People Are Funny (1946)

92-93 mins | Comedy | 11 January 1946

Director:

Sam White

Producer:

Sam White

Cinematographer:

Fred Jackman Jr.

Editor:

Henry Adams

Production Designer:

F. Paul Sylos

Production Company:

Pine-Thomas Productions
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HISTORY

No credits were included in the viewed print. The above credits were taken from the release dialogue script in the Paramount Script Collection at the AMPAS Library. This film was based on the People Are Funny radio series, an audience participation show that started on the NBC network on 3 Apr 1942. In 1943, Art Linkletter became master of ceremonies, replacing Art Baker. People Are Funny also became a popular television series hosted by Linkletter. The picture marked the feature film debut of Linkletter (1912--2010). According to HR news items, Paramount considered featuring comedian Parkyarkarkus and radio announcer Ken Carpenter in the picture. The DV review credits Alexander Laszlo as music director instead of Rudy Schrager. ...

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No credits were included in the viewed print. The above credits were taken from the release dialogue script in the Paramount Script Collection at the AMPAS Library. This film was based on the People Are Funny radio series, an audience participation show that started on the NBC network on 3 Apr 1942. In 1943, Art Linkletter became master of ceremonies, replacing Art Baker. People Are Funny also became a popular television series hosted by Linkletter. The picture marked the feature film debut of Linkletter (1912--2010). According to HR news items, Paramount considered featuring comedian Parkyarkarkus and radio announcer Ken Carpenter in the picture. The DV review credits Alexander Laszlo as music director instead of Rudy Schrager.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
13 Oct 1945
---
Daily Variety
8 Oct 1945
p. 3, 10
Hollywood Reporter
14 Feb 1945
p. 11
Hollywood Reporter
23 Mar 1945
p. 8
Hollywood Reporter
6 Apr 1945
p. 12
Hollywood Reporter
10 Apr 1945
p. 8
Hollywood Reporter
8 Oct 1945
p. 3
Hollywood Reporter
4 Feb 1946
p. 12
Motion Picture Herald Product Digest
13 Oct 1945
p. 2677
New York Times
28 Jan 1946
p. 15
Variety
17 Oct 1945
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Harold Knox
Asst dir
PRODUCERS
Exec prod
Exec prod
Prod
WRITERS
Addl dial
Orig story
PHOTOGRAPHY
Dir of photog
2d cam
ART DIRECTOR
Art dir
FILM EDITORS
Supv ed
SET DECORATOR
COSTUMES
Miss Walker's gowns
MUSIC
Mus supv
Mus dir
SOUND
William H. Lynch
Sd rec
Re-rec and eff mixer
VISUAL EFFECTS
Spec eff
Transparencies
DANCE
Dance dir
MAKEUP
Makeup artist
PRODUCTION MISC
Research dir
SOURCES
LITERARY
Based on the radio series People Are Funny created by John Guedel (3 Apr 1942--1959).
LITERARY SOURCE AUTHOR
SONGS
"Every Hour on the Hour," music and lyrics by Duke Ellington and Don George; "The Old Square Dance Is Back Again," music and lyrics by Don Reid and Henry Tobias; "Hey José," music by Pepe and Tito Guízar, English lyrics by Jay Livingston and Ray Evans; "Chuck-A-Luckin'," music and lyrics by Archie Gottler, Jay Milton and Walter G. Samuels; "Alouette," traditional, new musical version and English lyrics by Rudy Vallee; "Angelina," music and lyrics by Allan Roberts and Doris Fisher; "I'm in the Mood for Love," music by Jimmy McHugh, lyrics by Dorothy Fields; "Cielito lindo," traditional.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
11 January 1946
Production Date:
late Mar--early Apr 1945
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures, Inc.
11 January 1946
LP22
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
92-93
Length(in reels):
10
Country:
United States
PCA No:
10936
Passed by NBR:
Yes
SYNOPSIS

After an unhappy sponsor cancels his radio show, Hollywood radio producer Johnny Guedel is given one week to come up with a new program. Desperate, Johnny calls his fiancée, writer Corey Sullivan, in Las Vegas, and asks for her help. Corey drives back to Hollywood with Leroy Brinker, a saxophone player, who sees Johnny's troubles as an opportunity to pitch his idea for a radio show. Near the town of Clearwater, Nevada, Corey's car breaks down. She and Leroy are picked up by an elderly woman, who introduces herself as the grandmother of local radio personality Pinky Wilson. She takes Leroy and Corey to the set of her grandson's radio show, where the stranded motorists get an idea to use Pinky's audience participation format as a model for a new program for Johnny. When Pinky refuses to sell his show to Leroy and Corey, the two decide to steal a sound recording of one of Pinky's shows and take it to Johnny. Feigning a sprained ankle and using it as an excuse to remain in Clearwater, Corey tries to persuade the naïve Pinky to sell his show and sends Leroy to Hollywood to deliver the recording. As soon as Leroy leaves, though, Corey tries to cut him out of the deal by calling Johnny and instructing him to steal the recording when it arrives. Back in Clearwater, Pinky tells Corey that his radio show belongs to the townspeople, and remains firm in his refusal to sell the program format. However, when Corey works her charms on him, he changes his mind and agrees to go to Hollywood. Pinky's arrival at the NBC studios gets off ...

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After an unhappy sponsor cancels his radio show, Hollywood radio producer Johnny Guedel is given one week to come up with a new program. Desperate, Johnny calls his fiancée, writer Corey Sullivan, in Las Vegas, and asks for her help. Corey drives back to Hollywood with Leroy Brinker, a saxophone player, who sees Johnny's troubles as an opportunity to pitch his idea for a radio show. Near the town of Clearwater, Nevada, Corey's car breaks down. She and Leroy are picked up by an elderly woman, who introduces herself as the grandmother of local radio personality Pinky Wilson. She takes Leroy and Corey to the set of her grandson's radio show, where the stranded motorists get an idea to use Pinky's audience participation format as a model for a new program for Johnny. When Pinky refuses to sell his show to Leroy and Corey, the two decide to steal a sound recording of one of Pinky's shows and take it to Johnny. Feigning a sprained ankle and using it as an excuse to remain in Clearwater, Corey tries to persuade the naïve Pinky to sell his show and sends Leroy to Hollywood to deliver the recording. As soon as Leroy leaves, though, Corey tries to cut him out of the deal by calling Johnny and instructing him to steal the recording when it arrives. Back in Clearwater, Pinky tells Corey that his radio show belongs to the townspeople, and remains firm in his refusal to sell the program format. However, when Corey works her charms on him, he changes his mind and agrees to go to Hollywood. Pinky's arrival at the NBC studios gets off to a bad start when he mistakes executive producer Ormsby Jamison for a contestant and humiliates him during one of the new show's gags. The incident prompts Jamison to cancel Johnny's show, and gives Leroy an opportunity to show Jamison his idea for a new show. Leroy interests Jamison in Pinky's People Are Funny show, but Jamison later learns that Pinky has been signed to an exclusive contract with Johnny. Feeling dejected and believing that he let down the people of Clearwater, Pinky returns home. Pinky's depression quickly turns to joy, however, when he discovers that Johnny and Corey have made a success of his show.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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