The Man in Half Moon Street (1944)

91-92 mins | Drama, Mystery | 1944

Director:

Ralph Murphy

Cinematographer:

Henry Sharp

Editor:

Tom Neff

Production Designers:

Hans Dreier, Walter Tyler

Production Company:

Paramount Pictures, Inc.
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HISTORY

As the viewed print was missing a reel, information for that portion of the story was taken from the Release Dialogue Script in the Paramount Collection at the AMPAS Library. According to news items in HR, Alan Ladd was originally slated to make his first appearance as a lead actor in this film. Ladd's debut as a star came in This Gun for Hire (see below). After Ladd, Albert Dekker was considered for the lead. News items also note that the Victoria Station scenes were shot at the M-G-M studios. ...

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As the viewed print was missing a reel, information for that portion of the story was taken from the Release Dialogue Script in the Paramount Collection at the AMPAS Library. According to news items in HR, Alan Ladd was originally slated to make his first appearance as a lead actor in this film. Ladd's debut as a star came in This Gun for Hire (see below). After Ladd, Albert Dekker was considered for the lead. News items also note that the Victoria Station scenes were shot at the M-G-M studios.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
28 Oct 1944
---
Daily Variety
17 Oct 1944
p. 3
Film Daily
19 Oct 1944
p. 11
Hollywood Reporter
11 Feb 1942
p. 10
Hollywood Reporter
24 Sep 1943
p. 8
Hollywood Reporter
22 Oct 1943
p. 10
Hollywood Reporter
16 Feb 1943
p. 3
Hollywood Reporter
17 Oct 1944
p. 3
Motion Picture Herald Product Digest
5 Feb 1944
p. 1747
Motion Picture Herald Product Digest
21 Oct 1944
p. 2150
New York Times
20 Jan 1945
p. 16
Variety
18 Oct 1944
p. 10
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
Contr to scr constr
Contr to scr constr
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Tom Neff
Ed
SET DECORATOR
Set dec
MUSIC
Mus score
SOUND
Sd rec
Sd rec
MAKEUP
Makeup artist
SOURCES
LITERARY
Based on the play The Man in Half Moon Street by Barre Lyndon (London, 22 Mar 1939).
LITERARY SOURCE AUTHOR
DETAILS
Premiere Information:
New York opening: 19 Jan 1945
Production Date:
late Sep--late Oct 1943
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures, Inc.
19 October 1944
LP13014
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
91-92
Length(in feet):
8,269
Length(in reels):
10
Country:
United States
PCA No:
9715
Passed by NBR:
Yes
SYNOPSIS

English scientist and amateur artist Julian Karell attends the unveiling of his portrait of Eve Brandon, with whom he has fallen in love, at her father Sir Humphrey's home. When Julian is introduced to the Brandons' elderly guest Lady Minerva Aldergate, to her amazement he describes a romantic encounter she had with a man she presumes was his grandfather. After the painting is unveiled, one of Humphrey's guests notices that the style exactly matches that of a painting he saw fifty years earlier in Breslau, Germany. Julian proposes to Eve, but tells her their marriage will have to wait until his upcoming experiment is completed. When he returns home, Julian is disappointed to learn that a visit from renowned endocrinologist and surgeon Kurt Van Bruecken will be delayed. Julian then records in a journal labeled "Vita Immortalis" that as was expected, his "symptoms" have returned again after ten years. Late that night, Julian rescues Allen Guthrie, a young medical student, from attempted suicide, and the next day, shares with him Kurt's plan, written in 1885, for transferring glands from one human to another to prolong life. Guthrie agrees to take part in the experiment after Julian promises that if he survives, he can participate in the research. When Kurt finally arrives, the two men reminisce about their youth. Kurt urges Julian to make the results of his experiments public, but Julian, who is in his nineties, jealously guards their secret, which has made him appear to be a man of thirty-five, and claims that he has not yet perfected the technique. Julian is forced to seek another surgeon to perform his operation after seeing that ...

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English scientist and amateur artist Julian Karell attends the unveiling of his portrait of Eve Brandon, with whom he has fallen in love, at her father Sir Humphrey's home. When Julian is introduced to the Brandons' elderly guest Lady Minerva Aldergate, to her amazement he describes a romantic encounter she had with a man she presumes was his grandfather. After the painting is unveiled, one of Humphrey's guests notices that the style exactly matches that of a painting he saw fifty years earlier in Breslau, Germany. Julian proposes to Eve, but tells her their marriage will have to wait until his upcoming experiment is completed. When he returns home, Julian is disappointed to learn that a visit from renowned endocrinologist and surgeon Kurt Van Bruecken will be delayed. Julian then records in a journal labeled "Vita Immortalis" that as was expected, his "symptoms" have returned again after ten years. Late that night, Julian rescues Allen Guthrie, a young medical student, from attempted suicide, and the next day, shares with him Kurt's plan, written in 1885, for transferring glands from one human to another to prolong life. Guthrie agrees to take part in the experiment after Julian promises that if he survives, he can participate in the research. When Kurt finally arrives, the two men reminisce about their youth. Kurt urges Julian to make the results of his experiments public, but Julian, who is in his nineties, jealously guards their secret, which has made him appear to be a man of thirty-five, and claims that he has not yet perfected the technique. Julian is forced to seek another surgeon to perform his operation after seeing that Kurt's hands now tremble violently, but no physician he contacts agrees to the experiment, and Julian's face and hands slowly start to show signs of age. When Eve and Julian announce their engagement to her father, his friend and physician, Dr. Henry Latimer, probes Julian about his work and his connection with Kurt. Latimer is suspicious of Julian, especially after learning of his fruitless search for a surgeon, and he and Humphrey consult with Inspector Garth at Scotland Yard. Guthrie, meanwhile, has come to realize that he is being drugged and held prisoner, and after breaking out of his room and reading Julian's medical journal, he learns that all of Julian's previous subjects died. Later, Latimer goes to Julian's, ostensibly to meet Kurt, but Julian tells him that he is ill, and Latimer leaves after slyly getting Julian's fingerprints on his cane. A fingerprint expert at Scotland Yard later informs Garth, Humphrey and Latimer that Julian's prints exactly match those of an 1800s German murderer named Kornis, who killed a medical student every ten years. When Latimer and Humphrey take Eve's portrait to Scotland Yard, they reveal to her their doubts about Julian's character. Kurt urges Julian to bring Latimer in on the experiment, but Julian refuses to "share the glory" and shows no concern that Guthrie may die if he takes him to France, where a friend of his could operate. Now realizing that Julian is no longer the humanist he once knew, Kurt insists that he drop Eve so that she will not be hurt. Later, after Julian confesses to Eve the nature of his experiments, Guthrie dies from the operation. Although a taxicab driver identifies Julian as the man who took Guthrie home with him, Julian claims that Guthrie left the next morning and refuses to take Garth's bait and admit any connection to Kornis. After Guthrie's body is pulled from the Thames, Julian avoids returning home and urges Kurt to meet him on the train bound for Paris. When the police arrive at his house, Kurt seems addled and can only say that "no man is greater than God." Garth then learns that the portrait of Eve was definitely painted by the same man who painted the Breslau picture, and Humphrey calls to tell him that Eve has eloped with Julian. In their compartment on the train, Julian, meanwhile, shows signs of severe fatigue and starts to age dramatically. Upon hearing Julian confess that his work has made him more and more lonely through the years, Eve pledges that she will always be with him in spirit, and without showing his face, Julian rushes off the train at the next stop. When the police board the train searching for Julian, no one but Eve recognizes the ancient man who collapses and dies on the platform.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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