When the Boys Meet the Girls (1965)

102 mins | Musical comedy | 15 December 1965

Director:

Alvin Ganzer

Writer:

Robert E. Kent

Producer:

Sam Katzman

Cinematographer:

Paul C. Vogel

Editor:

Ben Lewis

Production Designers:

George W. Davis, Eddie Imazu

Production Company:

Four Leaf Productions
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HISTORY

The 21 Jul 1964 DV reported that producer Sam Katzman planned to star actor
George Hamilton in a modernized version of the 1930 George and Ira Gershwin musical,
Girl Crazy, for release through Metro-Goldwyn-Mayer, Inc. (MGM). Previous
screen adaptations were released in 1932 and 1943, the latter starring
Judy Garland and Mickey Rooney. A news item in the 7 Oct 1964 DV
implied that Hamilton was no longer a candidate, and suggested the casting of Garland’s
daughter, Liza Minelli, with one of Mickey Rooney’s sons. Katzman apparently
ignored the advice and offered the male lead to singer Jack Jones, as stated in the 14 Nov
1964 LAT. According to the 7 May 1965 DV, Jones declined, citing a series of
prior nightclub and television obligations. He was replaced by Harve Presnell, who was
concurrently appearing in Camelot at the Valley Music Theater in Woodland Hills,
CA, as stated in the 26 May 1965 LAT. The 9 Jun 1965 LAT reported that Paul
Anka and Fran Jeffries had joined the cast in supporting roles. One week later, the 16
Jun 1965 edition announced Jeffrey Hayden as director. He was later replaced by Alvin
Ganzer. A news brief in the 22 Jan 1965 LAT noted that veteran actor Arthur
O’Connell was considered for a character role.

       On 8 Jun 1965, LAT reported the new title as I’ve Got Rhythm. Four days
later, DV revealed the official title, When the Boys Meet the Girls,
and stated that the film would feature several new songs in addition to those written ...

More Less

The 21 Jul 1964 DV reported that producer Sam Katzman planned to star actor
George Hamilton in a modernized version of the 1930 George and Ira Gershwin musical,
Girl Crazy, for release through Metro-Goldwyn-Mayer, Inc. (MGM). Previous
screen adaptations were released in 1932 and 1943, the latter starring
Judy Garland and Mickey Rooney. A news item in the 7 Oct 1964 DV
implied that Hamilton was no longer a candidate, and suggested the casting of Garland’s
daughter, Liza Minelli, with one of Mickey Rooney’s sons. Katzman apparently
ignored the advice and offered the male lead to singer Jack Jones, as stated in the 14 Nov
1964 LAT. According to the 7 May 1965 DV, Jones declined, citing a series of
prior nightclub and television obligations. He was replaced by Harve Presnell, who was
concurrently appearing in Camelot at the Valley Music Theater in Woodland Hills,
CA, as stated in the 26 May 1965 LAT. The 9 Jun 1965 LAT reported that Paul
Anka and Fran Jeffries had joined the cast in supporting roles. One week later, the 16
Jun 1965 edition announced Jeffrey Hayden as director. He was later replaced by Alvin
Ganzer. A news brief in the 22 Jan 1965 LAT noted that veteran actor Arthur
O’Connell was considered for a character role.

