The Ambushers (1967)

102 mins | Comedy, Satire | 20 December 1967

Director:

Henry Levin

Writer:

Herbert Baker

Producer:

Irving Allen

Cinematographers:

Edward Colman, Burnett Guffey

Editor:

Harold F. Kress

Production Designer:

Joe Wright

Production Company:

Meadway-Claude Productions #3
Full page view
HISTORY

The Ambushers marked the third of four spy satires featuring Dean Martin as “Matt Helm,” although a 12 Aug 1965 LAT item revealed that producer Irving Allen purchased screen rights to Donald Hamilton’s 1962 source novel as the intended follow-up to the first installment, The Silencers (1966, see entry), while it was still in production. Richard Levinson and William Link were attached to develop the screenplay. The project was then pushed back in favor of an adaptation of Murderer’s Row (1963), which was released in late 1966 (see entry), and carried a title card in the end credits announcing the upcoming release of The Ambushers. Herbert Baker replaced Levinson and Link, and on 1 Mar 1967, DV confirmed that Martin would return for the leading role as part of a three-picture deal with Allen and Columbia Pictures. The 23 Jun 1967 DV “Film Castings” column also noted the involvement of actor Mauritz Hugo.
       According to the 5 Apr 1967 Var, fashion designer Oleg Cassini conducted a worldwide search for eleven international models to appear in the picture modeling his “new wave look” fashions, which would be merchandised as a promotional tie-in. This role reportedly included the supervision of all male and female wardrobe, makeup, and hairstyles. A 6 Aug 1967 LAT article named Inga Neilson among those chosen to star, while Betty Worledge was hired by the studio as the models’ “den mother” during the shoot. Tom Wood served as the unit publicist.
       Principal photography began 24 Apr 1967, as stated in a DV production chart published four ...

More Less

The Ambushers marked the third of four spy satires featuring Dean Martin as “Matt Helm,” although a 12 Aug 1965 LAT item revealed that producer Irving Allen purchased screen rights to Donald Hamilton’s 1962 source novel as the intended follow-up to the first installment, The Silencers (1966, see entry), while it was still in production. Richard Levinson and William Link were attached to develop the screenplay. The project was then pushed back in favor of an adaptation of Murderer’s Row (1963), which was released in late 1966 (see entry), and carried a title card in the end credits announcing the upcoming release of The Ambushers. Herbert Baker replaced Levinson and Link, and on 1 Mar 1967, DV confirmed that Martin would return for the leading role as part of a three-picture deal with Allen and Columbia Pictures. The 23 Jun 1967 DV “Film Castings” column also noted the involvement of actor Mauritz Hugo.
       According to the 5 Apr 1967 Var, fashion designer Oleg Cassini conducted a worldwide search for eleven international models to appear in the picture modeling his “new wave look” fashions, which would be merchandised as a promotional tie-in. This role reportedly included the supervision of all male and female wardrobe, makeup, and hairstyles. A 6 Aug 1967 LAT article named Inga Neilson among those chosen to star, while Betty Worledge was hired by the studio as the models’ “den mother” during the shoot. Tom Wood served as the unit publicist.
       Principal photography began 24 Apr 1967, as stated in a DV production chart published four days later. Most location filming was completed in Central Mexico, with the 6 Aug 1967 LAT naming sites such as Acapulco, Fortín de las Flores, Orizaba, Las Brisas resort and its beach club, La Concha. Items in the 22 Mar 1967 Var and 30 Mar 1967 DV indicated that shooting also took place in Cuernavaca and the Estudios Churubusco in Mexico City. According to the 17 Jan 1968 Var, approximately $1 million was spent in Mexico.
       The unit returned to Los Angeles, CA, in mid-May, as the 16 May 1967 DV reported their use of the Hotel Bel-Air parking lot. A 10 May 1967 Var news item placed the completion of principal photography around late Jun 1967.
       The Ambushers opened in Chicago, IL, on 20 Dec 1967, and two days later in New York City. The Los Angeles engagement consisted of screenings at twenty-eight theaters and drive-ins beginning 27 Dec 1967.

