Seven Women (1966)

93 mins | Drama | 1966

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HISTORY

Copyright length: 87 min. ...

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Copyright length: 87 min.

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CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Asst dir
PRODUCER
WRITERS
PHOTOGRAPHY
Joseph LaShelle
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
Cost des
MUSIC
SOUND
Rec supv
Phil Mitchell
Sd
VISUAL EFFECTS
Spec visual eff
MAKEUP
Hairstyles
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the short story "Chinese Finale" by Norah Lofts in I Met a Gypsy (London, 1935).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
7 Women
Release Date:
1966
Premiere Information:
Los Angeles opening: 5 Jan 1966
Production Date:

Copyright Info
Claimant
Date
Copyright Number
John Ford Productions
3 November 1965
LP31868
Physical Properties:
Sound
Westrex
Color
Metrocolor
Widescreen/ratio
Panavision
Duration(in mins):
93
Country:
United States
Language:
English
SYNOPSIS

In the 1930's Mongol Tunga Khan is terrorizing the people of the Chinese border. In the area is an American mission headed by prim, iron-willed Agatha Andrews. Assisting her are admiring Jane Argent, young Emma Clark, ineffectual teacher Charles Pether, and his frightened, pregnant wife, Florrie. At first glad to hear that a Dr. Cartwright will soon be joining them, Agatha is displeased when the doctor turns out to be a cynical, worldly woman. The conflict between the two women is sharpened with the arrival of cholera-bearing refugees from the nearby ravaged British mission headed by Miss Binns, and matters are not helped by Agatha's refusal to provide the funds necessary to send Florrie to a hospital. When the Chinese soldiers protecting the area depart, Pether, with new courage, sets out to seek news but is killed. Tunga Khan and his forces storm into the mission as Florrie's labor pains begin. To pacify the invaders, Dr. Cartwright agrees to give herself to the warlord once she has delivered the baby; then, after the child is born, she uses her new power over Tunga Khan to provide for the pressing needs of the women and child. Miss Andrews, hysterically losing control, condemns Dr. Cartwright as a wanton and lustful woman, but the others understand her sacrifice. Dr. Cartwright then gets Tunga Khan's permission for the women to leave the mission. After their departure, she secretly poisons some wine and shares a toast with the ...

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In the 1930's Mongol Tunga Khan is terrorizing the people of the Chinese border. In the area is an American mission headed by prim, iron-willed Agatha Andrews. Assisting her are admiring Jane Argent, young Emma Clark, ineffectual teacher Charles Pether, and his frightened, pregnant wife, Florrie. At first glad to hear that a Dr. Cartwright will soon be joining them, Agatha is displeased when the doctor turns out to be a cynical, worldly woman. The conflict between the two women is sharpened with the arrival of cholera-bearing refugees from the nearby ravaged British mission headed by Miss Binns, and matters are not helped by Agatha's refusal to provide the funds necessary to send Florrie to a hospital. When the Chinese soldiers protecting the area depart, Pether, with new courage, sets out to seek news but is killed. Tunga Khan and his forces storm into the mission as Florrie's labor pains begin. To pacify the invaders, Dr. Cartwright agrees to give herself to the warlord once she has delivered the baby; then, after the child is born, she uses her new power over Tunga Khan to provide for the pressing needs of the women and child. Miss Andrews, hysterically losing control, condemns Dr. Cartwright as a wanton and lustful woman, but the others understand her sacrifice. Dr. Cartwright then gets Tunga Khan's permission for the women to leave the mission. After their departure, she secretly poisons some wine and shares a toast with the warlord.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.