The Happy Thieves (1961)

88 mins | Comedy | 18 December 1961

Director:

George Marshall

Writer:

John Gay

Cinematographer:

Paul Beeson

Production Designer:

Ramiro Gómez

Production Company:

Hillworth Productions
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HISTORY

The project was first titled The Oldest Confession, after the 1958 novel by Richard Condon upon which it was based. The 23 Mar 1959 DV announced that Rita Hayworth planned to produce the screen adaptation through Hillworth Productions, her joint company with then husband, James Hill. Rex Harrison was cast opposite Hayworth in late 1960, and the 13 Feb 1961 DV reported that James Hill and screenwriter John Gay were en route to Madrid, Spain, to work on the script. Principal photography began in Madrid on 21 Feb 1961, according to the following day’s DV. However, production charts in the 27 Jan 1961 and 24 Feb 1961 DV listed 20 Feb 1961 as the start date.
       Hartford Productions was listed as the production entity in DV charts published during filming. Items in the 15 Feb 1961 and 5 May 1961 DV, and 9 Apr 1961 NYT, named Gilbert Kurland as production manager, Pedro Vidal as first assistant director for the Spanish crew, and Yasmin Khan as a cast member; the twelve-year-old Khan, who was Rita Hayworth’s daughter and James Hill’s stepdaughter, was said to be making her feature film debut.
       Shooting took place entirely in Spain. Exteriors were shot in Madrid, and at the Las Vinuelas Castle north of the city. Some filming was done at the Prado Museum (a.k.a. Museo del Prado), which had never before granted access to a motion picture filming crew, according to the 9 Apr 1961 NYT. Following exterior shooting, interiors were completed at the Sevilla Studios, with production scheduled to end sometime in ...

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The project was first titled The Oldest Confession, after the 1958 novel by Richard Condon upon which it was based. The 23 Mar 1959 DV announced that Rita Hayworth planned to produce the screen adaptation through Hillworth Productions, her joint company with then husband, James Hill. Rex Harrison was cast opposite Hayworth in late 1960, and the 13 Feb 1961 DV reported that James Hill and screenwriter John Gay were en route to Madrid, Spain, to work on the script. Principal photography began in Madrid on 21 Feb 1961, according to the following day’s DV. However, production charts in the 27 Jan 1961 and 24 Feb 1961 DV listed 20 Feb 1961 as the start date.
       Hartford Productions was listed as the production entity in DV charts published during filming. Items in the 15 Feb 1961 and 5 May 1961 DV, and 9 Apr 1961 NYT, named Gilbert Kurland as production manager, Pedro Vidal as first assistant director for the Spanish crew, and Yasmin Khan as a cast member; the twelve-year-old Khan, who was Rita Hayworth’s daughter and James Hill’s stepdaughter, was said to be making her feature film debut.
       Shooting took place entirely in Spain. Exteriors were shot in Madrid, and at the Las Vinuelas Castle north of the city. Some filming was done at the Prado Museum (a.k.a. Museo del Prado), which had never before granted access to a motion picture filming crew, according to the 9 Apr 1961 NYT. Following exterior shooting, interiors were completed at the Sevilla Studios, with production scheduled to end sometime in mid-Apr 1961. An article in the 1 Mar 1961 Var claimed that local film crews in Spain now rivaled those in London, England, and other places in Europe. This production received aid from Jose Munoz Fontan, Spain’s cinematic Director General, who gave the filmmakers access to $10 million worth of well-known paintings. Also done locally in Spain was the film processing; instead of being shipped out to another European city, as was custom in the recent past, the film was sent for processing at Madrid’s Fotofilm plant.
       Theatrical release took place in Chicago, IL, on 18 Dec 1961. Openings followed in Smyrna, TN, on 29 Dec 1961, according to an advertisement in the 22 Dec 1961 [Smyrna, TN] The Carrier’s Courier; and on 10 Jan 1962 at various theaters in Los Angeles, CA. Critical reception was tepid.

