Child of Divorce (1946)

62 mins | Drama | 15 October 1946

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HISTORY

Richard O. Fleischer (1916--2006) made his feature directorial debut and writer Lillie Hayward her producing debut with this film. Hayward's onscreen credit reads, "written for the screen and produced by Lillie Hayward." Prior to Child of Divorce, Fleischer had directed RKO's This Is America series and other documentary pictures. Some reviewers commented on the documentary-like style of the film. HR announced in 1940 that Dalton Trumbo was writing the screenplay for the picture, which Howard Benedict was to produce, but it is unlikely that any of Trumbo's work was retained in the completed film. In 1935, John Robertson directed Karen Morley, Edward Arnold and Frankie Thomas in Wednesday's Child, RKO's first version of Leopold L. Atlas' play (see AFI Catalog of Feature Films, 1931-40; F3.4982). In that version, the main child was a boy. Modern sources speculate that post-war statistics showing an annual divorce rate of 250,000 influenced RKO's decision to remake the Atlas play. ...

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Richard O. Fleischer (1916--2006) made his feature directorial debut and writer Lillie Hayward her producing debut with this film. Hayward's onscreen credit reads, "written for the screen and produced by Lillie Hayward." Prior to Child of Divorce, Fleischer had directed RKO's This Is America series and other documentary pictures. Some reviewers commented on the documentary-like style of the film. HR announced in 1940 that Dalton Trumbo was writing the screenplay for the picture, which Howard Benedict was to produce, but it is unlikely that any of Trumbo's work was retained in the completed film. In 1935, John Robertson directed Karen Morley, Edward Arnold and Frankie Thomas in Wednesday's Child, RKO's first version of Leopold L. Atlas' play (see AFI Catalog of Feature Films, 1931-40; F3.4982). In that version, the main child was a boy. Modern sources speculate that post-war statistics showing an annual divorce rate of 250,000 influenced RKO's decision to remake the Atlas play.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Oct 1946
---
Daily Variety
15 Oct 1946
p. 3
Film Daily
30 Oct 1946
p. 12
Hollywood Reporter
17 Jan 1940
---
Hollywood Reporter
30 Aug 1945
p. 2
Hollywood Reporter
19 Feb 1946
p. 3
Hollywood Reporter
15 Oct 1946
p. 3
Motion Picture Herald Product Digest
27 Apr 1946
p. 2972
Motion Picture Herald Product Digest
19 Oct 1946
p. 3262
Variety
16 Oct 1946
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Exec prod
WRITER
Wrt for the screen by, Wrt for the scr by
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Albert S. D'Agostino
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
MUSIC
C. Bakaleinikoff
Mus dir
VISUAL EFFECTS
Spec eff
SOURCES
LITERARY
Based on the play Wednesday's Child by Leopold L. Atlas (New York, 16 Jan 1934).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
15 October 1946
Production Date:
19 Feb--late Mar 1947
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
30 October 1946
LP705
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
62
Length(in feet):
5,570
Country:
United States
PCA No:
11518
SYNOPSIS

While her father Ray is away on an extended business trip, eight-year-old Roberta "Bobby" Carter and her school friends see her mother Joan kissing a stranger in a public park. Although Bobby refuses to admit to the other children that her mother has a "boyfriend," she is deeply disturbed by what she has witnessed. That night, Ray returns home unexpectedly from his trip and gives the delighted Bobby a toy piano, which plays "Home Sweet Home." After Bobby goes to bed, Joan tries to tell Ray about her affair, but is unable to break the news to him. Later, at a playground, Bobby is again teased by her friends about her mother's behavior. After chasing away her tormenters, the sensitive little girl tearfully asks God to make her parents love each other. Joan, however, continues her affair until a suspicious Ray finally asks her about her frequent absences. Thus confronted, Joan admits that she is love with a man named Michael Benton and wants a divorce. Stunned, Ray rails against his wife and slaps her across the face as a confused and frightened Bobby spies on her parents in the doorway. Upset by Ray's outburst, Joan runs to the park and is followed by a hysterical Bobby. Although Bobby seeks reassurance from her mother, Joan tells her that she is leaving home that night and is taking her away from her father. Later, at her parents' divorce trial, Bobby is asked to testify, but she is unable to condemn either parent. The judge grants the Carters a divorce and gives Joan custody of Bobby during the school year and Ray custody ...

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While her father Ray is away on an extended business trip, eight-year-old Roberta "Bobby" Carter and her school friends see her mother Joan kissing a stranger in a public park. Although Bobby refuses to admit to the other children that her mother has a "boyfriend," she is deeply disturbed by what she has witnessed. That night, Ray returns home unexpectedly from his trip and gives the delighted Bobby a toy piano, which plays "Home Sweet Home." After Bobby goes to bed, Joan tries to tell Ray about her affair, but is unable to break the news to him. Later, at a playground, Bobby is again teased by her friends about her mother's behavior. After chasing away her tormenters, the sensitive little girl tearfully asks God to make her parents love each other. Joan, however, continues her affair until a suspicious Ray finally asks her about her frequent absences. Thus confronted, Joan admits that she is love with a man named Michael Benton and wants a divorce. Stunned, Ray rails against his wife and slaps her across the face as a confused and frightened Bobby spies on her parents in the doorway. Upset by Ray's outburst, Joan runs to the park and is followed by a hysterical Bobby. Although Bobby seeks reassurance from her mother, Joan tells her that she is leaving home that night and is taking her away from her father. Later, at her parents' divorce trial, Bobby is asked to testify, but she is unable to condemn either parent. The judge grants the Carters a divorce and gives Joan custody of Bobby during the school year and Ray custody for the summer months. After Joan and Michael marry, Michael attempts to win over his step-daughter, but Bobby continually resists his overtures. Then, just before Bobby is to return to her father, Michael confronts Joan about the situation and suggests that the girl is causing a rift in their marriage. Although Joan implores Bobby to give Michael a chance, Bobby cannot accept her new "father" and tells her mother that she is not sure if she wants to return to her in the fall. Bobby's joy at being reunited with her father is abruptly curtailed, however, when she is suddenly introduced to his fiancée, Louise Norman. After Bobby falls sick with grief, her doctor informs Ray and Joan that she needs more continuity in her life and advises that one of them should assume sole custody of her. As neither parent feels capable of making Bobby happy, the child is sent to a country boarding school. There, on visitors' day, a lonely Bobby waits for the arrival of her parents, who are to visit her separately. After Ray, who has since remarried, cuts short his visit, Bobby is reassured by her wise, young roommate, whose parents also are divorced, that she will eventually "get used to" being alone. Then, as the school's church bells play "Home Sweet Home," Bobby sadly ponders her future and vows that when she grows up and gets married, she will put her own little girl to bed every night.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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