Bringing Up Father (1946)

68 mins | Comedy | 23 November 1946

Director:

Eddie Cline

Writer:

Jerry Warner

Producer:

Barney Gerard

Cinematographer:

L. W. O'Connell

Editor:

Ralph Dixon

Production Company:

Monogram Productions, Inc.
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HISTORY

The opening credits read: "Jiggs and Maggie in Bringing Up Father." Bringing Up Father was the first of five Monogram films between 1946 and 1950 based on the George McManus cartoon strip of the same title. The "Jiggs and Maggie" films all starred Joe Yule (actor Mickey Rooney's father) and Renie Riano and, with the exception of the first film, were all directed by William Beaudine. The series ended following the death of Yule in 1950. According to contemporary sources, Barney Gerard acquired the screen rights to the comic strip in May 1940, at which time it was announced that he would produce two "Jiggs and Maggie" films annually. A Jun 1946 LAEx article indicates that the final decision as to who would play the role of Jiggs was made just prior to the start of production. According to the article, the choice was narrowed down to either McManus or Yule, but McManus rejected the role because it required that he shave his head. The Var review notes that this film marked Barney Gerard's "first attempt as a single producer." An article in Look magazine in Jul 1947 featured comic strip cells from McManus' "Bringing Up Father" newspaper series placed side-by-side with film frames from corresponding scenes in the movie, to illustrate how the filmmakers created settings, costumes and facial expressions that were nearly identical to those in the cartoon. In 1928, M-G-M released Bringing Up Father,hich also was based on the McManus comic strip. That film starred J. Farrell MacDonald as Jiggs and Polly Moran as Maggie. For additional titles in the series, ...

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The opening credits read: "Jiggs and Maggie in Bringing Up Father." Bringing Up Father was the first of five Monogram films between 1946 and 1950 based on the George McManus cartoon strip of the same title. The "Jiggs and Maggie" films all starred Joe Yule (actor Mickey Rooney's father) and Renie Riano and, with the exception of the first film, were all directed by William Beaudine. The series ended following the death of Yule in 1950. According to contemporary sources, Barney Gerard acquired the screen rights to the comic strip in May 1940, at which time it was announced that he would produce two "Jiggs and Maggie" films annually. A Jun 1946 LAEx article indicates that the final decision as to who would play the role of Jiggs was made just prior to the start of production. According to the article, the choice was narrowed down to either McManus or Yule, but McManus rejected the role because it required that he shave his head. The Var review notes that this film marked Barney Gerard's "first attempt as a single producer." An article in Look magazine in Jul 1947 featured comic strip cells from McManus' "Bringing Up Father" newspaper series placed side-by-side with film frames from corresponding scenes in the movie, to illustrate how the filmmakers created settings, costumes and facial expressions that were nearly identical to those in the cartoon. In 1928, M-G-M released Bringing Up Father,hich also was based on the McManus comic strip. That film starred J. Farrell MacDonald as Jiggs and Polly Moran as Maggie. For additional titles in the series, consult the Series Index.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Oct 1946
---
Daily Variety
11 Oct 1946
p. 3
Film Daily
16 Oct 1946
p. 11
Hollywood Reporter
21 Jun 1946
p. 16
Hollywood Reporter
5 Jul 1946
p. 14
Hollywood Reporter
11 Oct 1946
p. 3
Los Angeles Examiner
13 Jun 1946
---
Look
8 Jul 1947
---
Motion Picture Daily
6 May 1940
---
Motion Picture Herald Product Digest
7 Sep 1946
p. 3186
Motion Picture Herald Product Digest
19 Oct 1946
p. 3262
New York Times
22 Nov 1946
p. 27
Variety
27 Nov 1946
p. 28
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Eddie Cline
Dir
Asst dir
PRODUCER
WRITERS
Orig story
Eddie Cline
Orig story
PHOTOGRAPHY
FILM EDITOR
Film ed
COSTUMES
MUSIC
Mus dir
SOUND
Recordist
MAKEUP
Makeup
Hair dresser
PRODUCTION MISC
Prod mgr
Tech dir
SOURCES
LITERARY
Based on the comic strip "Bringing Up Father" created by George McManus, owned and copyrighted by King Features Syndicate, Inc. (12 Jan 1913--).
LITERARY SOURCE AUTHOR
SONGS
"When the Mush Begins to Rush Down Father's Vest," music and lyrics by Barney Gerard; "Corned Beef and Cabbage," music by Edward J. Kay, lyrics by Eddie Cline.
DETAILS
Alternate Title:
Jiggs and Maggie in Bringing Up Father
Release Date:
23 November 1946
Premiere Information:
New York premiere: 20 Nov 1946
Production Date:
20 Jun--early Jul 1946
Copyright Info
Claimant
Date
Copyright Number
Monogram Pictures Corp.
27 October 1946
LP657
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
68
Length(in reels):
8
Country:
United States
PCA No:
11859
SYNOPSIS

