The Bobo (1967)
103 mins | Comedy | August 1967
Director:
Robert ParrishWriter:
David R. SchwartzProducers:
Jerry Gershwin, Elliott KastnerCinematographer:
Gerry TurpinEditors:
John Jympson, Pamela TomlingProduction Designer:
Don AshtonProduction Company:
Gina ProductionsA 19 May 1965 Var article announced that producers Jerry Gershwin and Elliott Kastner had optioned the screen rights to David R. Schwartz’s play, The Bobo, previously held by playwright and director Moss Hart, since deceased. The following year, a 25 Mar 1966 DV item indicated that Marlon Brando had been cast. However, the 23 May 1966 DV made no mention of Brando when it reported that Peter Sellers was set to star. The 7 Jul 1966 DV added that Sellers planned to make his directorial debut with the film. His then wife, Britt Ekland, was cast as his co-star, as reported in a 9 Aug 1966 DV brief.
On 21 Sep 1966, DV stated that filming would begin the next day at Cinecitta Studios in Rome, Italy. However, a production chart in the 21 Oct 1966 DV claimed that shooting began on 3 Oct 1966, and listed Robert Parrish as the director. When filming in Rome was completed, production moved to Barcelona, Spain. The following year, an article in the 14 May 1967 LAT erroneously identified Sellers as the director.
According to a 26 Jul 1967 Var news brief, Parrish wanted to make a sequel titled The Further Adventures of Olimpia, in which Britt Ekland would reprise the role of “Olimpia Segura.”
An item in the 5 Jan 1967 DV noted that Marlon Brando’s secretary, Alice Marchak, was offered a role in the picture. ...
A 19 May 1965 Var article announced that producers Jerry Gershwin and Elliott Kastner had optioned the screen rights to David R. Schwartz’s play, The Bobo, previously held by playwright and director Moss Hart, since deceased. The following year, a 25 Mar 1966 DV item indicated that Marlon Brando had been cast. However, the 23 May 1966 DV made no mention of Brando when it reported that Peter Sellers was set to star. The 7 Jul 1966 DV added that Sellers planned to make his directorial debut with the film. His then wife, Britt Ekland, was cast as his co-star, as reported in a 9 Aug 1966 DV brief.
On 21 Sep 1966, DV stated that filming would begin the next day at Cinecitta Studios in Rome, Italy. However, a production chart in the 21 Oct 1966 DV claimed that shooting began on 3 Oct 1966, and listed Robert Parrish as the director. When filming in Rome was completed, production moved to Barcelona, Spain. The following year, an article in the 14 May 1967 LAT erroneously identified Sellers as the director.
According to a 26 Jul 1967 Var news brief, Parrish wanted to make a sequel titled The Further Adventures of Olimpia, in which Britt Ekland would reprise the role of “Olimpia Segura.”
An item in the 5 Jan 1967 DV noted that Marlon Brando’s secretary, Alice Marchak, was offered a role in the picture.
Having failed to win fame in the bullring, impoverished Juan Bautista goes to Barcelona, Spain, in the hope of making a name for himself as a singing matador. So persistent is he that impresario Francisco Carbonell agrees to give him a booking if, within three days, he can seduce the beautiful Olimpia, Barcelona's most celebrated "courtesan." Undaunted by the fact that the young woman has become wealthy by bestowing nothing more than promises, Juan poses as the trusted emissary of a wealthy count who is prepared to pay a fortune just to meet Olimpia on a platonic level. Intrigued by the proposal, Olimpia accepts Juan's check for 25,000 pesetas and consents to meet the count. But when he fails to appear at each of their scheduled meetings, Olimpia is obliged to pass the time with Juan. On the third day, she purchases a mink coat with the check and, lightheaded from too much wine, invites Juan to spend the night with her. In the morning, however, she discovers that the check was worthless. When Juan confesses his guilt, the enraged Olimpia forces him at gunpoint to bathe in a tub of blue dye guaranteed to last for two years. Although Juan has won the wager, he is too much of a gentleman to give Carbonell the details of his night with Olimpia, and he loses his contract. Sometime later, Olimpia and Matabosch, one of her wealthy conquests, see a poster advertising Juan as Spain's only singing blue ...
Having failed to win fame in the bullring, impoverished Juan Bautista goes to Barcelona, Spain, in the hope of making a name for himself as a singing matador. So persistent is he that impresario Francisco Carbonell agrees to give him a booking if, within three days, he can seduce the beautiful Olimpia, Barcelona's most celebrated "courtesan." Undaunted by the fact that the young woman has become wealthy by bestowing nothing more than promises, Juan poses as the trusted emissary of a wealthy count who is prepared to pay a fortune just to meet Olimpia on a platonic level. Intrigued by the proposal, Olimpia accepts Juan's check for 25,000 pesetas and consents to meet the count. But when he fails to appear at each of their scheduled meetings, Olimpia is obliged to pass the time with Juan. On the third day, she purchases a mink coat with the check and, lightheaded from too much wine, invites Juan to spend the night with her. In the morning, however, she discovers that the check was worthless. When Juan confesses his guilt, the enraged Olimpia forces him at gunpoint to bathe in a tub of blue dye guaranteed to last for two years. Although Juan has won the wager, he is too much of a gentleman to give Carbonell the details of his night with Olimpia, and he loses his contract. Sometime later, Olimpia and Matabosch, one of her wealthy conquests, see a poster advertising Juan as Spain's only singing blue matador.
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