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GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
The Carrier's Courier [Smyrna, TN]
22 Dec 1961
p. 2
Daily Variety
23 Mar 1959
p. 2
Daily Variety
25 Apr 1960
p. 1
Daily Variety
22 Nov 1960
p. 1
Daily Variety
27 Jan 1961
p. 12
Daily Variety
3 Feb 1961
p. 3
Daily Variety
13 Feb 1961
p. 2
Daily Variety
15 Feb 1961
p. 8
Daily Variety
22 Feb 1961
p. 5
Daily Variety
24 Feb 1961
p. 8
Daily Variety
6 Mar 1961
p. 2
Daily Variety
5 May 1961
p. 7
Daily Variety
19 Dec 1961
p. 3
Daily Variety
10 Jan 1962
p. 3, 14
Los Angeles Times
9 Jan 1962
Section C, p. 11
Los Angeles Times
12 Jan 1962
Section A, p. 9
New York Times
9 Apr 1961
---
New York Times
5 Feb 1962
---
Variety
8 Apr 1959
p. 2
Variety
1 Mar 1961
p. 13, 17
Variety
3 May 1961
p. 21
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Ed Waller
Asst dir
PRODUCERS
Exec prod
Exec prod
WRITER
Scr
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
COSTUMES
Miss Hayworth's ward
Miss Hayworth's ward
MUSIC
Mus comp
SOUND
SOURCES
LITERARY
Based on the novel The Oldest Confession by Richard Condon (New York, 1958).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Once a Thief
The Oldest Confession
Release Date:
18 December 1961
Premiere Information:
Chicago opening: 18 Dec 1961; Smyrna, TN, opening: 29 Dec 1961; Los Angeles opening: 10 Jan 1962; New York opening: 3 Feb 1962
Production Date:
20 or 21 Feb--mid Apr 1961
Copyright Info
Claimant
Date
Copyright Number
Hillworth Productions
12 December 1961
LP22354
Physical Properties:
Sound
Westrex Recording System
Black and White
Duration(in mins):
88
Country:
United States
Language:
English
SYNOPSIS

Gentleman thief Jim Bourne steals a Velázquez painting, "Venus With a Mirror," from the Spanish castle of the Duchess Blanca. But as his confederate, Eve Lewis, smuggles the painting into Paris, she is outwitted by Dr. Muñoz, a fanatical art dealer and cousin of the duchess, whereupon Eve threatens to become an honest woman. Jim placates her with marriage, and they return to Madrid. There they learn that Muñoz has the Velázquez and that he also has photographs of Jim stealing it. In return for his silence, Muñoz demands that Jim steal Goya's famed "Second of May" from the Prado. Jim's artist cohort, Jean Marie Calbert, makes an exact reproduction of the painting. They plan to switch the two during the farewell performance of Cayetano, Spain's celebrated matador, who is retiring from the arena to marry the duchess. In order to create a riot and distract the Prado guards, Muñoz shoots and kills Cayetano while he is in the arena. In the ensuing panic Jim and Eve switch the two paintings, hiding the original in Jean's artist's cart. When they visit Muñoz, they find him dead, murdered by the vengeful duchess. The police arrive on the scene and hold both Jim and Jean. In exchange for the Goya, however, the police offer to release one of the two men. Jim decides that Jean will serve the 10-year manslaughter sentence; but when he realizes that Eve considers him a cad because of his decision, he himself goes to prison, knowing she will wait for ...

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Gentleman thief Jim Bourne steals a Velázquez painting, "Venus With a Mirror," from the Spanish castle of the Duchess Blanca. But as his confederate, Eve Lewis, smuggles the painting into Paris, she is outwitted by Dr. Muñoz, a fanatical art dealer and cousin of the duchess, whereupon Eve threatens to become an honest woman. Jim placates her with marriage, and they return to Madrid. There they learn that Muñoz has the Velázquez and that he also has photographs of Jim stealing it. In return for his silence, Muñoz demands that Jim steal Goya's famed "Second of May" from the Prado. Jim's artist cohort, Jean Marie Calbert, makes an exact reproduction of the painting. They plan to switch the two during the farewell performance of Cayetano, Spain's celebrated matador, who is retiring from the arena to marry the duchess. In order to create a riot and distract the Prado guards, Muñoz shoots and kills Cayetano while he is in the arena. In the ensuing panic Jim and Eve switch the two paintings, hiding the original in Jean's artist's cart. When they visit Muñoz, they find him dead, murdered by the vengeful duchess. The police arrive on the scene and hold both Jim and Jean. In exchange for the Goya, however, the police offer to release one of the two men. Jim decides that Jean will serve the 10-year manslaughter sentence; but when he realizes that Eve considers him a cad because of his decision, he himself goes to prison, knowing she will wait for him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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