Paris Blues (1961)

98 mins | Drama | 1961

Full page view
HISTORY

Location scenes filmed in Paris. ...

More Less

Location scenes filmed in Paris.

Less

CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2nd unit dir
Asst dir
Asst dir
PRODUCERS
Prod
Exec prod
Exec prod
WRITERS
Scr
Irene Kamp
Scr
PHOTOGRAPHY
ART DIRECTOR
Alexander Trauner
Art dir
FILM EDITOR
Film ed
MUSIC
Mus adv
SOUND
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the novel Paris Blues by Harold Flender (New York, 1957).
LITERARY SOURCE AUTHOR
DETAILS
Premiere Information:
Chicago opening: 27 Sep 1961
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Pennebaker, Inc.
27 September 1961
LP21032
Duration(in mins):
98
Country:
United States
SYNOPSIS

Ram Bowen and Eddie Cook are two expatriate American jazzmen working in a Left Bank nightclub in Paris. Ram is there hoping to attain stature as a musician, and Eddie has come to escape the racism a Negro encounters in the United States. Among their friends are Wild Man Moore, a trumpeter helping Ram with his concerto; Marie Seoul, who owns the club and is having a casual affair with Ram; and Michel Duvigne, a Gypsy guitarist addicted to drugs. One day Ram and Eddie meet two American tourists, Lillian Corning and Connie Lampson, who are on a 2-week vacation in Paris. Eventually the two couples pair off, and Eddie decides to marry Connie and return to the United States, despite the discrimination he will face. Though Ram falls in love with Lillian, he is reluctant to give up his independence and become a second-rate trombone player in the States. When an impresario rejects his concerto, Ram at first decides to leave Paris and marry Lillian; but ultimately he realizes that he must stay until he can determine whether he has a real talent for composing. Sadly he says goodby to Lillian and returns to his ...

More Less

Ram Bowen and Eddie Cook are two expatriate American jazzmen working in a Left Bank nightclub in Paris. Ram is there hoping to attain stature as a musician, and Eddie has come to escape the racism a Negro encounters in the United States. Among their friends are Wild Man Moore, a trumpeter helping Ram with his concerto; Marie Seoul, who owns the club and is having a casual affair with Ram; and Michel Duvigne, a Gypsy guitarist addicted to drugs. One day Ram and Eddie meet two American tourists, Lillian Corning and Connie Lampson, who are on a 2-week vacation in Paris. Eventually the two couples pair off, and Eddie decides to marry Connie and return to the United States, despite the discrimination he will face. Though Ram falls in love with Lillian, he is reluctant to give up his independence and become a second-rate trombone player in the States. When an impresario rejects his concerto, Ram at first decides to leave Paris and marry Lillian; but ultimately he realizes that he must stay until he can determine whether he has a real talent for composing. Sadly he says goodby to Lillian and returns to his music.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The Best Years of Our Lives

The working titles of the film were Glory for Me and Home Again . In the opening credits, actor Fredric March's name is spelled correctly, but ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.