Tomorrow Is Forever (1946)

102 or 104 mins | Drama | 1946

Director:

Irving Pichel

Writer:

Lenore Coffee

Producer:

David Lewis

Cinematographer:

Joe Valentine

Editor:

Ernest Nims

Production Designer:

Wiard Ihnen

Production Company:

International Pictures, Inc.
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HISTORY

Gwen Bristow's novel was first published in the May 1944 issue of Ladies Home Journal. According to a Nov 1943 HR news item, Irene Dunne was considered for the film's lead along with Claudette Colbert. According to modern sources, director Irving Pichel cast Natalie Wood after she impressed him with her performance in a bit part in the 1943 picture Happy Land (see above entry). In a pre-production HR news item, Art Black was announced as Pichel's assistant; John Sherwood is credited onscreen in that capacity, however. A Jun 1945 HR news item indicates that James Jordan, Jr. was cast in the picture, but his appearance in the completed film has not been confirmed. According to an Aug 1945 HR news item, the film was banned in Aiken, SC after Orson Welles began a public campaign to find the "sadistic police officer" who was accused of blinding a black soldier in that city. In a modern interview, Welles commented that he acted in Tomorrow Is Forever only for the money and contributed very little to the production. Claudette Colbert reprised her role in a Lux Radio Theatre broadcast on 6 May 1946, co-starring Van Heflin, and on 13 Jan 1950, Colbert performed in a Hallmark Playhouse adaptation, co-starring Jeff Chandler. ...

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Gwen Bristow's novel was first published in the May 1944 issue of Ladies Home Journal. According to a Nov 1943 HR news item, Irene Dunne was considered for the film's lead along with Claudette Colbert. According to modern sources, director Irving Pichel cast Natalie Wood after she impressed him with her performance in a bit part in the 1943 picture Happy Land (see above entry). In a pre-production HR news item, Art Black was announced as Pichel's assistant; John Sherwood is credited onscreen in that capacity, however. A Jun 1945 HR news item indicates that James Jordan, Jr. was cast in the picture, but his appearance in the completed film has not been confirmed. According to an Aug 1945 HR news item, the film was banned in Aiken, SC after Orson Welles began a public campaign to find the "sadistic police officer" who was accused of blinding a black soldier in that city. In a modern interview, Welles commented that he acted in Tomorrow Is Forever only for the money and contributed very little to the production. Claudette Colbert reprised her role in a Lux Radio Theatre broadcast on 6 May 1946, co-starring Van Heflin, and on 13 Jan 1950, Colbert performed in a Hallmark Playhouse adaptation, co-starring Jeff Chandler.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Jan 1946
---
Daily Variety
15 Jan 1946
p. 3, 19
Film Daily
16 Jan 1946
p. 10
Hollywood Reporter
5 Nov 1943
p. 14
Hollywood Reporter
8 Feb 1945
p. 16
Hollywood Reporter
23 Mar 1945
p. 8
Hollywood Reporter
14 Jun 1945
p. 3
Hollywood Reporter
15 Aug 1945
p. 8
Hollywood Reporter
15 Jan 1946
p. 3, 25
Hollywood Reporter
15 Feb 1946
p. 16
Hollywood Reporter
25 Feb 1946
p. 6
Look
19 Mar 1946
pp. 88-89
Motion Picture Herald Product Digest
21 Jul 1945
p. 2555
Motion Picture Herald Product Digest
19 Jan 1946
p. 2805
New York Times
22 Feb 1946
p. 21
Variety
16 Jan 1946
p. 18
CAST
NAME
CREDITED AS
CREDIT
Louis Ludwig Lowy
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Joe Valentine
Dir of photog
2d cam
ART DIRECTOR
Wiard Ihnen
Prod des
FILM EDITOR
Film ed
COSTUMES
Cost
MUSIC
Asst mus dir
SOUND
Mus mixer
VISUAL EFFECTS
Spec photog eff
MAKEUP
Gustaf Norin
Makeup
SOURCES
LITERARY
Based on the novel Tomorrow Is Forever by Gwen Bristow (New York, 1943).
LITERARY SOURCE AUTHOR
MUSIC
"Tomorrow Is Forever" by Max Steiner and Charles Tobias.
SONGWRITER/COMPOSER
DETAILS
Premiere Information:
World premiere in London: 18 Jan 1946; New York premiere: 20 Feb 1946
Production Date:
late Mar--early Jun 1945
Copyright Info
Claimant
Date
Copyright Number
International Pictures, Inc.
31 December 1945
LP124
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
102 or 104
Country:
United States
PCA No:
10934
SYNOPSIS