       On 8 Jun 1965, LAT reported the new title as I’ve Got Rhythm. Four days
later, DV revealed the official title, When the Boys Meet the Girls,
and stated that the film would feature several new songs in addition to those written by
the Gershwin brothers. A news item in the 14 Jul 1965 Var explained that the
change was necessitated by the original title’s close resemblance to that of the current
release, Girl Happy (1965, see entry). On 16 Jul 1965, female lead Connie Francis
finished prerecording the Gershwin songs, “Embraceable You,” “I Got Rhythm,” and
“But Not For Me,” as noted in that day’s DV. Principal photography began three
days later, according to a 23 Jul 1965 DV production chart.
       The 20 Jul 1965 DV announced Paul Anka’s departure, prompted by a
previous commitment. He was replaced by Joby Baker. The next day’s issue stated that
Fran Jeffries also left the production, reportedly because “her MGM Records bosses”
forbade her to appear in a role that required off-key singing. She was replaced by Sue
Ane Langdon.
       The picture marked the screen debut of the English band, Herman’s Hermits. Lead
singer Peter “Herman” Noone was assigned a speaking role, as noted in the 7 Jul 1965
DV. Various sources state that he had prior experience as a child actor in British
television. Days before filming began, the 15 Jul 1965 issue revealed that Katzman
rearranged the shooting schedule to accommodate the Hermits, who were expected in
New York City the following week. The 21 Jul 1965 LAT claimed that “a small
riot” by fans accompanied the band’s arrival two days earlier at MGM Studios in Culver
City, CA, and police were needed to restore order. That day’s issue of DV stated
that the Hermits had completed their scenes and were in transit to the East Coast.
       Also appearing in the picture were the comedy team of Pepper Davis and Tony Reese,
who were commuting from an engagement at the Desert Inn in Las Vegas, NV, according
to the 22 Jul 1965 DV. Their scenes were scheduled for daytime shooting on 26 and
27 Jul 1965, after which they returned to Las Vegas for their evening show. The 23 Jul
1965 DV announced that legendary jazz musician Louis Armstrong would arrive on
set two days later. Production ended 10 Aug 1965, as stated in that day’s DV.
       Additional cast members included Chris Noel (12 Jun 1965 LAT); Wilda Taylor,
Rene Jarmon, Dee Jay Mattis, Bea Bush, Kitty Malone, Victoria Scrutin, Doris Lorentz,
Cathy Gale, Tom Cahill, Gary Menteer, Fred Curt, Bruce How, Bert May, Walter Painter,
George LeFaye, Cecil Gold, Marc Wilder, Bobby Thompson, Wayne Albritton, Jerry
Jackson, Doug Riviera, and Kevin Edwards (9 Jul 1965 DV); Linda Carroll (5 Aug
1965 DV); and Gail Hillson (6 Aug 1965 DV). The 19 Jul 1965 DV noted
that Sam Katzman’s wife, Hortense Petra, appeared as “Kate.” The picture marked the
final screen appearance of Russell Collins, who died on 14 Nov 1965.
       When the Boys Meet the Girls debuted 15 Dec 1965 in San Francisco, CA,
as indicated by box-office reports in the 22 Dec 1965 Var. Openings in Los
Angeles, CA, and New York City followed on 22 Dec 1965 and 19 Jan 1966,
respectively. Reviews were generally negative, although the 1 Dec 1965 DV
predicted moderate box-office success for the picture among teenaged audiences.
       The soundtrack album was released on MGM Records, which had several of the
musical performers under contract.
       Copyright length: 97 minutes; also reviewed at 110 min. Shorter version(s) may not contain the Standells sequence.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
21 Jul 1964
p. 1
Daily Variety
7 Oct 1964
p. 2
Daily Variety
5 May 1965
p. 2
Daily Variety
7 May 1965
p. 2
Daily Variety
2 Jun 1965
p. 10
Daily Variety
1 Jul 1965
p. 4
Daily Variety
7 Jul 1965
p. 3
Daily Variety
9 Jul 1965
p. 4
Daily Variety
12 Jul 1965
p. 5
Daily Variety
15 Jul 1965
p. 5
Daily Variety
16 Jul 1965
p. 9
Daily Variety
19 Jul 1965
p. 5
Daily Variety
20 Jul 1965
p. 5
Daily Variety
21 Jul 1965
p. 2
Daily Variety
22 Jul 1965
p. 11
Daily Variety
23 Jul 1965
p. 6, 15
Daily Variety
5 Aug 1965
p. 4
Daily Variety
6 Aug 1965
p. 20
Daily Variety
10 Aug 1965
p. 3
Daily Variety
1 Dec 1965
p. 3
Los Angeles Times
14 Nov 1964
Section B, p. 7
Los Angeles Times
22 Jan 1965
Section C, p. 11
Los Angeles Times
26 May 1965
Section C, p. 16
Los Angeles Times
8 Jun 1965
Section C, p. 9
Los Angeles Times
9 Jun 1965
Section D, p. 14
Los Angeles Times
12 Jun 1965
p. 21
Los Angeles Times
16 Jun 1965
Section C, p. 13
Los Angeles Times
21 Jul 1965
Section D, p. 11
Los Angeles Times
11 Aug 1965
Section D, p. 12
Los Angeles Times
28 Nov 1965
Section B, p. 1
Los Angeles Times
22 Dec 1965
Section E, p. 6
Los Angeles Times
25 Dec 1965
p. 9
New York Times
19 Jan 1966
p. 31
New York Times
20 Jan 1966
p. 29
Variety
14 Jul 1965
p. 17
Variety
22 Dec 1965
p. 8, 46
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Eddie Saeta
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Set dec
MUSIC
Mus score & cond
SOUND
Rec supv
VISUAL EFFECTS
Spec visual eff
Spec visual eff
DANCE
Choreog
MAKEUP
Hairstyles
PRODUCTION MISC
Unit prod mgr
Asst to the prod
SOURCES
LITERARY
Based on Girl Crazy by Guy Bolton and John McGowan (New York, 14 Oct 1930).
LITERARY SOURCE AUTHORS
SONGS
"But Not for Me," "I Got Rhythm," "Embraceable You," "Bidin' My Time" and "Treat Me Rough," words and music by George Gershwin and Ira Gershwin; "But Not for Me" and "I Got Rhythm," sung by Harve Presnell and Connie Francis; "Embraceable You," sung by Harve Presnell, "Bidin' My Time," sung by Herman's Hermits; "Treat Me Rough," sung by Sue Ane Langdon; "Throw it Out Your Mind," words and music by Louis Armstong and Billy Kyle, sung by Louis Armstrong; "Monkey See, Monkey Do," words and music by Johnny Farrow, sung by Sam the Sham & the Pharoahs; "It's All in Your Mind," words and music by J. Cobb and B. Buie, sung by The Standells; "When the Boys Meet the Girls," words and music by Jack Keller and Howard Greenfield, sung by Connie Francis; "Aruba Liberace," words and music by Liberace, performed by Liberace; unidentified songs by Fred Karger, Ben Wesiman and Sid Wayne, sung by Connie Francis.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Girl Crazy
I've Got Rhythm
Release Date:
15 December 1965
Premiere Information:
San Francisco opening: 15 Dec 1965; Los Angeles opening: 22 Dec 1965; New York opening: 19 Jan 1966
Production Date:
19 Jul--10 Aug 1965
Copyright Info
Claimant
Date
Copyright Number
Four Leaf Productions
10 October 1965
LP31867
Physical Properties:
Sound
Westrex
Color
Metrocolor
Widescreen/ratio
Panavision
Duration(in mins):
102
Country:
United States
Language:
English
SYNOPSIS

