The Gay Senorita (1945)

68-69 mins | Comedy-drama | 9 August 1945

Director:

Arthur Dreifuss

Writer:

Edward Eliscu

Producer:

Jay Gorney

Cinematographer:

Burnett Guffey

Editor:

Al Clark

Production Designer:

Jerome Pycha Jr.

Production Company:

Columbia Pictures Corp.
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HISTORY

The working title of this film was Fiesta Town. The picture opens with architect Phil Frentiss narrating the story of the founding of Sandoval Lane. According to a Jun 1944 pre-production news item in HR, Sam White was initially slated to produce this picture, which was to feature Olvera Street, an old Mexican-themed street in Los Angeles, as its background. Although the film takes place on a Olvera-like street, the specific name is never mentioned. By Oct 1944, Jay Gorney was assigned to produce. Gorney, a well-known lyricist and composer, made his Columbia producing debut with this film and was also assigned to collaborate on the screenplay with Edward Eliscu. The extent of Gorney's writing contribution has not been determined, however. ...

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The working title of this film was Fiesta Town. The picture opens with architect Phil Frentiss narrating the story of the founding of Sandoval Lane. According to a Jun 1944 pre-production news item in HR, Sam White was initially slated to produce this picture, which was to feature Olvera Street, an old Mexican-themed street in Los Angeles, as its background. Although the film takes place on a Olvera-like street, the specific name is never mentioned. By Oct 1944, Jay Gorney was assigned to produce. Gorney, a well-known lyricist and composer, made his Columbia producing debut with this film and was also assigned to collaborate on the screenplay with Edward Eliscu. The extent of Gorney's writing contribution has not been determined, however.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
11 Aug 1945
---
Daily Variety
13 Aug 1945
p. 3
Film Daily
21 Aug 1945
p. 6
Hollywood Reporter
6 Jun 1944
p. 6
Hollywood Reporter
26 Oct 1944
p. 1
Hollywood Reporter
14 Nov 1944
p. 5
Hollywood Reporter
9 Jan 1945
p. 3
Hollywood Reporter
13 Aug 1945
p. 5
Motion Picture Herald Product Digest
14 Jul 1945
p. 2543
Motion Picture Herald Product Digest
25 Aug 1945
p. 2610
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITERS
Orig story
PHOTOGRAPHY
Dir of photog
2d cam
ART DIRECTOR
FILM EDITOR
Film ed
SET DECORATOR
SOUND
Edwin L. Wetzel
Mus mixer
DANCE
Dances staged by
PRODUCTION MISC
Research dir
SOURCES
SONGS
"Buenas noches," words and music by Serge Walter and Don George; "Juarez and Lincoln," words and music by Henry Myers, Edward Eliscu and Jay Gorney; "Tico-tico, no fubá," words by Aloysio Oliveira, music by Zequínha de Abreu; "Una linda mujer," words and music by Rafael Duchesne; "Cielito lindo" and "El Rancho Grande," music and lyrics by Silvano R. Ramos, English lyrics by Bartley Costello; "Jarabe tapatío (Mexican Hat Dance)," traditional; "Samba alegre" and "Negra Leonor," composers undetermined.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Fiesta Town
Release Date:
9 August 1945
Production Date:
19 Apr--11 May 1945
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
13 July 1945
LP13390
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
68-69
Length(in feet):
6,333
Country:
United States
PCA No:
10976
SYNOPSIS

In the Mexican-American quarter of a large West Coast city, matriarch Dona Maria Sandoval hosts a fiesta to unveil her design for a street that will showcase Latin American crafts and culture. The day's festivities are darkened by a rumor concerning the plans of American businessman J. J. Frentiss, who wants to build a warehouse on the land intended for Sandoval Lane. The next day, Dona Maria and her nieces, Elena and Loreto, visit J. J. at his office to implore him to change his mind, but the hard-hearted businessman proclaims Sandoval Lane an impractical dream and refuses to abandon his plans. After the women angrily leave his office, J. J. asks his nephew Phil for help in convincing the women to sell their property. Accepting his uncle's challenge, Phil ventures to Sandoval Street but is denied admittance to the house because he lacks a proper introduction. While pondering his alternatives, Phil rests at the wishing well outside the gates of the house and soon sees his old college friend, Tim O'Brien, pass by. When Tim tells Phil that he is now known as Tomas Obrion, the leader of a popular society orchestra, Phil threatens to expose his friend's true identity unless he introduces him to the Sandovals. Following Tim's advice, Phil assumes the name of Dolan and serenades Elena from the street. When the mischevious Loreto throws a rose to Phil, Dona Maria invites the serenader into the house and introduces him to Elena. As Elena and Phil stroll through the garden, Elena confides her dream of Sandoval Lane and her anger at the Frentiss family. Phil begins to court ...

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In the Mexican-American quarter of a large West Coast city, matriarch Dona Maria Sandoval hosts a fiesta to unveil her design for a street that will showcase Latin American crafts and culture. The day's festivities are darkened by a rumor concerning the plans of American businessman J. J. Frentiss, who wants to build a warehouse on the land intended for Sandoval Lane. The next day, Dona Maria and her nieces, Elena and Loreto, visit J. J. at his office to implore him to change his mind, but the hard-hearted businessman proclaims Sandoval Lane an impractical dream and refuses to abandon his plans. After the women angrily leave his office, J. J. asks his nephew Phil for help in convincing the women to sell their property. Accepting his uncle's challenge, Phil ventures to Sandoval Street but is denied admittance to the house because he lacks a proper introduction. While pondering his alternatives, Phil rests at the wishing well outside the gates of the house and soon sees his old college friend, Tim O'Brien, pass by. When Tim tells Phil that he is now known as Tomas Obrion, the leader of a popular society orchestra, Phil threatens to expose his friend's true identity unless he introduces him to the Sandovals. Following Tim's advice, Phil assumes the name of Dolan and serenades Elena from the street. When the mischevious Loreto throws a rose to Phil, Dona Maria invites the serenader into the house and introduces him to Elena. As Elena and Phil stroll through the garden, Elena confides her dream of Sandoval Lane and her anger at the Frentiss family. Phil begins to court Elena, and when J. J. flies to New York on business, he orders his nephew to have the land deal completed by the time he returns. When Phil absentmindedly sketches a drawing of a building on a tablecloth, Elena guesses that he is an architect and insists on showing him the plans for Sandoval Lane. After Phil suggests several changes in the design, Elena hires him as the street's official architect and Dona Maria gives him the deed to her house as security for a bank loan. Meanwhile, in New York, J. J. is visited by several members of the Mexican Consulate, who have come to thank him for his commitment to Sandoval Lane. Furious, J. J. flies back to California and interrupts a fiesta in celebration of Sandoval Lane. When J. J. publicly reproaches his nephew, Phil admits that he is a Frentiss and is accused by Elena of betraying her family. The next day, Phil begs his uncle to return the Sandovals' deed. When J. J. refuses, Phil pleads for Elena's forebearance and then enlists his uncle' s secretary and butler in a plot to convince the old man that he is suffering a nervous breakdown. When J. J. receives a mysterious call from his attorney's secretary, arranging a meeting at the Sandoval house, the old man catches on to his nephew's plot but agrees to attend the meeting anyway. At the Sandoval house, Elena and the others entertain J. J. with an elaborate song and dance number to convince him to change his mind, and at the end of their performance, he announces that he has decided to move his warehouse to the other side of the railroad tracks.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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