In Baltimore, Maryland, on Dec 20, 1918, Elizabeth MacDonald receives word that her husband of one year, John Andrew, has been killed in war-torn France. Devastated by the news, Elizabeth faints on the job at the Hamilton Chemical Works, and is taken in by Larry Hamilton, her caring boss. Larry's maiden aunt Jessie soon informs him that the grief-stricken Elizabeth is pregnant. In a German hospital, meanwhile, the heavily bandaged John is tended to by the understanding Dr. Ludwig. Despite Ludwig's attempts to discover his identity, a depressed, morose John refuses to give his name and is determined to remain an official casualty of the war. Back in Baltimore, Elizabeth gives birth to John Andrew, whom she nicknames "Drew," and accepts the proposal of the devoted Larry. Many years later, as the threat of war in Europe again looms large, Elizabeth adopts an isolationist stand, hopeful that Drew, who is now twenty, will not be called to duty. At the same time, the crippled, scarred John, who lives in Austria and calls himself Erich Kessler, prepares to return to Baltimore with his foster daughter Margaret and work as a chemist at the Hamilton factory. Upon arriving in Baltimore, John takes Margaret to the house in which he and Elizabeth once lived and inquires about its owners. John then reports to his new employer, Larry, and unaware of his connection to Elizabeth, accepts his dinner invitation. John is stunned when he sees Elizabeth for the first time, and while Elizabeth is unable to identify John's surgically altered face, she senses something familiar about him. An anxious John then is introduced to Drew ...

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In Baltimore, Maryland, on Dec 20, 1918, Elizabeth MacDonald receives word that her husband of one year, John Andrew, has been killed in war-torn France. Devastated by the news, Elizabeth faints on the job at the Hamilton Chemical Works, and is taken in by Larry Hamilton, her caring boss. Larry's maiden aunt Jessie soon informs him that the grief-stricken Elizabeth is pregnant. In a German hospital, meanwhile, the heavily bandaged John is tended to by the understanding Dr. Ludwig. Despite Ludwig's attempts to discover his identity, a depressed, morose John refuses to give his name and is determined to remain an official casualty of the war. Back in Baltimore, Elizabeth gives birth to John Andrew, whom she nicknames "Drew," and accepts the proposal of the devoted Larry. Many years later, as the threat of war in Europe again looms large, Elizabeth adopts an isolationist stand, hopeful that Drew, who is now twenty, will not be called to duty. At the same time, the crippled, scarred John, who lives in Austria and calls himself Erich Kessler, prepares to return to Baltimore with his foster daughter Margaret and work as a chemist at the Hamilton factory. Upon arriving in Baltimore, John takes Margaret to the house in which he and Elizabeth once lived and inquires about its owners. John then reports to his new employer, Larry, and unaware of his connection to Elizabeth, accepts his dinner invitation. John is stunned when he sees Elizabeth for the first time, and while Elizabeth is unable to identify John's surgically altered face, she senses something familiar about him. An anxious John then is introduced to Drew and deduces that he is his son. To Elizabeth's horror, Drew announces after dinner that he wants to join the RAF, which is training in Canada. Later, after Elizabeth has told Drew she will not permit him to enlist, Drew discusses the Nazi situation with John, who has come to the Hamiltons' for lunch and is sympathetic to his son's position. When Drew brings the subject up again at the table, Elizabeth explodes with anger and tells Larry, who supports Drew, that because Drew is not his real son, he cannot know the pain she is feeling. Elizabeth then tells John that he is not welcome at her house anymore, but later apologizes when he reveals that Margaret's real parents, Dr. Ludwig and his wife, were brutally murdered by the Nazis. After John leaves, Elizabeth finds herself reminiscing about her first marriage. Then, on the twenty-first anniversary of that marriage, both Elizabeth and John are drawn back to their old house, and Elizabeth finally confronts John about his identity. Although John repeatedly denies her assertions that he is her long-lost husband, Elizabeth later calls him at work when she discovers that Drew has disappeared. Concerned, John reads a letter that Drew had left for the absent Larry and rushes to the train station to intercept his son. John tells an indignant Drew that he has to wait until he is twenty-one to enlist and threatens to inform the police if he resists. After an exhausted John returns Drew safely home, Elizabeth once again presses him to admit his identity. Instead, John tells Elizabeth that she must stop living in the past and face her fears. Moved by John's thoughtful remarks, Elizabeth gives Drew permission to enlist and explains to him that John interfered so that she could send him off herself. John, meanwhile, collapses at home while burning a cherished love letter from Elizabeth and then dies. The next day, Elizabeth and Larry go to John's place to tell him about Drew and are saddened to learn of his death. When a tearful Margaret tells Elizabeth that John had assured her that she would be there if anything happened to him, Elizabeth embraces the child, confident that "tomorrow is forever."

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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