Thunderhead, Son of Flicka (1945)

77-78 mins | Drama | March 1945

Full page view
HISTORY

The working title of this film was Son of Flicka, and some contemporary sources referred to it as Thunderhead. Although the film's title contains no punctuation in the onscreen credits, it is most commonly referred to as Thunderhead, Son of Flicka by contemporary sources. The film's opening title card reads, "Twentieth Century-Fox presents Mary O'Hara's Thunderhead Son of Flicka." After the opening credits, the following written prologue appears: "The producers are grateful for the invaluable assistance and approval of the American Humane Association under whose supervision this picture was made." Mary O'Hara's novel was serialized in McCall's (Jul--Sep 1943).
       The picture is a sequel to the 1943 production My Friend Flicka, and according to information in the Twentieth Century-Fox Records of the Legal Department and the Produced Scripts Collection, located at the UCLA Arts--Special Collections Library, when the studio purchased the rights to O'Hara's novel My Friend Flicka, it reserved the right to make a sequel of its own creation, using O'Hara's characters. Originally, the studio intended to feature the characters in a new film based on the Will James's story Smoky, which had previously been produced by the company in 1933 (see the entry for Smoky in the AFI Catalog of Feature Films, 1931-40; F3.4162). The studio changed course and purchased the rights to O'Hara's novel Thunderhead after experiencing difficulties with the screenplay and receiving a number of complaints from O'Hara, who stated that she was having problems selling the rights to her novel because other companies assumed that Twentieth Century-Fox had already ...

More Less

The working title of this film was Son of Flicka, and some contemporary sources referred to it as Thunderhead. Although the film's title contains no punctuation in the onscreen credits, it is most commonly referred to as Thunderhead, Son of Flicka by contemporary sources. The film's opening title card reads, "Twentieth Century-Fox presents Mary O'Hara's Thunderhead Son of Flicka." After the opening credits, the following written prologue appears: "The producers are grateful for the invaluable assistance and approval of the American Humane Association under whose supervision this picture was made." Mary O'Hara's novel was serialized in McCall's (Jul--Sep 1943).
       The picture is a sequel to the 1943 production My Friend Flicka, and according to information in the Twentieth Century-Fox Records of the Legal Department and the Produced Scripts Collection, located at the UCLA Arts--Special Collections Library, when the studio purchased the rights to O'Hara's novel My Friend Flicka, it reserved the right to make a sequel of its own creation, using O'Hara's characters. Originally, the studio intended to feature the characters in a new film based on the Will James's story Smoky, which had previously been produced by the company in 1933 (see the entry for Smoky in the AFI Catalog of Feature Films, 1931-40; F3.4162). The studio changed course and purchased the rights to O'Hara's novel Thunderhead after experiencing difficulties with the screenplay and receiving a number of complaints from O'Hara, who stated that she was having problems selling the rights to her novel because other companies assumed that Twentieth Century-Fox had already purchased it. The studio did produce another version of Smoky, which was released in 1946 (see above).
       According to a Nov 1943 HR news item, Peggy Ann Garner was to be included in the cast, and Ruth Clifford tested for a role. Various HR news items list Archie Mayo, John Brahm, Irving Pichel and Lew Seiler as potential directors for the picture.
       The film was shot on location at various sites, including the following Oregon locations: Bridal Veil Falls at Oneonta Gorge and the Multnomah County Fairgrounds near Gresham. California locations included Brent's Crags, Hidden Valley and Hollywood Park Racetrack. In Utah, the company filmed at: Zion National Park, Kanab, Bryce Canyon National Park, Red Rock Canyon, Navajo Lake, Glendale Gorge, Cedar City and Cedar Breaks National Monument. Additional scenes were shot in Duck Creek, Nevada. Thunderhead, Son of Flicka was the first picture to be shot completely with Monopack, a new type of color film stock. The one-strip stock aided production because, unlike Technicolor's three-strip stock, it could be run through an ordinary black-and-white film camera instead of the bulky three-strip Technicolor cameras, which made location shooting especially difficult.
       On 25 Feb 1946, McDowall, Foster and Johnson appeared on a Lux Radio Theatre broadcast of the story. The first film to feature the "McLaughlins" was My Friend Flicka, and the third picture, entitled Green Grass of Wyoming, was released by Twentieth Century-Fox in 1948 (see above). Although "Flicka's" sire is identified as "Banner" in My Friend Flicka, in both Thunderhead, Son of Flicka and Green Grass of Wyoming, her sire is the "Albino."