Construction contractor Jiggs and his overbearing, social-climbing wife Maggie are visited in their posh Park Avenue, New York apartment by the snobbish Mrs. Kermishaw, who, unaware that Jiggs is Maggie's husband, tells her that Jiggs is a "hybrid" and that she wants him removed from the building. Jiggs makes his presence known during Mrs. Kermishaw's visit and embarrasses Maggie, who then punches her husband for ruining her chances to get into the society Blue Book . When Jiggs stumbles down the stairs of his building and into a parked car, he happens upon his daughter Nora, who introduces him to her date, Junior Kermishaw, son of F. Newson Kermishaw, a dishonest developer who is planning to tear down Dinty Moore's Tenth Avenue saloon. Dinty's nephew Danny, an architect, is in the employ of Kermishaw but is unaware that he plans to welch on his promise to Dinty that he will modernize the building and let the saloon stand. Kermishaw's neighborhood improvement plan is nothing more than a front that he plans to use to take over the neighborhood. As part of his scheme, Kermishaw begins circulating a petition containing a clause in small print that turns over ownership of Dinty's saloon to him. The petition is soon signed by Maggie and all the patrons of Dinty's saloon. Meanwhile, Junior proposes to Nora and asks Jiggs for his blessing to marry his daughter, even though Danny is in love with Nora. When two men present Dinty with an injunction ordering the closure of his saloon, Dinty realizes that he made a terrible mistake in ignoring the small print of the petition, which also stipulates ...

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Construction contractor Jiggs and his overbearing, social-climbing wife Maggie are visited in their posh Park Avenue, New York apartment by the snobbish Mrs. Kermishaw, who, unaware that Jiggs is Maggie's husband, tells her that Jiggs is a "hybrid" and that she wants him removed from the building. Jiggs makes his presence known during Mrs. Kermishaw's visit and embarrasses Maggie, who then punches her husband for ruining her chances to get into the society Blue Book . When Jiggs stumbles down the stairs of his building and into a parked car, he happens upon his daughter Nora, who introduces him to her date, Junior Kermishaw, son of F. Newson Kermishaw, a dishonest developer who is planning to tear down Dinty Moore's Tenth Avenue saloon. Dinty's nephew Danny, an architect, is in the employ of Kermishaw but is unaware that he plans to welch on his promise to Dinty that he will modernize the building and let the saloon stand. Kermishaw's neighborhood improvement plan is nothing more than a front that he plans to use to take over the neighborhood. As part of his scheme, Kermishaw begins circulating a petition containing a clause in small print that turns over ownership of Dinty's saloon to him. The petition is soon signed by Maggie and all the patrons of Dinty's saloon. Meanwhile, Junior proposes to Nora and asks Jiggs for his blessing to marry his daughter, even though Danny is in love with Nora. When two men present Dinty with an injunction ordering the closure of his saloon, Dinty realizes that he made a terrible mistake in ignoring the small print of the petition, which also stipulates that its patrons refrain from drinking at any establishment. Jiggs is blamed for the fiasco by Dinty and all of the saloon's patrons, and is banished from the bar. Distraught, Jiggs wanders the streets and happens upon Danny, who is also upset because he knows that he has been had by the Kermishaws. Danny decides to fight back, though, and begins circulating a "counter petition" and goes to the Kermishaw Holding Company to slug Junior. Danny succeeds in reopening Dinty's saloon, and he is reunited with Nora. Later, an attempt by Kermishaw's thugs to "rough up" the patrons of the saloon is called off when the leader of the thugs recognizes Murphy, a regular habitué of the saloon, as an old friend.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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