Storm Over Lisbon (1944)

86 mins | Drama | 16 October 1944

Director:

George Sherman

Cinematographer:

John Alton

Editor:

Arthur Roberts

Production Designer:

Russell Kimball

Production Company:

Republic Pictures Corp.
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HISTORY

The working titles of this film were Candle Manor and Candlelights in Lisbon. Some contemporary sources credit Walter Scharf with the film's musical score, but according to a 29 Aug 1944 HR news item, the inclusion of Scharf in HR's review of the picture was the result of "an error in the studio's credit department." An amended studio billing sheet, contained in the film's file in the MPAA/PCA Collection at the AMPAS Library, indicates that Republic removed Scharf's name from the picture's onscreen credits in late Aug 1944, prior to the release date. A 30 Dec 1943 version of the picture's screenplay was rejected by the PCA "because of the suicide of Deresco--so escaping justice--and because of the suggestion of a sex affair between Bill and Maritza." In the finished film, Deresco does not commit suicide and is instead apprehended by authorities, and there is no intimation of an affair between "Bill" and "Maritza." In 1950, the film was re-edited and re-released as Inside the Underworld. ...

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The working titles of this film were Candle Manor and Candlelights in Lisbon. Some contemporary sources credit Walter Scharf with the film's musical score, but according to a 29 Aug 1944 HR news item, the inclusion of Scharf in HR's review of the picture was the result of "an error in the studio's credit department." An amended studio billing sheet, contained in the film's file in the MPAA/PCA Collection at the AMPAS Library, indicates that Republic removed Scharf's name from the picture's onscreen credits in late Aug 1944, prior to the release date. A 30 Dec 1943 version of the picture's screenplay was rejected by the PCA "because of the suicide of Deresco--so escaping justice--and because of the suggestion of a sex affair between Bill and Maritza." In the finished film, Deresco does not commit suicide and is instead apprehended by authorities, and there is no intimation of an affair between "Bill" and "Maritza." In 1950, the film was re-edited and re-released as Inside the Underworld.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Sep 1944
---
Daily Variety
28 Aug 1944
p. 3
Film Daily
5 Sep 1944
p. 7
Hollywood Reporter
26 Oct 1943
p. 4
Hollywood Reporter
28 Jan 1944
p. 14
Hollywood Reporter
7 Feb 1944
p. 8
Hollywood Reporter
28 Aug 1944
p. 3
Hollywood Reporter
29 Aug 1944
p. 7
Motion Picture Daily
29 Aug 1944
---
Motion Picture Herald Product Digest
15 Apr 1944
p. 1850
Motion Picture Herald Product Digest
2 Sep 1944
p. 2082
New York Times
11 Sep 1944
p. 14
Variety
30 Aug 1944
p. 10
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCER
Assoc prod
WRITERS
Orig story
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
Adele
Cost supv
MUSIC
Mus dir
SOUND
Dick Tyler
Sd
VISUAL EFFECTS
DETAILS
Alternate Titles:
Candle Manor
Candlelights in Lisbon
Inside the Underworld
Release Date:
16 October 1944
Premiere Information:
Los Angeles opening: 31 Aug 1944; New York opening: 9 Sep 1944
Production Date:
began 31 Jan 1944
Copyright Info
Claimant
Date
Copyright Number
Republic Pictures Corp.
13 June 1944
LP12777
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
86
Length(in reels):
9
Country:
United States
PCA No:
10007
Passed by NBR:
Yes
SYNOPSIS

In Lisbon during World War II, the mysterious Deresco operates an opulent casino bearing his name, and many of his guests are spies from various countries, all seeking to buy or sell information, or even kill for it. Deresco himself does not care whether the Allies or the Axis nations profit from his espionage activities, as long as he receives the highest possible price. One evening, Deresco interviews famed Czechoslovakian dancer Maritza, who needs his help in obtaining passage to the United States. Deresco, who does not know that Maritza is a counter-spy working undercover to topple his organization, agrees to help her but warns her that she will be completely under his control. That same night, the American Clipper from New York arrives, and pilot Bill Flanagan is contacted by war correspondent and former prisoner of war John Craig, who is desperate to leave Lisbon with a roll of microfilm containing information about Japanese activities in Burma. While Flanagan sends Craig into hiding, Deresco's major domo, Blanco, picks up spy Alexis Vanderlyn, who was also on the Clipper. Vanderlyn believes that he is in Lisbon to help track down Craig and turn him over to the Axis, but actually, Deresco has orders to kill the no-longer useful spy. Vanderlyn pretends to have needed information, and Deresco agrees to let him live in the casino's hotel for the time being. Flanagan then comes to the casino to watch Maritza perform, and when they go out on a date afterward, he inadvertently reveals Craig's hiding place to her. Blanco is following the couple and informs Deresco of Craig's whereabouts, and later, when Maritza ...

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In Lisbon during World War II, the mysterious Deresco operates an opulent casino bearing his name, and many of his guests are spies from various countries, all seeking to buy or sell information, or even kill for it. Deresco himself does not care whether the Allies or the Axis nations profit from his espionage activities, as long as he receives the highest possible price. One evening, Deresco interviews famed Czechoslovakian dancer Maritza, who needs his help in obtaining passage to the United States. Deresco, who does not know that Maritza is a counter-spy working undercover to topple his organization, agrees to help her but warns her that she will be completely under his control. That same night, the American Clipper from New York arrives, and pilot Bill Flanagan is contacted by war correspondent and former prisoner of war John Craig, who is desperate to leave Lisbon with a roll of microfilm containing information about Japanese activities in Burma. While Flanagan sends Craig into hiding, Deresco's major domo, Blanco, picks up spy Alexis Vanderlyn, who was also on the Clipper. Vanderlyn believes that he is in Lisbon to help track down Craig and turn him over to the Axis, but actually, Deresco has orders to kill the no-longer useful spy. Vanderlyn pretends to have needed information, and Deresco agrees to let him live in the casino's hotel for the time being. Flanagan then comes to the casino to watch Maritza perform, and when they go out on a date afterward, he inadvertently reveals Craig's hiding place to her. Blanco is following the couple and informs Deresco of Craig's whereabouts, and later, when Maritza returns to Craig's secret cellar to try to gain his trust, she is followed by Deresco and his men, who drug Craig and take him to the prison-like tower at the top of the casino. Believing that Maritza betrayed him, Craig refuses to trust her, but during a flurry of activity in the casino, is able to tell Flanagan where the microfilm is hidden in the cellar. Vanderlyn, knowing that his time is almost up, tries to convince Deresco that he knows the location of the microfilm, but Deresco sees through his bluff and shoots him, then has Blanco throw his body from the tower to the river below. Soon after, Deresco's secretary Evelyn, who is jealous of Deresco's attentions to the lovely Maritza, helps Maritza and Craig escape from the casino. When they return to the cellar to retrieve Craig's microfilm, however, they are followed by the thugs and Deresco, who were told about the fleeing couple by Evelyn. Deresco finds the microfilm, but Maritza's compatriots arrive in time to capture the master spy and his minions. Later, at the airport, Maritza bids farewell to Flanagan and Craig, who are going to Washington, D.C. with the microfilm. Flanagan asks Maritza to accompany them, but she insists that she must remain in Europe to help the Allies, and Craig sadly agrees that if one is to live dangerously, it must be done alone.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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