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HISTORY

According to an Apr 1945 NYT news item, Columbia was forced to change the title of this film from The Son of Robin Hood to The Bandit of Sherwood Forest when M-G-M protested that they owned the rights to the name Robin Hood. An Apr 1945 HR news item noted that a specially designed helicopter with camera mounts in the cockpit was employed to film the scene in which Robin's men seize the castle. This was one of the first uses of a helicopter in filming. For information about other films based on Robin Hood, see The Adventures of Robin Hood in AFI Catalog of Feature Films, 1931-40; F3.0021. ...

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According to an Apr 1945 NYT news item, Columbia was forced to change the title of this film from The Son of Robin Hood to The Bandit of Sherwood Forest when M-G-M protested that they owned the rights to the name Robin Hood. An Apr 1945 HR news item noted that a specially designed helicopter with camera mounts in the cockpit was employed to film the scene in which Robin's men seize the castle. This was one of the first uses of a helicopter in filming. For information about other films based on Robin Hood, see The Adventures of Robin Hood in AFI Catalog of Feature Films, 1931-40; F3.0021.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
26 Jan 1946
---
Daily Variety
18 Feb 1946
p. 3
Film Daily
19 Feb 1946
p. 10
Hollywood Reporter
23 Mar 1945
p. 8
Hollywood Reporter
2 Apr 1945
p. 3
Hollywood Reporter
18 May 1945
p. 14
Hollywood Reporter
18 Feb 1946
p. 11
Hollywood Reporter
28 Mar 1946
p. 6
Motion Picture Herald Product Digest
5 May 1945
p. 2434
Motion Picture Herald Product Digest
23 Feb 1946
p. 2857
New York Times
15 Apr 1945
---
New York Times
23 Mar 1946
p. 8
Variety
20 Feb 1946
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Assoc prod
WRITERS
Contr to dial
Contr to dial
PHOTOGRAPHY
Dir of photog
Dir of photog
George B. Meehan
Dir of photog
2d cam
ART DIRECTORS
Stephen Goossón
Art dir
Art dir
FILM EDITOR
Richard Fantl
Film ed
SET DECORATOR
Set dec
COSTUMES
Cost
MUSIC
Mus score
Mus dir
SOUND
Sd rec
Edwin L. Wetzel
Mus mixer
MAKEUP
Makeup
Hairstyles
PRODUCTION MISC
Tech adv
Unit mgr
Research dir
Research dir
COLOR PERSONNEL
Technicolor col consultant
Francisco C. Cugat
Assoc
SOURCES
LITERARY
Based on the novel Son of Robin Hood by Paul A. Castleton (New York, 1940).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
The Son of Robin Hood
Release Date:
21 February 1946
Production Date:
20 Mar--21 May 1945
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
21 January 1946
LP119
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Color
Technicolor
Duration(in mins):
85
Country:
United States
SYNOPSIS

In 1216, when William of Pembroke, the Lord Regent of England, threatens the rights of the people to rule and tax themselves as granted in the Magna Carta, the Earl of Huntington, who years earlier had assumed the mantle of Robin Hood to protect the kingdom from corrupt Prince John, reassembles the band of men that fought at his side and summons his son, Robert of Nottingham. When the Earl openly opposes the Regent's plan to abolish the Magna Carta, the Regent banishes him from England. Before leaving the castle, the Earl warns the Queen Mother that her son, the boy King, is in danger and tells her that he has sent for Robert to protect them. The Earl then returns to Sherwood Forest to lead his men as Robin Hood. When Robin and his men begin to openly defy the Regent, the Regent decides to depose the boy and ascend to the throne himself. After the Regent orders the King locked away in a tower, Catherine Maitland, the Queen's lady-in- waiting, proposes to the Queen that they turn to Robin Hood for help. That night, the two women steal out of the castle dressed as scullery maids. The next morning, Robert finds them hiding in the forest, and thinking that they are lowly maids, takes them to Mother Meg's hut. Upon leaving the hut, Robert is confronted by Friar Tuck, Allan-a-Dale and Little John, members of his father's band. After Robin introduces Robert as his son, they all return to Mother Meg's. There, Robin recognizes the Queen Mother and pledges to free England. Robin then dispatches Allan to infiltrate the castle ...

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In 1216, when William of Pembroke, the Lord Regent of England, threatens the rights of the people to rule and tax themselves as granted in the Magna Carta, the Earl of Huntington, who years earlier had assumed the mantle of Robin Hood to protect the kingdom from corrupt Prince John, reassembles the band of men that fought at his side and summons his son, Robert of Nottingham. When the Earl openly opposes the Regent's plan to abolish the Magna Carta, the Regent banishes him from England. Before leaving the castle, the Earl warns the Queen Mother that her son, the boy King, is in danger and tells her that he has sent for Robert to protect them. The Earl then returns to Sherwood Forest to lead his men as Robin Hood. When Robin and his men begin to openly defy the Regent, the Regent decides to depose the boy and ascend to the throne himself. After the Regent orders the King locked away in a tower, Catherine Maitland, the Queen's lady-in- waiting, proposes to the Queen that they turn to Robin Hood for help. That night, the two women steal out of the castle dressed as scullery maids. The next morning, Robert finds them hiding in the forest, and thinking that they are lowly maids, takes them to Mother Meg's hut. Upon leaving the hut, Robert is confronted by Friar Tuck, Allan-a-Dale and Little John, members of his father's band. After Robin introduces Robert as his son, they all return to Mother Meg's. There, Robin recognizes the Queen Mother and pledges to free England. Robin then dispatches Allan to infiltrate the castle and learn the Regent's plans. From the shadows, Allan listens as the Regent plots to push the King to his death from the tower window the following night. When Allan reports back, Robert decides to pose as the Prioress of Buxton to gain access to the castle, knowing that the drawbridge would be lowered for the Prioress. Catherine, who has fallen in love with Robert, insists on posing as the Prioress herself, and he agrees to let her accompany him. The next day, as Robert's men wait outside, Catherine, dressed as the ailing Prioress, and Robert, posing as her companion, ride through the castle gates. Inside, as Robert outlines to Catherine and Allan his plan to shoot an arrow attached to a rope into the King's tower, Lord Fitz-Herbert, one of the Regent's allies, discovers that the real Prioress is resting at a nearby inn and hurries to warn the Regent. Just as Robert's arrow lands inside the tower window and the King scrambles down the rope, Fitz-Herbert arrives and the Regent orders his men to shoot the King. With the help of Robert's men, the King escapes, but Robert, Allan and Catherine are captured. After convening a meeting of the barons, the Regent accuses Robert and his friends of abducting the King and orders them hung. When Robert demands a trial by combat instead and reveals that he is the son of Robin Hood, the Regent accepts his challenge, but deprives him of food and water for three days prior to the duel. On the night of the duel, Robin and his men surround the castle and overpower the guards. As Robert outduels the Regent, the Regent calls for his men to intervene, but they are helpless against Robin's band. After Robert defeats the Regent, the King returns to his throne. The King then knights Robert and commands him to marry Catherine.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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