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
3 Feb 1945
---
Daily Variety
31 Jan 1945
p. 3
Film Daily
1 Feb 1945
p. 6
Hollywood Reporter
21 Sep 1943
---
Hollywood Reporter
11 Nov 1943
p. 10
Hollywood Reporter
23 Nov 1943
p. 7
Hollywood Reporter
8 Dec 1943
p. 11
Hollywood Reporter
28 Jan 1944
p. 1
Hollywood Reporter
10 Mar 1944
p. 1
Hollywood Reporter
12 Apr 1944
p. 16
Hollywood Reporter
5 May 1944
p. 21
Hollywood Reporter
2 Jun 1944
p. 2
Hollywood Reporter
7 Jun 1944
p. 4
Hollywood Reporter
12 Jun 1944
p. 6
Hollywood Reporter
21 Jun 1944
p. 14
Hollywood Reporter
4 Aug 1944
p. 47
Hollywood Reporter
31 Jan 1945
p. 3
Hollywood Reporter
14 Feb 1945
p. 8
Hollywood Reporter
19 Feb 1945
p. 2
Hollywood Reporter
13 Mar 1945
p. 1
Los Angeles Times
17 Feb 1945
---
Motion Picture Herald Product Digest
9 Sep 1944
p. 2092
Motion Picture Herald Product Digest
3 Feb 1945
p. 2297
New York Times
7 Oct 1943
---
New York Times
14 May 1944
---
New York Times
16 Mar 1945
p. 21
Variety
31 Jan 1945
p. 10
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Dial dir
2d unit dir
PRODUCER
WRITERS
PHOTOGRAPHY
Charles [G.] Clarke
Dir of photog
2d cam
Addl photog
Asst cam
Asst cam
Asst cam
Asst cam
Asst cam
Asst cam
Cam op
Cam crew
Cam crew
Cam crew
Cam crew
Cam crew
Cam crew
Cam crew
Cam crew
Joseph LaShelle
Cam crew
Cam crew
Cam maintenance
Stills
Stills
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Assoc
COSTUMES
MUSIC
Mus dir
SOUND
Arthur Von Kirbach
Sd
Mus mixer
VISUAL EFFECTS
Spec photog eff
MAKEUP
Makeup artist
PRODUCTION MISC
Equine supv
R. A. Klune
Prod mgr
Tech adv
STAND INS
Stand-in and double for Roddy McDowall
Stand-in for Rita Johnson
Stand-in for Preston Foster
COLOR PERSONNEL
Technicolor dir
SOURCES
LITERARY
Based on the novel Thunderhead by Mary O'Hara (Philadelphia, 1943).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Mary O'Hara's Thunderhead, Son of Flicka
Thunderhead
Release Date:
March 1945
Premiere Information:
Los Angeles opening: 16 Feb 1945; New York opening: 15 Mar 1945
Production Date:
late Apr--2 Aug 1944; addl seq 11 Aug 1944
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
8 February 1945
LP13242
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Color
Technicolor
Duration(in mins):
77-78
Length(in feet):
7,285
Length(in reels):
9
Country:
United States
PCA No:
10207
SYNOPSIS

