Fitzwilly (1967)

102 mins | Comedy | 20 December 1967

Director:

Delbert Mann

Writer:

Isobel Lennart

Producer:

Walter Mirisch

Cinematographer:

Joseph Biroc

Production Designer:

Robert Boyle

Production Companies:

Mirisch Corp., Dramatic Features
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HISTORY

Although a 1 Apr 1960 NYT news item announced that Saint Subber first acquired rights to Poyntz Tyler’s upcoming novel A Garden of Cucumbers for the legitimate stage, the 3 Nov 1960 DV indicated that the property was being sought by Twentieth Century-Fox Film Corp. for a motion picture adaptation under producer Robert Jacks and director Frank Tashlin. The following spring, A Garden of Cucumbers was picked up by the Mirisch Corp. for just over $50,000, according to the 16 May 1961 DV. United Artists was set to distribute.
       Items in the 19 May 1961 and 25 Jul 1961 DV stated that the leading role was initially offered to Cary Grant and Alec Guinness, while Ronald Neame was in negotiations to direct. However, the project remained untouched for another four years until the 16 Jun 1965 Var reported that production was finally due to begin. Eight days later, the Los Angeles Sentinel announced the casting of Dick Van Dyke as part of a new four-picture deal between the Mirisch Corp. and Dramatic Features, for whom he was under contract. Director Delbert Mann joined the production in the summer of 1966.
       Principal photography took place at the Samuel Goldwyn Studios in Los Angeles, CA, although multiple DV items provided conflicting information about whether filming began 10 or 11 Oct 1966. According to the 18 Nov 1966 DV, the schedule was rearranged when CBS Television selected Stephen Strimpell’s television series Mr. Terrific (CBS Television, 9 Jan—28 Aug 1967) as a mid-season pickup, allowing Strimpell to condense his five-week ...

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Although a 1 Apr 1960 NYT news item announced that Saint Subber first acquired rights to Poyntz Tyler’s upcoming novel A Garden of Cucumbers for the legitimate stage, the 3 Nov 1960 DV indicated that the property was being sought by Twentieth Century-Fox Film Corp. for a motion picture adaptation under producer Robert Jacks and director Frank Tashlin. The following spring, A Garden of Cucumbers was picked up by the Mirisch Corp. for just over $50,000, according to the 16 May 1961 DV. United Artists was set to distribute.
       Items in the 19 May 1961 and 25 Jul 1961 DV stated that the leading role was initially offered to Cary Grant and Alec Guinness, while Ronald Neame was in negotiations to direct. However, the project remained untouched for another four years until the 16 Jun 1965 Var reported that production was finally due to begin. Eight days later, the Los Angeles Sentinel announced the casting of Dick Van Dyke as part of a new four-picture deal between the Mirisch Corp. and Dramatic Features, for whom he was under contract. Director Delbert Mann joined the production in the summer of 1966.
       Principal photography took place at the Samuel Goldwyn Studios in Los Angeles, CA, although multiple DV items provided conflicting information about whether filming began 10 or 11 Oct 1966. According to the 18 Nov 1966 DV, the schedule was rearranged when CBS Television selected Stephen Strimpell’s television series Mr. Terrific (CBS Television, 9 Jan—28 Aug 1967) as a mid-season pickup, allowing Strimpell to condense his five-week shoot into just one and a half working days.
       The 7 Mar 1966 DV stated that Dick Shawn was considering a role in the picture, but his participation in the final film could not be confirmed. Additional casting announcements included Sid Kane, Sally Frei, Rachel Rosenthal, and Janell Alden among the cast, while the 23 Nov 1966 LAT claimed that ten-year-old Joel Davison appeared as a Boy Scout.
       On 1 Mar 1967, Var reported that the title had been changed to What Next, Fitzwilly! although this was later shortened to Fitzwilly prior to release.
       According to the 29 Nov 1967 Var, the world premiere was scheduled for 3 Dec 1967 at Gimbels department store in New York City. East Coast screenings began 20 Dec 1967 at the Astor and other metropolitan theaters, while the Los Angeles area engagement launched on Christmas Day.
       Fitzwilly marked the first credited feature film performance of Barbara Feldon, known to audiences for her role on Get Smart (NBC and CBS, 18 Sep 1965—15 May 1970). Modern sources indicated that Feldon appeared in both Caprice and Point Blank (1967, see entries), but did not receive onscreen credit.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Nov 1960
p. 3
Daily Variety
16 May 1961
p. 1
Daily Variety
19 May 1961
p. 2
Daily Variety
25 Jul 1961
p. 2
Daily Variety
7 Mar 1966
p. 2
Daily Variety
27 Jun 1966
p. 1
Daily Variety
11 Oct 1966
p. 4
Daily Variety
21 Oct 1966
p. 6
Daily Variety
18 Nov 1966
p. 4
Daily Variety
14 Dec 1966
p. 4
Daily Variety
28 Dec 1966
p. 4
Daily Variety
11 Jul 1967
p. 4
Daily Variety
19 Dec 1967
p. 3
Los Angeles Sentinel
24 Jun 1965
Section B, p. 7
Los Angeles Times
23 Nov 1966
Section C, p. 11
Los Angeles Times
25 Dec 1967
Section D, p. 18
New York Times
1 Apr 1960
p. 39
New York Times
21 Dec 1967
p. 45
Variety
16 Jun 1965
p. 18
Variety
1 Mar 1967
p. 7
Variety
29 Nov 1967
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXT
A Walter Mirisch Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
1st & 2nd asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cam
Asst cam
ART DIRECTORS
Art dir
Asst art dir
FILM EDITORS
Ralph Winters
Film ed
Asst film ed
SET DECORATOR
Set dec
COSTUMES
Cost des
Men's cost
Ladies' cost
SOUND
Sd mix
Sd ed
Mus & eff ed
Re-rec
VISUAL EFFECTS
Spec eff
MAKEUP
Makeup
Hairdresser
PRODUCTION MISC
Prod supv
Scr supv
Asst to the prod
Prod asst
Dial dir
Prop master
Constr coordinator
Casting
Key grip
Gaffer
SOURCES
LITERARY
Based on the novel A Garden of Cucumbers by Poyntz Tyler (New York, 1960).
LITERARY SOURCE AUTHOR
SONGS
"Make Me Rainbows," music by Johnny Williams, lyrics by Alan Bergman and Marilyn Bergman.
DETAILS
Alternate Titles:
A Garden of Cucumbers
What Next, Fitzwilly!
Release Date:
20 December 1967
Premiere Information:
New York opening: 20 Dec 1967; Los Angeles opening: 25 Dec 1967
Production Date:
began 10 or 11 Oct 1966
Copyright Info
Claimant
Date
Copyright Number
Mirisch Corp.
20 December 1967
LP35104
Physical Properties:
Sound
Color
De Luxe
Widescreen/ratio
Panavision
Duration(in mins):
102
Country:
United States
Language:
English
SYNOPSIS

