially cast as “Dr. Michele Wolf,” as announced in the 11 Nov 1964 DV. However, two months later, the 9 Jan 1965 LAT reported that Lollobrigida was suing United Artists and Mirisch Corp. for $1 million, over a “contractual controversy.” Her replacement by Ingrid Thulin was announced in the 13 Jan 1965 LAT. Filming began the following week, on 18 Jan 1965, in London, England, where the picture qualified for an Eady subsidy, the 8 Apr 1966 DV reported. The final budget was cited as $1.4 million.
       Sources conflict in crediting the actors portraying the roles of “2d detective” and “Man in the train.”

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GEOGRAPHIC LOCATIONS
LOCATION
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
26 Apr 1963
p. 1, 3
Daily Variety
30 Aug 1963
p. 2
Daily Variety
22 Nov 1963
p. 7
Daily Variety
14 Jan 1964
p. 2
Daily Variety
21 Feb 1964
p. 2
Daily Variety
31 Aug 1964
p. 2
Daily Variety
20 Oct 1964
p. 2
Daily Variety
11 Nov 1964
p. 1
Daily Variety
18 Jan 1965
p. 3
Daily Variety
22 Jan 1965
p. 12
Daily Variety
15 Oct 1965
p. 3
Daily Variety
22 Nov 1965
p. 3
Daily Variety
8 Apr 1966
p. 1, 4
Los Angeles Times
19 Jun 1963
Section E, p. 13
Los Angeles Times
7 Oct 1963
Section D, p. 15
Los Angeles Times
23 Mar 1964
Section C, p. 18
Los Angeles Times
9 Jan 1965
Section A, p. 12
Los Angeles Times
13 Jan 1965
Section D, p. 9
Los Angeles Times
10 Mar 1965
Section D, p. 13
Los Angeles Times
29 Oct 1965
Section C, p. 15
Los Angeles Times
3 Nov 1965
Section C, p. 13
Los Angeles Times
7 Jan 1966
Section C, p. 9
New York Times
9 May 1965
---
New York Times
17 Nov 1965
---
Pittsburgh Press [Pittsburgh, PA]
12 Oct 1965
p. 34
Variety
1 May 1963
p. 4
Variety
12 Jun 1963
p. 5
Variety
18 Sep 1963
p. 3, 78
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXT
A J. Lee Thompson Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Kip Gowans
Asst dir
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Prod des
FILM EDITOR
Film ed
SET DECORATOR
Set dresser
COSTUMES
Cost des
MUSIC
Mus comp & cond
SOUND
William Butler
Sd ed
Sd rec
Sd rec
MAKEUP
Makeup
Makeup
Hairdresser
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the novel Le retour des cendres by Hubert Monteilhet (Paris, 1961).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
13 October 1965
Premiere Information:
Pittsburgh opening: 13 Oct 1965; Los Angeles opening: 3 Nov 1965; New York opening: 16 Nov 1965
Production Date:
began 18 Jan 1965
Copyright Info
Claimant
Date
Copyright Number
Mirisch Corp.
13 October 1965
LP32308
Physical Properties:
Sound
Westrex
Black and White
Widescreen/ratio
Panavision
Duration(in mins):
107
Country:
United States
Language:
English
SYNOPSIS

Scarred and prematurely aged Michele Wolf returns to Paris, France, in 1945 after having been liberated from the German concentration camp at Dachau. She persuades an old friend and fellow doctor, Bovard, to reconstruct her face to look as it did before the war. As Bovard goes to work on her, she dreams of her past. Because she is Jewish, Michele flees from Germany to Paris and there meets the brilliant chess player and handsome gigolo, Stanislaus Pilgrin. She falls in love with him, and they are married. Shortly afterward, the Germans, who have occupied Paris, arrest her, leaving no traces of her; and Stanislaus and her friends assume that she is dead . Meanwhile, Stanislaus and Michele's stepdaughter, Fabienne, have been living together in her house and now plan to obtain a large inheritance bequeathed to Michele. Since they cannot prove that Michele is dead, however, they must wait thirty years before they can control the estate. Michele's operation is a success, and Fabienne, who does not recognize her stepmother, proposes to use the resemblance to gain the money. When Michele reveals her true identity, Stanislaus still plans to get the money and run away with Fabienne. Michele catches them conspiring and orders Fabienne from her house. Fabienne plots Michele's murder, but Stanislaus murders Fabienne while also planning the death of Michele. Dr. Bovard intervenes and thwarts Stanislaus's plans. Stanislaus is arrested, and Michele and Bovard remain ...

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Scarred and prematurely aged Michele Wolf returns to Paris, France, in 1945 after having been liberated from the German concentration camp at Dachau. She persuades an old friend and fellow doctor, Bovard, to reconstruct her face to look as it did before the war. As Bovard goes to work on her, she dreams of her past. Because she is Jewish, Michele flees from Germany to Paris and there meets the brilliant chess player and handsome gigolo, Stanislaus Pilgrin. She falls in love with him, and they are married. Shortly afterward, the Germans, who have occupied Paris, arrest her, leaving no traces of her; and Stanislaus and her friends assume that she is dead . Meanwhile, Stanislaus and Michele's stepdaughter, Fabienne, have been living together in her house and now plan to obtain a large inheritance bequeathed to Michele. Since they cannot prove that Michele is dead, however, they must wait thirty years before they can control the estate. Michele's operation is a success, and Fabienne, who does not recognize her stepmother, proposes to use the resemblance to gain the money. When Michele reveals her true identity, Stanislaus still plans to get the money and run away with Fabienne. Michele catches them conspiring and orders Fabienne from her house. Fabienne plots Michele's murder, but Stanislaus murders Fabienne while also planning the death of Michele. Dr. Bovard intervenes and thwarts Stanislaus's plans. Stanislaus is arrested, and Michele and Bovard remain together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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