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HISTORY

A. E. Thomas wrote a stage play based on the Duer novel, also titled Come Out of the Kitchen, which had its premiere in New York on 23 Oct 1916. Some scenes for this film were shot in Pass Christian, MS. One source lists the actor who plays Mrs. Faulkner as Mrs. August Anderson. Among the remakes of this film are a 1930 Paramount film called Honey (see entry), and two British films called Come Out of the Pantry (1935) and Spring in Park Lane (1948). The 1935 film was directed by Jack Raymond and starred Jack Buchanan and Fay Wray, the 1948 was directed by Herbert Wilcox and starred Anna Neagle and Michael Wilding. ...

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A. E. Thomas wrote a stage play based on the Duer novel, also titled Come Out of the Kitchen, which had its premiere in New York on 23 Oct 1916. Some scenes for this film were shot in Pass Christian, MS. One source lists the actor who plays Mrs. Faulkner as Mrs. August Anderson. Among the remakes of this film are a 1930 Paramount film called Honey (see entry), and two British films called Come Out of the Pantry (1935) and Spring in Park Lane (1948). The 1935 film was directed by Jack Raymond and starred Jack Buchanan and Fay Wray, the 1948 was directed by Herbert Wilcox and starred Anna Neagle and Michael Wilding.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
17 May 1919
p. 1821
ETR
24 May 1919
p. 1939
MPW
5 Apr 1919
p. 108
MPW
24 May 1919
p. 1225
New York Times
12 May 1919
p. 11
Variety
16 May 1919
p. 54
Wid's
25 May 1919
p. 15
DETAILS
Release Date:
11 May 1919
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
7 May 1919
LP13684
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

When the head of an aristocratic, but impoverished, Virginia family must be treated for his illness by a New York specialist, his daughter, Claudia Daingerfield, raises money by leasing their old Southern mansion to Burton Crane. The only condition Crane makes is that the black servants be replaced by white servants. Claudia and her brothers and sister take on the roles of servants, with calamitous results. When Claudia is introduced to Burton as his cook, he immediately falls in love with her. Claudia overcomes her lack of culinary skills by smuggling Mammy Jackson into the house to do the cooking. The other "servants" are all let go, and the father survives the dangerous operation. When Claudia's true identity is revealed, Burton recognizes her pluck, and she accepts his offer of ...

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When the head of an aristocratic, but impoverished, Virginia family must be treated for his illness by a New York specialist, his daughter, Claudia Daingerfield, raises money by leasing their old Southern mansion to Burton Crane. The only condition Crane makes is that the black servants be replaced by white servants. Claudia and her brothers and sister take on the roles of servants, with calamitous results. When Claudia is introduced to Burton as his cook, he immediately falls in love with her. Claudia overcomes her lack of culinary skills by smuggling Mammy Jackson into the house to do the cooking. The other "servants" are all let go, and the father survives the dangerous operation. When Claudia's true identity is revealed, Burton recognizes her pluck, and she accepts his offer of marriage.

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GENRE
Genre:
Sub-genre:
African American


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.