Victoria Woodworth is a kindly elderly dowager who lives in a plush Manhattan brownstone. Although she frequently donates large sums of money to charities, the fact that she is actually penniless is concealed from her by her staff of faithful domestics. Her well-mannered but larcenous butler, Fitzwilliam (or Fitzwilly, as he is called by his friends), has been able to run Miss Vickie's household in the black and keep ahead of her charitable contributions by organizing the other servants into a ring of smalltime crooks. One day Miss Vickie hires a part-time secretary, Juliet Nowell, to help with the dictionary she is writing for people who can't spell. Although Juliet inevitably catches on to Fitzwilly's maneuvers, she finds herself too attracted to him to notify the police. Events reach a climax when one of Miss Vickie's over-generous contributions escapes Fitzwilly's attention, and drastic measures are called for to cover the deficit. With the reluctant help of Juliet, an elaborate plan is worked out to rob Gimbel's department store on Christmas Eve. Miss Vickie's staff joins in the caper, and everything goes off on schedule, with the haul amounting to $190,000. One small hitch develops, however, when Albert, the conscience-stricken footman, confesses to the police. Since Albert refuses to name his accomplices, Miss Vickie is summoned. Unperturbed, she volunteers to write Gimbel's a check for $190,000, thereby leaving the frustrated Fitzwilly with no choice but to deposit the stolen money in Miss Vickie's bank account. But all ends happily when Miss Vickie announces that she has sold her unique dictionary, much of which is an amusing biography of her late father, to a movie producer for ...

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Victoria Woodworth is a kindly elderly dowager who lives in a plush Manhattan brownstone. Although she frequently donates large sums of money to charities, the fact that she is actually penniless is concealed from her by her staff of faithful domestics. Her well-mannered but larcenous butler, Fitzwilliam (or Fitzwilly, as he is called by his friends), has been able to run Miss Vickie's household in the black and keep ahead of her charitable contributions by organizing the other servants into a ring of smalltime crooks. One day Miss Vickie hires a part-time secretary, Juliet Nowell, to help with the dictionary she is writing for people who can't spell. Although Juliet inevitably catches on to Fitzwilly's maneuvers, she finds herself too attracted to him to notify the police. Events reach a climax when one of Miss Vickie's over-generous contributions escapes Fitzwilly's attention, and drastic measures are called for to cover the deficit. With the reluctant help of Juliet, an elaborate plan is worked out to rob Gimbel's department store on Christmas Eve. Miss Vickie's staff joins in the caper, and everything goes off on schedule, with the haul amounting to $190,000. One small hitch develops, however, when Albert, the conscience-stricken footman, confesses to the police. Since Albert refuses to name his accomplices, Miss Vickie is summoned. Unperturbed, she volunteers to write Gimbel's a check for $190,000, thereby leaving the frustrated Fitzwilly with no choice but to deposit the stolen money in Miss Vickie's bank account. But all ends happily when Miss Vickie announces that she has sold her unique dictionary, much of which is an amusing biography of her late father, to a movie producer for $500,000.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.