Less

GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
1 Mar 1967
p. 1
Daily Variety
16 Mar 1967
p. 2
Daily Variety
30 Mar 1967
p. 3
Daily Variety
28 Apr 1967
p. 12
Daily Variety
16 May 1967
p. 2
Daily Variety
23 Jun 1967
p. 6
Los Angeles Times
12 Aug 1965
Section D, p. 8
Los Angeles Times
6 Aug 1967
Section A, p. 8
Los Angeles Times
21 Dec 1967
Section C, p. 6
Los Angeles Times
27 Dec 1967
Section D, p. 11
New York Times
23 Dec 1967
p. 29
Variety
21 Sep 1966
p. 4
Variety
14 Dec 1966
p. 6
Variety
22 Mar 1967
p. 28
Variety
5 Apr 1967
p. 20
Variety
10 May 1967
p. 5
Variety
20 Dec 1967
p. 9
Variety
20 Dec 1967
p. 14
Variety
20 Dec 1967
p. 25
Variety
17 Jan 1968
p. 26
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
An Irving Allen Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2nd unit dir
Asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
2nd unit cam
2nd unit cam
ART DIRECTOR
Joe Wright
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
Dresses & cost
Dean Martin's ward des
MUSIC
Mus comp & cond
VISUAL EFFECTS
Spec eff
DANCE
MAKEUP
Makeup supv
Hairstyles
PRODUCTION MISC
Unit prod mgr
2nd unit asst
Prop master
SOURCES
LITERARY
Based on the novel The Ambushers by Donald Hamilton (New York, 1963).
LITERARY SOURCE AUTHOR
SONGS
"The Ambushers," music and lyrics by Hugo Montenegro and Herbert Baker, sung by Tommy Boyce and Bobby Hart.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Release Date:
20 December 1967
Premiere Information:
Chicago opening: 20 Dec 1967; New York opening: 22 Dec 1967; Los Angeles opening: 27 Dec 1967
Production Date:
24 Apr--late Jun 1967
Copyright Info
Claimant
Date
Copyright Number
Meadway-Claude Productions #3
1 December 1967
LP35419
Physical Properties:
Sound
Color
Technicolor
Duration(in mins):
102
Country:
United States
Language:
English
SYNOPSIS

The first U.S. flying saucer sent into space is sabotaged by enemy agent José Ortega, and the pilot, Sheila Sommers, is tortured, whereupon sleuth-photographer Matt Helm is called in to investigate. Matt and Sheila pose as husband and wife and fly to Acapulco, where they are hosted by Quintana, a local brewery tycoon. After discovering that Quintana is working for Ortega, they are nearly killed by the beer baron's henchmen. Francesca Madeiros, a secret agent for another foreign power, helps them escape but is duped into leading Helm and Sheila to Ortega's hideout in the Mexican jungle. Although Francesca attempts to pit Ortega against the two Americans, she is eventually killed by his right-hand man, Nassim. Ortega then follows Sheila into the grounded saucer, unaware that when radioactive controls are set off only a woman can survive the withering blast. Ortega and Quintana are both finally killed, but not before the latter has trapped Sheila in the flying saucer and set it rolling down a railroad track. Helm rescues her, however, with the help of his ray gun and a speedy ...

More Less

The first U.S. flying saucer sent into space is sabotaged by enemy agent José Ortega, and the pilot, Sheila Sommers, is tortured, whereupon sleuth-photographer Matt Helm is called in to investigate. Matt and Sheila pose as husband and wife and fly to Acapulco, where they are hosted by Quintana, a local brewery tycoon. After discovering that Quintana is working for Ortega, they are nearly killed by the beer baron's henchmen. Francesca Madeiros, a secret agent for another foreign power, helps them escape but is duped into leading Helm and Sheila to Ortega's hideout in the Mexican jungle. Although Francesca attempts to pit Ortega against the two Americans, she is eventually killed by his right-hand man, Nassim. Ortega then follows Sheila into the grounded saucer, unaware that when radioactive controls are set off only a woman can survive the withering blast. Ortega and Quintana are both finally killed, but not before the latter has trapped Sheila in the flying saucer and set it rolling down a railroad track. Helm rescues her, however, with the help of his ray gun and a speedy motorcycle.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.