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HISTORY

A review in the 15 Jul 1970 Var stated that the film was a “patchwork” of three episodes of the Tarzan television show (NBC, 16 Sep 1966 – 29 Mar 1968), two of which aired on 28 Oct 1966 and 4 Nov 1966. It opened at the Loew’s Mid-City Theatre in St. Louis, MO, on 22 Apr 1970, where the first-week box-office gross amounted to a “mild $4,500,” according to the 29 Apr 1970 Var. See also Tarzan’s Jungle Rebellion (1970, see entry), which similarly entailed episodes of NBC’s Tarzan. ...

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A review in the 15 Jul 1970 Var stated that the film was a “patchwork” of three episodes of the Tarzan television show (NBC, 16 Sep 1966 – 29 Mar 1968), two of which aired on 28 Oct 1966 and 4 Nov 1966. It opened at the Loew’s Mid-City Theatre in St. Louis, MO, on 22 Apr 1970, where the first-week box-office gross amounted to a “mild $4,500,” according to the 29 Apr 1970 Var. See also Tarzan’s Jungle Rebellion (1970, see entry), which similarly entailed episodes of NBC’s Tarzan.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
29 Mar 1971
Section D, p. 18
Philadelphia Inquirer
15 Aug 1991
Section C, p. 1
Variety
18 Mar 1970
p. 24
Variety
29 Apr 1970
p. 12
Variety
15 Jul 1970
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Lawrence Dobkin
Dir
Asst dir
PRODUCERS
Exec prod
Assoc prod
Prod exec
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTOR
FILM EDITOR
MUSIC
Mus & mus dir
VISUAL EFFECTS
PRODUCTION MISC
SOURCES
LITERARY
Based on characters created by Edgar Rice Burroughs.
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
The Deadly Silence
Release Date:
1970
Premiere Information:
Saint Louis opening: 22 Apr 1970
Production Date:

Physical Properties:
Sound
Color
De Luxe
Duration(in mins):
88
MPAA Rating:
G
Country:
United States
Language:
English
PCA No:
22555
SYNOPSIS

The Colonel, a former soldier with a lust for power, plans to use his private army to gain control over all the African jungle tribes. First he captures one of the tribal chiefs and holds him hostage; Jai, Tarzan's young friend, is also captured, and Tarzan is forced to fight a lion, finally subduing the beast by using mental telepathy to save the boy. Meanwhile Metusa, the son of the hostage chief, learns that his father is dead and takes the Colonel prisoner, but Chico and Marshak, two of the Colonel's cronies, free him and set out in search of Tarzan. When they close in on him, Tarzan dives into a river, and Chico and Marshak throw hand grenades into the river. Tarzan is deafened by the blasts but escapes alive. Jai is again taken captive, and Tarzan goes after him. After Chico drowns in a pit of quicksand, the Colonel and Marshak try to overpower Tarzan, but Tarzan hurls the Colonel to the ground and his head strikes a rock, killing him; Marshak takes advantage of the momentary lull in the fighting to ...

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The Colonel, a former soldier with a lust for power, plans to use his private army to gain control over all the African jungle tribes. First he captures one of the tribal chiefs and holds him hostage; Jai, Tarzan's young friend, is also captured, and Tarzan is forced to fight a lion, finally subduing the beast by using mental telepathy to save the boy. Meanwhile Metusa, the son of the hostage chief, learns that his father is dead and takes the Colonel prisoner, but Chico and Marshak, two of the Colonel's cronies, free him and set out in search of Tarzan. When they close in on him, Tarzan dives into a river, and Chico and Marshak throw hand grenades into the river. Tarzan is deafened by the blasts but escapes alive. Jai is again taken captive, and Tarzan goes after him. After Chico drowns in a pit of quicksand, the Colonel and Marshak try to overpower Tarzan, but Tarzan hurls the Colonel to the ground and his head strikes a rock, killing him; Marshak takes advantage of the momentary lull in the fighting to escape.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.