One spring, teenager Ken McLaughlin wanders the winter range of his Wyoming ranch in search of his beloved horse Flicka. Ken is delighted to find Flicka but annoyed to see that her new colt is pure white, which means that he takes after Flicka's sire, the wild albino. Ken and ranch hand Gus coax Flicka and the colt into the family's barn, and the next morning, Ken introduces the foal, which Gus's daughter Hildy dubs Goblin, to his father Rob and mother Nell. Also present is their neighbor, racehorse breeder Charley Sargent, who is amused to learn that Ken snuck Flicka into his pasture to mate her with his prize stallion, Appalachian. Sargent laughingly tells Ken that he does not have to pay a stud fee and can register Goblin, who Ken hopes will become a great racer. As the summer passes, Goblin proves to be a fierce, independent creature, but Ken is still sad to return him to the winter pasture with Flicka. In the spring, Goblin and Flicka come home to the Goose Bar Ranch, and there Ken begins to train Goblin. The blood of Goblin's wild grandfather proves to be dominant, and Ken is hard-pressed to tame the colt, but Rob and Nell encourage him, even though they have their own worries because some of their mares have disappeared. One afternoon, Ken is searching for Goblin, who has run off, when he sees the legendary Albino challenging Banner, the McLaughlins' stallion. Ken runs to tell Rob, who realizes that the Albino has been stealing the mares, and they go to find him. The Albino eludes them, ...

More Less

One spring, teenager Ken McLaughlin wanders the winter range of his Wyoming ranch in search of his beloved horse Flicka. Ken is delighted to find Flicka but annoyed to see that her new colt is pure white, which means that he takes after Flicka's sire, the wild albino. Ken and ranch hand Gus coax Flicka and the colt into the family's barn, and the next morning, Ken introduces the foal, which Gus's daughter Hildy dubs Goblin, to his father Rob and mother Nell. Also present is their neighbor, racehorse breeder Charley Sargent, who is amused to learn that Ken snuck Flicka into his pasture to mate her with his prize stallion, Appalachian. Sargent laughingly tells Ken that he does not have to pay a stud fee and can register Goblin, who Ken hopes will become a great racer. As the summer passes, Goblin proves to be a fierce, independent creature, but Ken is still sad to return him to the winter pasture with Flicka. In the spring, Goblin and Flicka come home to the Goose Bar Ranch, and there Ken begins to train Goblin. The blood of Goblin's wild grandfather proves to be dominant, and Ken is hard-pressed to tame the colt, but Rob and Nell encourage him, even though they have their own worries because some of their mares have disappeared. One afternoon, Ken is searching for Goblin, who has run off, when he sees the legendary Albino challenging Banner, the McLaughlins' stallion. Ken runs to tell Rob, who realizes that the Albino has been stealing the mares, and they go to find him. The Albino eludes them, although Ken manages to recapture Goblin. Time passes as Ken saddle-breaks Goblin and trains him as a racer. Although he is still unpredictable, Goblin impresses Sargent with his speed, and Nell renames the lovely white horse Thunderhead, after the clouds in the sky. When Thunderhead is three years old, Ken and Nell convince Rob to put up the entrance fee for Ken to race him in the Multnomah County Fair, which offers a five-thousand dollar prize. Despite the strong competition, Thunderhead pulls ahead during the race and is about to win when he suddenly jumps off the track, throwing Ken. Ken is infuriated until the veterinarian informs him that Thunderhead has a bowed tendon and can never race again. Ken mopes at home after the discouraging news, but Rob, despite his own financial difficulties, again encourages his son and tells him to face up to his troubles. Later, Thunderhead has recuperated fully when the McLaughlins learn that Banner had been injured in a fight with the Albino, who has again raided their herd. Rob is forced to shoot Banner, and that night, Thunderhead runs off from their camp and Ken follows him to the Albino's secret pasture. The Albino charges Ken and is about to stomp him when Thunderhead challenges him and kills him in a savage battle. Rob, Gus and ranch hand Tim then find Ken, who tells them that Thunderhead saved his life. Thunderhead rounds up the Albino's large herd of stolen mares and helps the men drive them back to the McLaughlin ranch. With their financial future assured, the McLaughlins bid a sad farewell to Thunderhead, who takes the place of his wild grandfather as the range's undisputed king.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.