A Letter for Evie (1946)

88-89 mins | Comedy-drama | June 1946

Director:

Jules Dassin

Producer:

William H. Wright

Cinematographer:

Karl Freund

Production Designers:

Cedric Gibbons, Hubert Hobson

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

While early HR production charts list Les White as the film's photographer, later production charts list Karl Freund. The extent of White's contribution to the released film has not been determined. The Var review erroneously refers to this film as A Letter to Evie. Another film with a similar plot, but more serious tone is the 1945 Paramount film Love Letters (see below). ...

More Less

While early HR production charts list Les White as the film's photographer, later production charts list Karl Freund. The extent of White's contribution to the released film has not been determined. The Var review erroneously refers to this film as A Letter to Evie. Another film with a similar plot, but more serious tone is the 1945 Paramount film Love Letters (see below).

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
8 Dec 1945
---
Daily Variety
3 Dec 1945
p. 3
Film Daily
3 Dec 1945
p. 6
Hollywood Reporter
29 Nov 1944
---
Hollywood Reporter
25 May 1945
p. 18
Hollywood Reporter
8 Jun 1945
p. 14
Hollywood Reporter
6 Jul 1945
p. 14
Hollywood Reporter
3 Dec 1945
p. 3
Motion Picture Daily
8 Dec 1945
---
Motion Picture Herald Product Digest
22 Sep 1945
p. 2655
Motion Picture Herald Product Digest
1 Dec 1945
p. 2733
New York Times
28 Jun 1946
p. 17
Variety
5 Dec 1945
p. 16
CAST
NAME
CREDITED AS
CREDIT
Paul Newlan
Jimmy Magill
Sam Finn
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCER
WRITERS
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATOR
Set dec
COSTUMES
Cost supv
MUSIC
Mus score
SOUND
Rec dir
Unit mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Re-rec and eff mixer
Mus mixer
M. J. MacLaughlin
Mus mixer
Mus mixer
PRODUCTION MISC
Research dir
Asst research dir
Unit mgr
SOURCES
LITERARY
Based on the short story "The Adventure of a Ready Letter Writer" by Blanche Brace in The Saturday Evening Post (13 Nov 1920).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
June 1946
Premiere Information:
New York premiere: 27 Jun 1946
Production Date:
mid May--mid Jul 1945
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
12 December 1945
LP54
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
88-89
Length(in feet):
8,000
Length(in reels):
9
Country:
United States
PCA No:
11100
Passed by NBR:
Yes
SYNOPSIS

Evie O'Connor, a secretary at the Trojan Shirt Company in Brooklyn, New York, dreams of a romance with a tall, strong man, one who might fit into a Trojan size sixteen-and-a-half shirt. After learning that many of her fellow co-workers routinely place notes in the pockets of the company's shirts, Evie writes a personal letter and places it in a size sixteen-and-a-half shirt that is destined for an army camp. The shirt makes its way to Private Edgar "Wolf" Larsen, a notorious womanizer, who reads her letter to his pal John Phineas McPherson and, after dismissing it as nonsense, throws it away. Johnny, however, is intrigued by Evie's note and secretly retrieves it. Ignoring Evie's taste for tall and strong men, Johnny, who is short and rather homely, believes that he can win her over with his mind and heart and begins corresponding with her. Complications soon arise, however, when Evie requests that Johnny, who has described himself as being of Wolf's dimensions, send a picture of himself. Afraid that she will reject him if she knows what he really looks like, Johnny sends her a picture of Wolf. One day, Johnny's unit passes through New York, and unable to resist the temptation to meet Evie, he poses as his "friend" Wolf and visits her. Johnny falls instantly in love with Evie, but instead of revealing his true identity, he continues to deceive her. Wolf eventually discovers the letters that Evie sent to Johnny and when Johnny next visits Evie, he make an unexpected appearance at her apartment. Chaos ensues when Johnny clumsily tries to prevent a single intimate moment between Evie ...

More Less

Evie O'Connor, a secretary at the Trojan Shirt Company in Brooklyn, New York, dreams of a romance with a tall, strong man, one who might fit into a Trojan size sixteen-and-a-half shirt. After learning that many of her fellow co-workers routinely place notes in the pockets of the company's shirts, Evie writes a personal letter and places it in a size sixteen-and-a-half shirt that is destined for an army camp. The shirt makes its way to Private Edgar "Wolf" Larsen, a notorious womanizer, who reads her letter to his pal John Phineas McPherson and, after dismissing it as nonsense, throws it away. Johnny, however, is intrigued by Evie's note and secretly retrieves it. Ignoring Evie's taste for tall and strong men, Johnny, who is short and rather homely, believes that he can win her over with his mind and heart and begins corresponding with her. Complications soon arise, however, when Evie requests that Johnny, who has described himself as being of Wolf's dimensions, send a picture of himself. Afraid that she will reject him if she knows what he really looks like, Johnny sends her a picture of Wolf. One day, Johnny's unit passes through New York, and unable to resist the temptation to meet Evie, he poses as his "friend" Wolf and visits her. Johnny falls instantly in love with Evie, but instead of revealing his true identity, he continues to deceive her. Wolf eventually discovers the letters that Evie sent to Johnny and when Johnny next visits Evie, he make an unexpected appearance at her apartment. Chaos ensues when Johnny clumsily tries to prevent a single intimate moment between Evie and Wolf, and when Evie's roommate, Barney Lee, desperately tries to seduce Johnny. Driven to desperation, Johnny decides to feign drunkenness and causes a scene to force Wolf and Evie apart. His scheme works, and once outside Evie's building, Johnny punches Wolf and orders him to keep away from Evie, insisting that she is not one of his "lollipops." Wolf ignores Johnny's command and secretly visits Evie the next day, but Johnny discovers the truth when he telephones Evie and Wolf answers. Furious, Johnny rushes to her apartment and sets a smoke pot on fire in the hallway to smoke them out. Trying to escape, Wolf falls and knocks his head, and while semi-conscious, proposes marriage to Evie. The marriage does not take place, however, as both Wolf and Johnny are given overseas orders the next day. During their overseas mission, Wolf quickly forgets Evie and marries a French woman, while Johnny continues to write to Evie, shielding her from the painful truth. Evie, meanwhile, discovers Johnny's true identity when she visits his mother and sees pictures of him. Time passes, and Evie, having sworn off both men as liars, shows little respect for Johnny when he visits her. She eventually has a change of heart, however, when she realizes that Johnny is truly in love with her. After revealing to Johnny that she knows who he is, she embraces him and they kiss.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

East of Eden

An overture precedes the film. The opening title card reads: “John Steinbeck’s East of Eden .” The following written prologue appears after the opening credits: ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.