To escape from the mercenary clutches of a blackmailing showgirl who is suing him for breach of promise, Danny, a wealthy playboy, enrolls at Cody College, a remote school in Nevada. There he meets Ginger, the daughter of local mailman, Phin, whose unlucky penchant for gambling has almost forced him to sell his ranch. As romance develops between the two young people, Danny hits upon the idea of converting the ramshackle property into a luxurious dude ranch for divorcees. The opening, launched by a host of professional entertainers and the entire student body, is a huge success. Complications arise when the showgirl, Tess, joins forces with gamblers out to make a killing. But virtue triumphs: Phin's debts are paid and Danny finds true love with ...

More Less

To escape from the mercenary clutches of a blackmailing showgirl who is suing him for breach of promise, Danny, a wealthy playboy, enrolls at Cody College, a remote school in Nevada. There he meets Ginger, the daughter of local mailman, Phin, whose unlucky penchant for gambling has almost forced him to sell his ranch. As romance develops between the two young people, Danny hits upon the idea of converting the ramshackle property into a luxurious dude ranch for divorcees. The opening, launched by a host of professional entertainers and the entire student body, is a huge success. Complications arise when the showgirl, Tess, joins forces with gamblers out to make a killing. But virtue triumphs: Phin's debts are paid and Danny finds true love with Ginger.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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