Love, Honor and Goodbye (1945)

86-87 mins | Romantic comedy | 15 September 1945

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HISTORY

The film's working title was Heads It's Love. Although the screen credits list only Jacqueline Moore as "Sally," HR production charts and a studio press release state that both Jacqueline and her twin sister Judith played the part. HR news items indicate that director Albert S. Rogell, who was originally suspended by Republic for refusing to direct Brazil, returned for Love, Honor and Goodbye, and that John Loder was originally cast for one of the starring roles. Although a Jun 1945 HR news item lists the following actors in the cast, their participation in the completed film has not been confirmed: Bruce Nance, Diane Nance, Rita Egger, Michelle Rae Slaboda, Charles Salerno and Hugh Bingen. Another HR news item mentions that composer Roy Webb was borrowed from RKO for the picture. According to a pre-production HR news item, Love, Honor and Goodbye was Republic's costliest film to date. ...

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The film's working title was Heads It's Love. Although the screen credits list only Jacqueline Moore as "Sally," HR production charts and a studio press release state that both Jacqueline and her twin sister Judith played the part. HR news items indicate that director Albert S. Rogell, who was originally suspended by Republic for refusing to direct Brazil, returned for Love, Honor and Goodbye, and that John Loder was originally cast for one of the starring roles. Although a Jun 1945 HR news item lists the following actors in the cast, their participation in the completed film has not been confirmed: Bruce Nance, Diane Nance, Rita Egger, Michelle Rae Slaboda, Charles Salerno and Hugh Bingen. Another HR news item mentions that composer Roy Webb was borrowed from RKO for the picture. According to a pre-production HR news item, Love, Honor and Goodbye was Republic's costliest film to date.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
15 Sep 1945
---
Daily Variety
10 Sep 1945
p. 3
Film Daily
14 Sep 1945
p. 6
Hollywood Reporter
9 Nov 1944
p. 1
Hollywood Reporter
8 Mar 1945
p. 2
Hollywood Reporter
4 May 1945
p. 15
Hollywood Reporter
6 Jun 1945
p. 2
Hollywood Reporter
8 Jun 1945
p. 14
Hollywood Reporter
10 Sep 1945
p. 3
Motion Picture Herald
15-Sep-45
---
Motion Picture Herald Product Digest
19 May 1945
p. 2454
Motion Picture Herald Product Digest
15 Sep 1945
p. 2645
New York Times
8 Sep 1945
p. 12
Variety
12 Sep 1945
p. 16
Variety
19 Sep 1945
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Assoc prod
WRITERS
Scr
Orig story
Orig story
PHOTOGRAPHY
Photog
2d cam
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATORS
John McCarthy
Set dec
Set dec
COSTUMES
Cost supv
MUSIC
Mus dir
Mus score
SOUND
MAKEUP
Makeup supv
PRODUCTION MISC
Al Wood
Unit mgr
SOURCES
SONGS
"These Foolish Things (Remind Me of You)," words by Holt Marvel, music by Jack Strachey and Harry Link; "Close Those Eyes," by Walter Scharf and Ned Washington.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Heads It's Love
Release Date:
15 September 1945
Premiere Information:
New York opening: week of 7 Sep 1945
Production Date:
late Apr--8 June 1945
Copyright Info
Claimant
Date
Copyright Number
Republic Pictures Corp.
29 August 1945
LP13525
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
86-87
Length(in feet):
7,804
Length(in reels):
10
Country:
United States
PCA No:
10981
Passed by NBR:
Yes
SYNOPSIS

Attorney William Baxter and his secretary, Mary Riley, visit Bill's actress-wife Roberta on the set of her play. Her co-star, Tony Linnard, convinces Roberta to keep practicing, despite Bill's protests that he has not seen her alone in weeks. On his way out, Hendricks, the producer, asks him for money, and though Riley protests that Bill has already secretly invested $34,000 into the show, Bill reveals to Riley that he has done so in the hope that it will fail and Roberta will come home again. At a penny arcade that day, tattoo artist Terry O'Farrell asks Bill to watch his charge, a little girl named Sally, while he talks to the welfare ladies, who insist that he get a more appropriate job. Bill immediately adores Sally. On the opening night of the play, Roberta fails miserably and Bill orders it to be closed. Although Tony urges Roberta to keep trying, she leaves with Bill. They then enjoy a romantic night and plan a second honeymoon, but just as they are leaving for the trip, Tony arrives. He offers Roberta a starring role in his new play and, when Bill objects, tells Roberta that Bill was the old play's backer and tried to force it to fail. In an argument, Bill tells Roberta that she is a poor actress, after which she leaves angrily with Tony, who asks her to donate her own money to the production. A few weeks later, Riley visits Roberta and tells her that Bill is sick and losing all his clients, thus causing Roberta to run home. At home, Bill realizes that in a drunken stupor, he has hired Terry as a ...

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Attorney William Baxter and his secretary, Mary Riley, visit Bill's actress-wife Roberta on the set of her play. Her co-star, Tony Linnard, convinces Roberta to keep practicing, despite Bill's protests that he has not seen her alone in weeks. On his way out, Hendricks, the producer, asks him for money, and though Riley protests that Bill has already secretly invested $34,000 into the show, Bill reveals to Riley that he has done so in the hope that it will fail and Roberta will come home again. At a penny arcade that day, tattoo artist Terry O'Farrell asks Bill to watch his charge, a little girl named Sally, while he talks to the welfare ladies, who insist that he get a more appropriate job. Bill immediately adores Sally. On the opening night of the play, Roberta fails miserably and Bill orders it to be closed. Although Tony urges Roberta to keep trying, she leaves with Bill. They then enjoy a romantic night and plan a second honeymoon, but just as they are leaving for the trip, Tony arrives. He offers Roberta a starring role in his new play and, when Bill objects, tells Roberta that Bill was the old play's backer and tried to force it to fail. In an argument, Bill tells Roberta that she is a poor actress, after which she leaves angrily with Tony, who asks her to donate her own money to the production. A few weeks later, Riley visits Roberta and tells her that Bill is sick and losing all his clients, thus causing Roberta to run home. At home, Bill realizes that in a drunken stupor, he has hired Terry as a butler, professed his love to Terry's friend Marge, and moved them and Sally into the apartment. He tries to hide this from a now-loving Roberta, but she finds Marge's clothes and suspects him of cheating. Visiting his office to ask for a divorce a few days later, Roberta sees a governess arrive for an interview, and deduces that Bill has had a child behind her back. She then disguises herself as a French nurse named Fleurette to infiltrate the apartment and get proof of his infidelity. Bill recognizes her right away but still hires her, hoping she will fall in love with Sally and want to stay. After a rough start, Roberta does come to love Sally, but still mistrusts Bill and decides to seduce him, as Fleurette, while Tony hides and takes pictures. Seeing Tony on the roof, Bill has Roberta drink the stiff cocktail intended for him, then romances her as she gets drunk. Later, when it begins to rain, he has the roof door locked to keep Tony from getting inside. The next morning, Terry, who does not know that "Fleurette" is really Bill's wife, finds Roberta passed out on the couch with a tender note from Bill, and, suspecting Bill of immorality, takes Sally and leaves. Upon waking, Roberta is distraught and calls the police to track down Terry and Sally as she dismisses the protests of a wet Tony. Bill and Riley rush home to talk with the detective while the police drag in Terry, Sally and Marge. In order to convince Terry to stay, Roberta takes off her disguise, then Bill reveals that he knew all along who she was, and compliments her on her acting talent.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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